Annotation:Nancy Cooper (2): Difference between revisions
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NANCY COOPER [2]. Irish, Planxty or Slow Air (3/4 time). G Mixolydian. Standard tuning (fiddle). One part. Composed by Turlough O'Carolan. Joyce's source O'Beirne remarked "'one of the oldest.'" The tune was recorded by the '''Belfast Northern Star''' of July 15, 1792, as having been played in competition by one of ten Irish harp masters at the last great convocation of ancient Irish harpers, the Belfast Harp Festival, held that week. Donal O'Sullivan included the melody in his definitive work on O'Carolan, but noted that there was no incontrovertible evidence that it was composed by him, unlike "[[Nancy Cooper (1)]]," which has a more established pedigree. | NANCY COOPER [2]. Irish, Planxty or Slow Air (3/4 time). G Mixolydian. Standard tuning (fiddle). One part. Composed by Turlough O'Carolan. Joyce's source O'Beirne remarked "'one of the oldest.'" The tune was recorded by the '''Belfast Northern Star''' of July 15, 1792, as having been played in competition by one of ten Irish harp masters at the last great convocation of ancient Irish harpers, the Belfast Harp Festival, held that week. Donal O'Sullivan included the melody in his definitive work on O'Carolan, but noted that there was no incontrovertible evidence that it was composed by him, unlike "[[Nancy Cooper (1)]]," which has a more established pedigree. | ||
[[File:carolan.jpg|200px|thumb|left|Turlough O'Carolan (1670-1738)]] | [[File:carolan.jpg|200px|thumb|left|Turlough O'Carolan (1670-1738)]] | ||
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''Source for notated version'': Hugh O'Beirne, professional fiddler from Ballinamore, Co. Leitrim, c. 1846, via [Irish collector William] Forde (Joyce). | ''Source for notated version'': Hugh O'Beirne, professional fiddler from Ballinamore, Co. Leitrim, c. 1846, via [Irish collector William] Forde (Joyce). | ||
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''Printed sources'': '''Complete Collection of Carolan's Irish Tunes''', 1984; No. 17, p. 34. Joyce ('''Old Irish Folk Music and Songs'''), 1909; No. 621, p. 318. O'Sullivan ('''The Life, Times and Music of an Irish Harper'''), 1958; No. 17, p. 112. | ''Printed sources'': '''Complete Collection of Carolan's Irish Tunes''', 1984; No. 17, p. 34. Joyce ('''Old Irish Folk Music and Songs'''), 1909; No. 621, p. 318. O'Sullivan ('''The Life, Times and Music of an Irish Harper'''), 1958; No. 17, p. 112. | ||
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Revision as of 14:28, 6 May 2019
Back to Nancy Cooper (2)
NANCY COOPER [2]. Irish, Planxty or Slow Air (3/4 time). G Mixolydian. Standard tuning (fiddle). One part. Composed by Turlough O'Carolan. Joyce's source O'Beirne remarked "'one of the oldest.'" The tune was recorded by the Belfast Northern Star of July 15, 1792, as having been played in competition by one of ten Irish harp masters at the last great convocation of ancient Irish harpers, the Belfast Harp Festival, held that week. Donal O'Sullivan included the melody in his definitive work on O'Carolan, but noted that there was no incontrovertible evidence that it was composed by him, unlike "Nancy Cooper (1)," which has a more established pedigree.
O'Sullivan (1958) identifies a member of the Cooper family of County Sligo as the subject of both airs. The family descended from Edward Cooper, a Cornet in Richard Collooney's regiment of dragoons, who came into a large estate in County Sligo. His son, Arthur Cooper, had two sons and five daughters, of whom the third daughter was named Anne. She married John Perceval, of Temple House, County Sligo, on Oct. 7th, 1722, and O'Sullivan believes O'Carolan's tunes are in her honor. Words to the tune are given in Thadaeus Connellan's An Duanaire (Fonna Seanma) (1829), headed "Anna Cupar. Miss Nancy Cooper, County Sligo. By Carolan," which would seem to cement the identification.
Source for notated version: Hugh O'Beirne, professional fiddler from Ballinamore, Co. Leitrim, c. 1846, via [Irish collector William] Forde (Joyce).
Printed sources: Complete Collection of Carolan's Irish Tunes, 1984; No. 17, p. 34. Joyce (Old Irish Folk Music and Songs), 1909; No. 621, p. 318. O'Sullivan (The Life, Times and Music of an Irish Harper), 1958; No. 17, p. 112.
Recorded sources: