Annotation:Afton Water: Difference between revisions
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The air used today for this 1786 pastoral song of Robert Burns is not the | [[{{BASEPAGENAME}}|Tune properties and standard notation]] | ||
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AFTON WATER. Scottish, Air (6/8 time). D Major. Standard tuning. One part. The air used today for this 1786 pastoral song of Robert Burns is not the one he originally set the song tune, but was substituted by a later editor who thought it more agreeable. The later air was composed in 1850 by Alexander Hume, of Edinburgh, a self‑taught musician "who enjoyed an excellent reputation as a chorister and composer of psalms" (Neil, 1991). Burns' original setting was to the melody "[[Talk:Yellow Haired Laddie (The)]]", and presented to Johnston, the editor of the Scots Musical Museum. Neil (1991) reports that it appears to have been part of a collection of 12 songs the poet first presented to an admirerer named Mrs. Stewart of Stair and Afton, and that the Mary named in the song was probably Mary Campbell (Highland Mary), who was courted by Burns at the time the song was written. | |||
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''Source for notated version'': | |||
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''Printed sources'': Neil ('''The Scots Fiddle'''), 1991; Nos. 182 and 183, pg. 237 ('''old and newer melodies'''). | |||
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''Recorded sources'': <font color=teal></font> | |||
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[[{{BASEPAGENAME}}|Tune properties and standard notation]] |
Revision as of 10:08, 17 November 2010
Tune properties and standard notation
AFTON WATER. Scottish, Air (6/8 time). D Major. Standard tuning. One part. The air used today for this 1786 pastoral song of Robert Burns is not the one he originally set the song tune, but was substituted by a later editor who thought it more agreeable. The later air was composed in 1850 by Alexander Hume, of Edinburgh, a self‑taught musician "who enjoyed an excellent reputation as a chorister and composer of psalms" (Neil, 1991). Burns' original setting was to the melody "Talk:Yellow Haired Laddie (The)", and presented to Johnston, the editor of the Scots Musical Museum. Neil (1991) reports that it appears to have been part of a collection of 12 songs the poet first presented to an admirerer named Mrs. Stewart of Stair and Afton, and that the Mary named in the song was probably Mary Campbell (Highland Mary), who was courted by Burns at the time the song was written.
Source for notated version:
Printed sources: Neil (The Scots Fiddle), 1991; Nos. 182 and 183, pg. 237 (old and newer melodies).
Recorded sources: