Annotation:Lude's Lament: Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| Line 1: | Line 1: | ||
=='''Back to [[{{BASEPAGENAME}}]]'''== | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''LUDE'S LAMENT.''' Scottish, Air. Similar in the first strain to "[[Drunk at Night and Dry i' the Morning (1)]]," and to the opening of "[[Maid of Selma]]," which Stenhouse ('''Illustrations of the Lyric Poetry and Music of Scotland''') says is based "on the old air of "[[Todlin' Hame]]," which has assumed various shapes in common as well as treble time. In James Oswald's '''Caledonian Pocket Companion''' (1760) is a medley called "[[Battle of Falkirk (1) (The)]]," in which "Lude's Lament" is evidently a slight alteration of "[[Todlin' Hame]]." Oswald also printed other variants under the titles "[[Carronside]]," "[[Kennet's Dream]]" and "[[Armstrong's Farewell]]." | '''LUDE'S LAMENT.''' Scottish, Air. Similar in the first strain to "[[Drunk at Night and Dry i' the Morning (1)]]," and to the opening of "[[Maid of Selma]]," which Stenhouse ('''Illustrations of the Lyric Poetry and Music of Scotland''') says is based "on the old air of "[[Todlin' Hame]]," which has assumed various shapes in common as well as treble time. In James Oswald's '''Caledonian Pocket Companion''' (1760) is a medley called "[[Battle of Falkirk (1) (The)]]," in which "Lude's Lament" is evidently a slight alteration of "[[Todlin' Hame]]." Oswald also printed other variants under the titles "[[Carronside]]," "[[Kennet's Dream]]" and "[[Armstrong's Farewell]]." | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': Oswald ('''Caledonian Pocket Companion'''), 1760, vol. 9, p. 3. | ''Printed sources'': Oswald ('''Caledonian Pocket Companion'''), 1760, vol. 9, p. 3. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal>Maggie's Music MMCD222, Bonnie Rideout - "Scottish Fire" (2000).</font> | ''Recorded sources'': <font color=teal>Maggie's Music MMCD222, Bonnie Rideout - "Scottish Fire" (2000).</font> | ||
</font></p> | </font></p> | ||
Revision as of 14:18, 6 May 2019
Back to Lude's Lament
LUDE'S LAMENT. Scottish, Air. Similar in the first strain to "Drunk at Night and Dry i' the Morning (1)," and to the opening of "Maid of Selma," which Stenhouse (Illustrations of the Lyric Poetry and Music of Scotland) says is based "on the old air of "Todlin' Hame," which has assumed various shapes in common as well as treble time. In James Oswald's Caledonian Pocket Companion (1760) is a medley called "Battle of Falkirk (1) (The)," in which "Lude's Lament" is evidently a slight alteration of "Todlin' Hame." Oswald also printed other variants under the titles "Carronside," "Kennet's Dream" and "Armstrong's Farewell."
Source for notated version:
Printed sources: Oswald (Caledonian Pocket Companion), 1760, vol. 9, p. 3.
Recorded sources: Maggie's Music MMCD222, Bonnie Rideout - "Scottish Fire" (2000).