Annotation:Guaracha (2) (The): Difference between revisions
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'''GUARACHA IN MASSANIELLO, THE.''' French, March (whole time). G Major. Standard tuning (fiddle). AAB. The tune appears in Daniel François Esprit Auber's [https://en.wikipedia.org/wiki/Daniel_Auber] (1782-1871) opera '''Masaniello or La Muette de Portici''' (1828), based on the Italian popular hero Masaniello [https://en.wikipedia.org/wiki/Masaniello]. The opera was immensely popular on the Continent and in England, and was an early example of Grand Opera. Several of the melodies in the opera were published for amateur musicians and some were absorbed into traditional repertory. [[File:auber.jpg|200px|thumb|left|D.E.F. Auber]] | '''GUARACHA IN MASSANIELLO, THE.''' French, March (whole time). G Major. Standard tuning (fiddle). AAB. The tune appears in Daniel François Esprit Auber's [https://en.wikipedia.org/wiki/Daniel_Auber] (1782-1871) opera '''Masaniello or La Muette de Portici''' (1828), based on the Italian popular hero Masaniello [https://en.wikipedia.org/wiki/Masaniello]. The opera was immensely popular on the Continent and in England, and was an early example of Grand Opera. Several of the melodies in the opera were published for amateur musicians and some were absorbed into traditional repertory. [[File:auber.jpg|200px|thumb|left|D.E.F. Auber]] | ||
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''Source for notated version'': | ''Source for notated version'': | ||
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''Printed sources'': Alexander ('''Alexander’s New Scrap Book vol. 6'''), c. 1845; No. 840, p. 5. | ''Printed sources'': Alexander ('''Alexander’s New Scrap Book vol. 6'''), c. 1845; No. 840, p. 5. | ||
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Revision as of 13:21, 6 May 2019
Back to Guaracha (2) (The)
GUARACHA IN MASSANIELLO, THE. French, March (whole time). G Major. Standard tuning (fiddle). AAB. The tune appears in Daniel François Esprit Auber's [1] (1782-1871) opera Masaniello or La Muette de Portici (1828), based on the Italian popular hero Masaniello [2]. The opera was immensely popular on the Continent and in England, and was an early example of Grand Opera. Several of the melodies in the opera were published for amateur musicians and some were absorbed into traditional repertory.
Source for notated version:
Printed sources: Alexander (Alexander’s New Scrap Book vol. 6), c. 1845; No. 840, p. 5.
Recorded sources: