Annotation:Coming Through the Fields: Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
Line 2: Line 2:
----
----
<p><font face="garamond, serif" size="4">
<p><font face="garamond, serif" size="4">
'''COMING THROUGH THE FIELD(S).''' AKA and see "[[Miss Thornton’s Reel]]," "[[Thro the Fields (2)]]," "[[Boat Street Lasses (The)]]," "[[House on the Hill (4) (The)]]," "[[Maid of the Forest (The)]]," "[[Lady Ann Hope (1)]]," "[[Creeping Mouse (The)]]," "[[Down the Street]]," "[[Spike Island Lasses (2)]]," "[[Salamanca (2)]]," "[[O'Loughlin's Reel]]." Irish, Reel. G Major. Standard tuning (fiddle). AABB. The tune listed as having been commonly played at Orange County, New York country dances in the 1930's (Lettie Osborn. '''New York Folklore Quarterly''', pp. 211-215).
'''COMING THROUGH THE FIELD(S).''' AKA - "Coming Thro' the Field." AKA and see "[[Miss Thornton’s Reel]]," "[[Thro the Fields (2)]]," "[[Boat Street Lasses (The)]]," "[[House on the Hill (4) (The)]]," "[[Maid of the Forest (The)]]," "[[Lady Ann Hope (1)]]," "[[Creeping Mouse (The)]]," "[[Down the Street]]," "[[Spike Island Lasses (2)]]," "[[Salamanca (2)]]," "[[O'Loughlin's Reel]]." Irish, Reel. G Major. Standard tuning (fiddle). AABB. The tune listed as having been commonly played at Orange County, New York country dances in the 1930's (Lettie Osborn. '''New York Folklore Quarterly''', pp. 211-215).
<br>
<br>
<br>
<br>

Revision as of 04:49, 28 May 2015

Back to Coming Through the Fields


COMING THROUGH THE FIELD(S). AKA - "Coming Thro' the Field." AKA and see "Miss Thornton’s Reel," "Thro the Fields (2)," "Boat Street Lasses (The)," "House on the Hill (4) (The)," "Maid of the Forest (The)," "Lady Ann Hope (1)," "Creeping Mouse (The)," "Down the Street," "Spike Island Lasses (2)," "Salamanca (2)," "O'Loughlin's Reel." Irish, Reel. G Major. Standard tuning (fiddle). AABB. The tune listed as having been commonly played at Orange County, New York country dances in the 1930's (Lettie Osborn. New York Folklore Quarterly, pp. 211-215).

Source for notated version:

Printed sources: Levey (First Collection of the Dance Music of Ireland), 1858; No. 47, p. 19.

Recorded sources:




Back to Coming Through the Fields