Annotation:Yorkshire Grey (The): Difference between revisions

Find traditional instrumental music
m (Fix citation)
m (Text replacement - "garamond, serif" to "sans-serif")
Line 1: Line 1:
=='''Back to [[{{BASEPAGENAME}}]]'''==
=='''Back to [[{{BASEPAGENAME}}]]'''==
----
----
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
'''YORKSHIRE GREY'''. English, Country Dance Tune (6/8 time). D Major. Standard tuning (fiddle). AABB. Kidson suggests the first strain was derived from "[[Hunting the Hare (3)]]" or "[[Green Gown (The)]]." The second strain is two measures longer (six in total) than the first. The air appears in Charles and Samuel Thompson's '''Complete Collection of Country Dances and Cotillions for the Harpsichord''' (c. 1775). The Yorkshire Grey was breed of horse favoured by medieval knights for its load carrying capacity, a feature not lost later when strong horses were needed by the military for hauling caissons. In the 18th century the Yorkshire Grey was adopted by the stage coach companies as the preferred engine, which explains the number of pubs with that name on the old trunk routes.
'''YORKSHIRE GREY'''. English, Country Dance Tune (6/8 time). D Major. Standard tuning (fiddle). AABB. Kidson suggests the first strain was derived from "[[Hunting the Hare (3)]]" or "[[Green Gown (The)]]." The second strain is two measures longer (six in total) than the first. The air appears in Charles and Samuel Thompson's '''Complete Collection of Country Dances and Cotillions for the Harpsichord''' (c. 1775). The Yorkshire Grey was breed of horse favoured by medieval knights for its load carrying capacity, a feature not lost later when strong horses were needed by the military for hauling caissons. In the 18th century the Yorkshire Grey was adopted by the stage coach companies as the preferred engine, which explains the number of pubs with that name on the old trunk routes.
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Source for notated version'':  
''Source for notated version'':  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Printed sources'': Kidson ('''Old English Country Dances'''), 1890; p. 15.  
''Printed sources'': Kidson ('''Old English Country Dances'''), 1890; p. 15.  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
</font></p>
</font></p>

Revision as of 15:48, 6 May 2019

Back to Yorkshire Grey (The)


YORKSHIRE GREY. English, Country Dance Tune (6/8 time). D Major. Standard tuning (fiddle). AABB. Kidson suggests the first strain was derived from "Hunting the Hare (3)" or "Green Gown (The)." The second strain is two measures longer (six in total) than the first. The air appears in Charles and Samuel Thompson's Complete Collection of Country Dances and Cotillions for the Harpsichord (c. 1775). The Yorkshire Grey was breed of horse favoured by medieval knights for its load carrying capacity, a feature not lost later when strong horses were needed by the military for hauling caissons. In the 18th century the Yorkshire Grey was adopted by the stage coach companies as the preferred engine, which explains the number of pubs with that name on the old trunk routes.

Source for notated version:

Printed sources: Kidson (Old English Country Dances), 1890; p. 15.

Recorded sources:




Back to Yorkshire Grey (The)