Annotation:James Gannon's Barn Dance (2): Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
Line 1: | Line 1: | ||
=='''Back to [[{{BASEPAGENAME}}]]'''== | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''JAMES GANNON'S (BARNDANCE) [2]'''. AKA and see "[[Chaffpool Post (1) (The)]]," "[[Merry Priest (The)]]," "[[Shannon Waves]]." Irish, Barndance. G Major. Standard tuning (fiddle). AA'BB'. Sligo fiddler Michael Coleman was the first to record this tune, in New York in 1927. It has long been popular among Cape Breton fiddlers, according to Paul Stewart Cranford, and has been recorded by Angus Chisholm, Mike MacDougall, Howie MacDonald, and Kinnon Beaton, among others. The melody appears as "[[Merry Priest (The)]]" in County Cavan/Philadelphia fiddler Ed Reavy's book '''The Music of Corktown''', which documents some of the tunes popular among Irish fiddlers in Philadelphia in the mid-20th century. | '''JAMES GANNON'S (BARNDANCE) [2]'''. AKA and see "[[Chaffpool Post (1) (The)]]," "[[Merry Priest (The)]]," "[[Shannon Waves]]." Irish, Barndance. G Major. Standard tuning (fiddle). AA'BB'. Sligo fiddler Michael Coleman was the first to record this tune, in New York in 1927. It has long been popular among Cape Breton fiddlers, according to Paul Stewart Cranford, and has been recorded by Angus Chisholm, Mike MacDougall, Howie MacDonald, and Kinnon Beaton, among others. The melody appears as "[[Merry Priest (The)]]" in County Cavan/Philadelphia fiddler Ed Reavy's book '''The Music of Corktown''', which documents some of the tunes popular among Irish fiddlers in Philadelphia in the mid-20th century. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': | ''Printed sources'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
See also listing at:<br> | See also listing at:<br> | ||
Alan Ng's Irishtune.info [http://www.irishtune.info/tune/917/]<br> | Alan Ng's Irishtune.info [http://www.irishtune.info/tune/917/]<br> |
Revision as of 13:28, 6 May 2019
Back to James Gannon's Barn Dance (2)
JAMES GANNON'S (BARNDANCE) [2]. AKA and see "Chaffpool Post (1) (The)," "Merry Priest (The)," "Shannon Waves." Irish, Barndance. G Major. Standard tuning (fiddle). AA'BB'. Sligo fiddler Michael Coleman was the first to record this tune, in New York in 1927. It has long been popular among Cape Breton fiddlers, according to Paul Stewart Cranford, and has been recorded by Angus Chisholm, Mike MacDougall, Howie MacDonald, and Kinnon Beaton, among others. The melody appears as "Merry Priest (The)" in County Cavan/Philadelphia fiddler Ed Reavy's book The Music of Corktown, which documents some of the tunes popular among Irish fiddlers in Philadelphia in the mid-20th century.
Source for notated version:
Printed sources:
Recorded sources:
See also listing at:
Alan Ng's Irishtune.info [1]
Hear the recording by Lad O'Beirne, Louis Quinn and the Quinn Orchestra at Comhaltas Archives [2]