Annotation:Merry Girls of Bristol: Difference between revisions
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'''MERRY GIRLS OF BRISTOL, THE.''' AKA and see "[[Bristol Lasses]]." English, Country Dance Tune (2/4). G Major. Standard tuning (fiddle). First published in London publishers Charles and Samuel Thompson's '''Twenty Four Country Dances for the Year 1765''' (p. 4) and later in their '''Compleat Collection of 200 Favourite Country Dances''' (vol. 4, 1780). It also appears in the music manuscript collection of Somerset shoemaker and fiddler William Winter (1774-1861). Northumbrian musician William Vickers included it in his 1770 music manuscript collection under the title "[[Bristol Lasses]]" [http://www.asaplive.com/archive/detail.asp?id=R0315701]. | '''MERRY GIRLS OF BRISTOL, THE.''' AKA and see "[[Bristol Lasses]]." English, Country Dance Tune (2/4). G Major. Standard tuning (fiddle). First published in London publishers Charles and Samuel Thompson's '''Twenty Four Country Dances for the Year 1765''' (p. 4) and later in their '''Compleat Collection of 200 Favourite Country Dances''' (vol. 4, 1780). It also appears in the music manuscript collection of Somerset shoemaker and fiddler William Winter (1774-1861). Northumbrian musician William Vickers included it in his 1770 music manuscript collection under the title "[[Bristol Lasses]]" [http://www.asaplive.com/archive/detail.asp?id=R0315701]. | ||
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''Source for notated version'': | ''Source for notated version'': | ||
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''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 4'''), 1780; p. 88. | ''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 4'''), 1780; p. 88. | ||
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Revision as of 14:21, 6 May 2019
Back to Merry Girls of Bristol
MERRY GIRLS OF BRISTOL, THE. AKA and see "Bristol Lasses." English, Country Dance Tune (2/4). G Major. Standard tuning (fiddle). First published in London publishers Charles and Samuel Thompson's Twenty Four Country Dances for the Year 1765 (p. 4) and later in their Compleat Collection of 200 Favourite Country Dances (vol. 4, 1780). It also appears in the music manuscript collection of Somerset shoemaker and fiddler William Winter (1774-1861). Northumbrian musician William Vickers included it in his 1770 music manuscript collection under the title "Bristol Lasses" [1].
Source for notated version:
Printed sources: Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 4), 1780; p. 88.
Recorded sources: