Annotation:Minister's Daughter (The): Difference between revisions
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'''MINISTER'S DAUGHTER, THE''' (Ingean An Ministeir). Irish, Reel. A Major. Standard tuning (fiddle). AA'B (O'Neill/1850): AA'BB' (O'Neill/Krassen). | '''MINISTER'S DAUGHTER, THE''' (Ingean An Ministeir). Irish, Reel. A Major. Standard tuning (fiddle). AA'B (O'Neill/1850): AA'BB' (O'Neill/Krassen). | ||
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[[File:cronin.jpg|200px|thumb|left|Edward Cronin]] | [[File:cronin.jpg|200px|thumb|left|Edward Cronin]] | ||
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''Source for notated version'': Chicago fiddler and composer Edward Cronin, originally from County Tipperary, also a weaver and machinist [O'Neill]. O'Neill said of Cronin: | ''Source for notated version'': Chicago fiddler and composer Edward Cronin, originally from County Tipperary, also a weaver and machinist [O'Neill]. O'Neill said of Cronin: | ||
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''...he would play on for hours at a time such tunes as'' | ''...he would play on for hours at a time such tunes as'' | ||
''memory presented, his features while so engaged remaining as set and impassive as the sphinx...it was '' | ''memory presented, his features while so engaged remaining as set and impassive as the sphinx...it was '' | ||
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''Printed sources'': O'Neill (Krassen), 1976; p. 117. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1319, p. 247. | ''Printed sources'': O'Neill (Krassen), 1976; p. 117. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1319, p. 247. | ||
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''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
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Latest revision as of 14:21, 6 May 2019
Back to Minister's Daughter (The)
MINISTER'S DAUGHTER, THE (Ingean An Ministeir). Irish, Reel. A Major. Standard tuning (fiddle). AA'B (O'Neill/1850): AA'BB' (O'Neill/Krassen).
Source for notated version: Chicago fiddler and composer Edward Cronin, originally from County Tipperary, also a weaver and machinist [O'Neill]. O'Neill said of Cronin:
...he would play on for hours at a time such tunes as memory presented, his features while so engaged remaining as set and impassive as the sphinx...it was his open boast the he never forgot nor forgave an injury...
Printed sources: O'Neill (Krassen), 1976; p. 117. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1319, p. 247.
Recorded sources: