Annotation:Madam Seforth's Scotch-Measure: Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| Line 1: | Line 1: | ||
=='''Back to [[{{BASEPAGENAME}}]]'''== | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''MADAM SEFORTH'S SCOTCH-MEASURE.''' Scottish, Scottish Measure (whole time). F Major. Standard tuning (fiddle). AB. | '''MADAM SEFORTH'S SCOTCH-MEASURE.''' Scottish, Scottish Measure (whole time). F Major. Standard tuning (fiddle). AB. | ||
The first appearance in print of the term 'Scotch Measure' was in Henry Playford's '''Collection of Original Scotch-Tunes''' (London, 1700) with the melody "[[My Lady Hope's Scotch Measure]]" and others. The name refers to a cut-time dance tune similar to a reel (some say it is an older form of a reel), however having the characteristic three quarter-note pattern in the melody in either the first three or the last three beats of the measure, interspersed with measures comprised mostly of eighth notes. The genre, if indeed it can be distinguished from reels, has fallen out of favor and has been replaced by reels. | The first appearance in print of the term 'Scotch Measure' was in Henry Playford's '''Collection of Original Scotch-Tunes''' (London, 1700) with the melody "[[My Lady Hope's Scotch Measure]]" and others. The name refers to a cut-time dance tune similar to a reel (some say it is an older form of a reel), however having the characteristic three quarter-note pattern in the melody in either the first three or the last three beats of the measure, interspersed with measures comprised mostly of eighth notes. The genre, if indeed it can be distinguished from reels, has fallen out of favor and has been replaced by reels. | ||
| Line 7: | Line 7: | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': Playford ('''A Collection of Original Scotch-Tunes'''), 1700; No. 28, p. 12. | ''Printed sources'': Playford ('''A Collection of Original Scotch-Tunes'''), 1700; No. 28, p. 12. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
</font></p> | </font></p> | ||
Latest revision as of 14:18, 6 May 2019
Back to Madam Seforth's Scotch-Measure
MADAM SEFORTH'S SCOTCH-MEASURE. Scottish, Scottish Measure (whole time). F Major. Standard tuning (fiddle). AB.
The first appearance in print of the term 'Scotch Measure' was in Henry Playford's Collection of Original Scotch-Tunes (London, 1700) with the melody "My Lady Hope's Scotch Measure" and others. The name refers to a cut-time dance tune similar to a reel (some say it is an older form of a reel), however having the characteristic three quarter-note pattern in the melody in either the first three or the last three beats of the measure, interspersed with measures comprised mostly of eighth notes. The genre, if indeed it can be distinguished from reels, has fallen out of favor and has been replaced by reels.
Source for notated version:
Printed sources: Playford (A Collection of Original Scotch-Tunes), 1700; No. 28, p. 12.
Recorded sources: