Annotation:Pride of Rockchapel (1) (The): Difference between revisions
m (Andrew moved page Annotation:Pride of Rockchapel (The) to Annotation:Pride of Rockchapel (1) (The)) |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| Line 1: | Line 1: | ||
=='''Back to [[{{BASEPAGENAME}}]]'''== | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''PRIDE OF ROCKCHAPEL, THE.''' AKA and see “[[McFadden's Handsome Daughter]].” Irish, Reel. A Major. Standard tuning (fiddle). AA’B. A two-part version of “McFadden’s Handsome Daughter,” collected by Francis O'Neill from Chicago fiddler John McFadden who played it in three parts. New Jersey Accordion player Luke O’Malley reports that this tune was popularized in the New York City region by John McGrath and disseminated by his students, and probably received its title from a series of Sunday night dances held at the Rockchapel Ballromm on 86th St. “Paddy Killoran, as far as I know, picked it up from him. The dances were run by John O'Neil and Murty Collins (d.) and Paddy Killoran played in the band at times.” | '''PRIDE OF ROCKCHAPEL, THE.''' AKA and see “[[McFadden's Handsome Daughter]].” Irish, Reel. A Major. Standard tuning (fiddle). AA’B. A two-part version of “McFadden’s Handsome Daughter,” collected by Francis O'Neill from Chicago fiddler John McFadden who played it in three parts. New Jersey Accordion player Luke O’Malley reports that this tune was popularized in the New York City region by John McGrath and disseminated by his students, and probably received its title from a series of Sunday night dances held at the Rockchapel Ballromm on 86th St. “Paddy Killoran, as far as I know, picked it up from him. The dances were run by John O'Neil and Murty Collins (d.) and Paddy Killoran played in the band at times.” | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': | ''Printed sources'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
</font></p> | </font></p> | ||
Latest revision as of 14:35, 6 May 2019
Back to Pride of Rockchapel (1) (The)
PRIDE OF ROCKCHAPEL, THE. AKA and see “McFadden's Handsome Daughter.” Irish, Reel. A Major. Standard tuning (fiddle). AA’B. A two-part version of “McFadden’s Handsome Daughter,” collected by Francis O'Neill from Chicago fiddler John McFadden who played it in three parts. New Jersey Accordion player Luke O’Malley reports that this tune was popularized in the New York City region by John McGrath and disseminated by his students, and probably received its title from a series of Sunday night dances held at the Rockchapel Ballromm on 86th St. “Paddy Killoran, as far as I know, picked it up from him. The dances were run by John O'Neil and Murty Collins (d.) and Paddy Killoran played in the band at times.”
Source for notated version:
Printed sources:
Recorded sources: