Annotation:Pure Drop (1) (The): Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| Line 1: | Line 1: | ||
=='''Back to [[{{BASEPAGENAME}}]]'''== | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''PURE DROP [1], THE.''' AKA and see “[[Honeymoon Reel (2) (The)]],” "[[Rap Halfpenny Reel (The)]]," “[[Maid Who Left the County (1) (The)]].” Irish, Hornpipe. G Major. Standard tuning (fiddle). AB (Kennedy): AABB (Levey, Roche). The term 'pure drop' refers to the distillation of liquor, but is used euphemistically to describe core traditional Irish music and traditional performance. The tune was recorded in 78 RPM era as "The Honeymoon." | '''PURE DROP [1], THE.''' AKA and see “[[Honeymoon Reel (2) (The)]],” "[[Rap Halfpenny Reel (The)]]," “[[Maid Who Left the County (1) (The)]].” Irish, Hornpipe. G Major. Standard tuning (fiddle). AB (Kennedy): AABB (Levey, Roche). The term 'pure drop' refers to the distillation of liquor, but is used euphemistically to describe core traditional Irish music and traditional performance. The tune was recorded in 78 RPM era as "The Honeymoon." | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': Kennedy ('''Traditional Dance Music of Britain and Ireland: Reels and Rants'''), 1997; No. 160, p. 38. Levey ('''Dance Music of Ireland, 2nd Collection'''), 1873; No. 81, pp. 36-37. Roche ('''Collection of Traditional Irish Music, vol. 2'''), 1912; no. 225, p. 15. | ''Printed sources'': Kennedy ('''Traditional Dance Music of Britain and Ireland: Reels and Rants'''), 1997; No. 160, p. 38. Levey ('''Dance Music of Ireland, 2nd Collection'''), 1873; No. 81, pp. 36-37. Roche ('''Collection of Traditional Irish Music, vol. 2'''), 1912; no. 225, p. 15. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
See also listing at:<Br> | See also listing at:<Br> | ||
Alan Ng's Irishtune.info [https://www.irishtune.info/tune/846/]<br> | Alan Ng's Irishtune.info [https://www.irishtune.info/tune/846/]<br> | ||
Revision as of 14:36, 6 May 2019
Back to Pure Drop (1) (The)
PURE DROP [1], THE. AKA and see “Honeymoon Reel (2) (The),” "Rap Halfpenny Reel (The)," “Maid Who Left the County (1) (The).” Irish, Hornpipe. G Major. Standard tuning (fiddle). AB (Kennedy): AABB (Levey, Roche). The term 'pure drop' refers to the distillation of liquor, but is used euphemistically to describe core traditional Irish music and traditional performance. The tune was recorded in 78 RPM era as "The Honeymoon."
Source for notated version:
Printed sources: Kennedy (Traditional Dance Music of Britain and Ireland: Reels and Rants), 1997; No. 160, p. 38. Levey (Dance Music of Ireland, 2nd Collection), 1873; No. 81, pp. 36-37. Roche (Collection of Traditional Irish Music, vol. 2), 1912; no. 225, p. 15.
Recorded sources:
See also listing at:
Alan Ng's Irishtune.info [1]