Annotation:Young Terrance McDonough: Difference between revisions
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'''YOUNG TERENCE MACDONOUGH''' (Toirdealac Og Mic Doncad). AKA and see "[[Lament for Terence MacDonough]]," "[[Moon dimmed her beams (The)]]," "[[Once again, but how changed]]." Irish, Slow Air or Planxty (3/4 time). G Minor. Standard tuning (fiddle). AB. The air (as "[[Lament for Terence MacDonough]]") was composed by Turlough O'Carolan in 1696 in to commemorate the death of the son of Terence MacDonogh of Sligo, the only Catholic lawyer permitted to practice at the close of the 17th century and beginning of the 18th. The melody was first printed in Dublin by the Neals in "Collection of the Most Celebrated Irish Tunes" (c. 1724), and later in '''The Hibernian Muse''' (London 1787). The melody was used with Sir Walter Scott's poem "The Return to Ulster" and was also employed as the air to the song "The Moon Dimmed Her Beams". | '''YOUNG TERENCE MACDONOUGH''' (Toirdealac Og Mic Doncad). AKA and see "[[Lament for Terence MacDonough]]," "[[Moon dimmed her beams (The)]]," "[[Once again, but how changed]]." Irish, Slow Air or Planxty (3/4 time). G Minor. Standard tuning (fiddle). AB. The air (as "[[Lament for Terence MacDonough]]") was composed by Turlough O'Carolan in 1696 in to commemorate the death of the son of Terence MacDonogh of Sligo, the only Catholic lawyer permitted to practice at the close of the 17th century and beginning of the 18th. The melody was first printed in Dublin by the Neals in "Collection of the Most Celebrated Irish Tunes" (c. 1724), and later in '''The Hibernian Muse''' (London 1787). The melody was used with Sir Walter Scott's poem "The Return to Ulster" and was also employed as the air to the song "The Moon Dimmed Her Beams". | ||
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''Printed sources'': Clinton ('''Gems of Ireland: 200 Airs'''), 1841; No. 155, p. 79. '''Complete Collection of Carolan's Irish Tunes''', 1984; No. 210, p. 144 (appears as "Lament for Terence MacDonough"). Hughes ('''Gems from the Emerald Isles'''), London, 1867; No. 40, p. 10. O'Neill (Krassen), 1976; p. 227. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 629, p. 111. O’Neill ('''Waifs and Strays of Gaelic Melody'''), 1922. | ''Printed sources'': Clinton ('''Gems of Ireland: 200 Airs'''), 1841; No. 155, p. 79. '''Complete Collection of Carolan's Irish Tunes''', 1984; No. 210, p. 144 (appears as "Lament for Terence MacDonough"). Hughes ('''Gems from the Emerald Isles'''), London, 1867; No. 40, p. 10. O'Neill (Krassen), 1976; p. 227. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 629, p. 111. O’Neill ('''Waifs and Strays of Gaelic Melody'''), 1922. | ||
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Revision as of 14:48, 6 May 2019
Back to Young Terrance McDonough
YOUNG TERENCE MACDONOUGH (Toirdealac Og Mic Doncad). AKA and see "Lament for Terence MacDonough," "Moon dimmed her beams (The)," "Once again, but how changed." Irish, Slow Air or Planxty (3/4 time). G Minor. Standard tuning (fiddle). AB. The air (as "Lament for Terence MacDonough") was composed by Turlough O'Carolan in 1696 in to commemorate the death of the son of Terence MacDonogh of Sligo, the only Catholic lawyer permitted to practice at the close of the 17th century and beginning of the 18th. The melody was first printed in Dublin by the Neals in "Collection of the Most Celebrated Irish Tunes" (c. 1724), and later in The Hibernian Muse (London 1787). The melody was used with Sir Walter Scott's poem "The Return to Ulster" and was also employed as the air to the song "The Moon Dimmed Her Beams".
Source for notated version:
Printed sources: Clinton (Gems of Ireland: 200 Airs), 1841; No. 155, p. 79. Complete Collection of Carolan's Irish Tunes, 1984; No. 210, p. 144 (appears as "Lament for Terence MacDonough"). Hughes (Gems from the Emerald Isles), London, 1867; No. 40, p. 10. O'Neill (Krassen), 1976; p. 227. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 629, p. 111. O’Neill (Waifs and Strays of Gaelic Melody), 1922.
Recorded sources: