Annotation:Groans of the Wounded: Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| Line 1: | Line 1: | ||
=='''Back to [[{{BASEPAGENAME}}]]'''== | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''GROANS OF THE WOUNDED.''' English, Slow Air (whole time). D Major. Standard tuning (fiddle). AABB. The piece was composed by organist and theater composer William Reeve [1] (1757–1815) and published in London, England in 1791, scored for harp and uilleann pipes. It was part of his ballet-pantomime '''Oscar and Malvina, or the Hall of Fingal''', a popular long-running pantomime staged several times in London in the last decade of the 18th century into the early years of the next. It featured for a few years the playing of uilleann piper O’Farrell (whose first name is not known, but may have been Patrick), whose tutor and collections of music are important snapshots of the historical repertoire of the times. See also Reeve's other pieces for the opera, "[[Oscar and Malvina]]," "[[Battle (The)]]," "[[Soldiers Dance after the Battle]]," and others. | '''GROANS OF THE WOUNDED.''' English, Slow Air (whole time). D Major. Standard tuning (fiddle). AABB. The piece was composed by organist and theater composer William Reeve [1] (1757–1815) and published in London, England in 1791, scored for harp and uilleann pipes. It was part of his ballet-pantomime '''Oscar and Malvina, or the Hall of Fingal''', a popular long-running pantomime staged several times in London in the last decade of the 18th century into the early years of the next. It featured for a few years the playing of uilleann piper O’Farrell (whose first name is not known, but may have been Patrick), whose tutor and collections of music are important snapshots of the historical repertoire of the times. See also Reeve's other pieces for the opera, "[[Oscar and Malvina]]," "[[Battle (The)]]," "[[Soldiers Dance after the Battle]]," and others. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': | ''Printed sources'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
</font></p> | </font></p> | ||
Revision as of 13:21, 6 May 2019
Back to Groans of the Wounded
GROANS OF THE WOUNDED. English, Slow Air (whole time). D Major. Standard tuning (fiddle). AABB. The piece was composed by organist and theater composer William Reeve [1] (1757–1815) and published in London, England in 1791, scored for harp and uilleann pipes. It was part of his ballet-pantomime Oscar and Malvina, or the Hall of Fingal, a popular long-running pantomime staged several times in London in the last decade of the 18th century into the early years of the next. It featured for a few years the playing of uilleann piper O’Farrell (whose first name is not known, but may have been Patrick), whose tutor and collections of music are important snapshots of the historical repertoire of the times. See also Reeve's other pieces for the opera, "Oscar and Malvina," "Battle (The)," "Soldiers Dance after the Battle," and others.
Source for notated version:
Printed sources:
Recorded sources: