Annotation:Esmeralda Polka (La): Difference between revisions

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'''ESMERALDA POLKA, LA.''' Polka (2/4 time). C Major. Standard tuning (fiddle). ABACA. "La Esmeralda" takes its name from a ballet of the same name in 3 acts, 5 scenes, inspired by Victor Hugo's '''Notre Dame de Paris'''. It was originally choreographed by Jules Perrot, with music by Cesare Pugni (see also note for "[[Annotation:Opera Polka]]").  
'''ESMERALDA POLKA, LA.''' Polka (2/4 time). C Major. Standard tuning (fiddle). ABACA. "La Esmeralda" takes its name from a ballet of the same name in 3 acts, 5 scenes, inspired by Victor Hugo's '''Notre Dame de Paris'''. It was originally choreographed by Jules Perrot, with music by Cesare Pugni (see also note for "[[Annotation:Opera Polka]]").  
[[File:esmeralda.JPG|200px|thumb|left|Fanny Cerrito in the title role of the Pugni/Perrot La Esmeralda, London, circa 1844.]]
[[File:esmeralda.JPG|200px|thumb|left|Fanny Cerrito in the title role of the Pugni/Perrot La Esmeralda, London, circa 1844.]]
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''Source for notated version'':  
''Source for notated version'':  
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''Printed sources'': Manson ('''Hamilton's Universal Tune Book, vol. 2'''), 1846; p. 145.  
''Printed sources'': Manson ('''Hamilton's Universal Tune Book, vol. 2'''), 1846; p. 145.  
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Revision as of 13:37, 6 May 2019

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ESMERALDA POLKA, LA. Polka (2/4 time). C Major. Standard tuning (fiddle). ABACA. "La Esmeralda" takes its name from a ballet of the same name in 3 acts, 5 scenes, inspired by Victor Hugo's Notre Dame de Paris. It was originally choreographed by Jules Perrot, with music by Cesare Pugni (see also note for "Annotation:Opera Polka").

Fanny Cerrito in the title role of the Pugni/Perrot La Esmeralda, London, circa 1844.



Source for notated version:

Printed sources: Manson (Hamilton's Universal Tune Book, vol. 2), 1846; p. 145.

Recorded sources:




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