Annotation:Gens de la Bastille (Les): Difference between revisions
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'''GENS DE LA BASTILLE, LES''' (The People of the Bastille). AKA - "[[Spandy (Le)]]." French-Canadian, Reel. D Major. Standard tuning (fiddle). AA'BB'CC'DD'. Quebec accordion player Phillipe Bruneau states the tune was made popular by accordion player Rene Alain (who recorded the tune in the 1960's) and by the Soucy Family. Due to its four-part structure it is played for dances like "La Belle Catherine" and "Spendy" in Quebec (the tune is sometimes called "Spandy" as a result). | '''GENS DE LA BASTILLE, LES''' (The People of the Bastille). AKA - "[[Spandy (Le)]]." French-Canadian, Reel. D Major. Standard tuning (fiddle). AA'BB'CC'DD'. Quebec accordion player Phillipe Bruneau states the tune was made popular by accordion player Rene Alain (who recorded the tune in the 1960's) and by the Soucy Family. Due to its four-part structure it is played for dances like "La Belle Catherine" and "Spendy" in Quebec (the tune is sometimes called "Spandy" as a result). | ||
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''Source for notated version'': Dan Compton (Portland, Oregon) from the playing of accordion player Raynald Ouellet [Songer]. | ''Source for notated version'': Dan Compton (Portland, Oregon) from the playing of accordion player Raynald Ouellet [Songer]. | ||
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''Printed sources'': Songer ('''Portland Collection'''), 1997; p. 83. | ''Printed sources'': Songer ('''Portland Collection'''), 1997; p. 83. | ||
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''Recorded sources'': <font color=teal>Richard Forest - "Les pieds qui parlent."</font> | ''Recorded sources'': <font color=teal>Richard Forest - "Les pieds qui parlent."</font> | ||
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Revision as of 12:51, 6 May 2019
Back to Gens de la Bastille (Les)
GENS DE LA BASTILLE, LES (The People of the Bastille). AKA - "Spandy (Le)." French-Canadian, Reel. D Major. Standard tuning (fiddle). AA'BB'CC'DD'. Quebec accordion player Phillipe Bruneau states the tune was made popular by accordion player Rene Alain (who recorded the tune in the 1960's) and by the Soucy Family. Due to its four-part structure it is played for dances like "La Belle Catherine" and "Spendy" in Quebec (the tune is sometimes called "Spandy" as a result).
Source for notated version: Dan Compton (Portland, Oregon) from the playing of accordion player Raynald Ouellet [Songer].
Printed sources: Songer (Portland Collection), 1997; p. 83.
Recorded sources: Richard Forest - "Les pieds qui parlent."