Aald Hill Grin(n)d, Da: Difference between revisions

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|f_annotations=This 6/8 tune (with a key change in the second strain) was originally collected without a title and later named by a founder member of the Shetland Folk Society, Peter Moar. However, its Shetland provenance is somewhat in doubt as it was published as "The Nut" in Kerr's Collection of Reels and Strathspeys (n.d.). Anderson and Georgeson transcribed their tune from the playing of John "J.J." Stickle (1875-1957, Unst, Shetland), and note the melody can be used as the vehicle for a Boston two-step. Stickle was the grandson of Fredamond Stickle, an influential fiddler whose origins are somewhat obscure, but who is remembered for his "Christmas Day in the Morning," a tune he played in the Laird's house each year. John's repertoire was extensively collected by Patrick Shuldham-Shaw in 1946 and again in 1950 (see Journal of the English Folk Dance and Song Society, 1962, pg. 129).
|f_annotations=This 6/8 tune (with a key change in the second strain) was originally collected without a title and later named by a founder member of the Shetland Folk Society, Peter Moar. However, its Shetland provenance is somewhat in doubt as it was published as "The Nut" in Kerr's Collection of Reels and Strathspeys (n.d.). Anderson and Georgeson transcribed their tune from the playing of John "J.J." Stickle (1875-1957, Unst, Shetland), and note the melody can be used as the vehicle for a Boston two-step. Stickle was the grandson of Fredamond Stickle, an influential fiddler whose origins are somewhat obscure, but who is remembered for his "Christmas Day in the Morning," a tune he played in the Laird's house each year. John's repertoire was extensively collected by Patrick Shuldham-Shaw in 1946 and again in 1950 (see Journal of the English Folk Dance and Song Society, 1962, pg. 129).
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'''AALD HILL GRIN(N)D, DA'''.
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This traditional tune was originally collected without a title and later named by a founder member of the Shetland Folk Society, Peter Moar. Anderson and Georgeson note the tune can be used for a Boston two‑step. Source for notated version: J.J. Stickle (Unst, Shetland) [Anderson & Georgeson]. Anderson & Georgeson (Da Mirrie Dancers), 1970; pg. 17. Bain (50 Fiddle Solos), 1989; pg. 12.
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K:G
K:G
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|:F/2G/2|"D"A3 f2e|"D"dcd "A7"A3|"D"ABA "Bm"AGF|"Em"G2E "A7"EFG|
|:F/2G/2|"D"A3 f2e|"D"dcd "A7"A3|"D"ABA "Bm"AGF|"Em"G2E "A7"EFG|
DA2 f2e|"D"dcd "A"ABA|"G"Bcd "A7"edc|"D"d3 d2:|
DA2 f2e|"D"dcd "A"ABA|"G"Bcd "A7"edc|"D"d3 d2:|
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'''© 1996-2010 Andrew Kuntz. All Rights Reserved.'''
 
<font size="4" face="garamond, serif">© 1996-2010 Andrew Kuntz. All Rights Reserved. <br>Engraved by Valerio M. Pelliccioni</font>
 
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Engraver Valerio M. Pelliccioni
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[[{{TALKPAGENAME}}|Descriptive information]]

Revision as of 21:22, 20 June 2010


Aald Hill Grin(n)d, Da  Click on the tune title to see or modify Aald Hill Grin(n)d, Da's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Aald Hill Grin(n)d, Da
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 Theme code Index    11 31 63 7L2
 Also known as    
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish, Shetland/Orkney
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    6/8
 History    Scotland/Shetland/Orkney"Scotland/Shetland/Orkney" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
 Structure    One part
 Editor/Compiler    Biography:Anderson & Georgeson
 Book/Manuscript title    Book:Da Mirrie Dancers
 Tune and/or Page number    p. 10
 Year of publication/Date of MS    1970
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


AALD HILL GRIN(N)D, DA.
This traditional tune was originally collected without a title and later named by a founder member of the Shetland Folk Society, Peter Moar. Anderson and Georgeson note the tune can be used for a Boston two‑step. Source for notated version: J.J. Stickle (Unst, Shetland) [Anderson & Georgeson]. Anderson & Georgeson (Da Mirrie Dancers), 1970; pg. 17. Bain (50 Fiddle Solos), 1989; pg. 12. 

X:1 
K:G
T: Aald Hill Grinnd, Da
M: 6/8
L: 1/8
R: jig
K: Gmaj
|:D|"G"G2G "D7"G2A|"G"BAG G3|"C"edc "G"BAG|"Am"FAA "D7"AFD|
G2G "D7"G2A|"G"BGG g3|"C"f2e "D7"e2A|"G"A2G "G"G2:|
K:D
|:F/2G/2|"D"A3 f2e|"D"dcd "A7"A3|"D"ABA "Bm"AGF|"Em"G2E "A7"EFG|
DA2 f2e|"D"dcd "A"ABA|"G"Bcd "A7"edc|"D"d3 d2:|

© 1996-2010 Andrew Kuntz. All Rights Reserved.
Engraver Valerio M. Pelliccioni

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