Annotation:You are my love in the hay all night: Difference between revisions

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'''YOU ARE MY LOVE IN THE HAY ALL NIGHT.''' AKA and see "[[Hills of Glenorchie (2) (The)]]." Irish, Air (6/8 time). A Dorian. Standard tuning (fiddle). AB. A version of "[[Hills of Glenorchie (2) (The)]]." One more member of the ubiquitous "[[Óró Welcome Home]]" tune family. Words to the first half were:
'''YOU ARE MY LOVE IN THE HAY ALL NIGHT.''' AKA and see "[[Hills of Glenorchie (2) (The)]]." Irish, Air (6/8 time). A Dorian. Standard tuning (fiddle). AB. A version of "[[Hills of Glenorchie (2) (The)]]." One more member of the ubiquitous "[[Óró Welcome Home]]" tune family. Words to the first half were:
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''Source for notated version'': Mrs. Anastasia Corkery (Co. Cork and southwestern Pa., 1930's) [Bayard].  
''Source for notated version'': Mrs. Anastasia Corkery (Co. Cork and southwestern Pa., 1930's) [Bayard].  
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''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; Appendix No. 36, p. 587.
''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; Appendix No. 36, p. 587.
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Latest revision as of 15:48, 6 May 2019

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YOU ARE MY LOVE IN THE HAY ALL NIGHT. AKA and see "Hills of Glenorchie (2) (The)." Irish, Air (6/8 time). A Dorian. Standard tuning (fiddle). AB. A version of "Hills of Glenorchie (2) (The)." One more member of the ubiquitous "Óró Welcome Home" tune family. Words to the first half were:

You are my love in the hay all night ... (x3)
Till six o'clock in the morning.

Source for notated version: Mrs. Anastasia Corkery (Co. Cork and southwestern Pa., 1930's) [Bayard].

Printed sources: Bayard (Dance to the Fiddle), 1981; Appendix No. 36, p. 587.

Recorded sources:




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