Annotation:Highland Battle (A): Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "garamond, serif" to "sans-serif")
 
Line 1: Line 1:
=='''Back to [[{{BASEPAGENAME}}]]'''==
=='''Back to [[{{BASEPAGENAME}}]]'''==
----
----
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">


'''HIGHLAND BATTLE, A'''. Scottish, Fiddle Pibroch. D Mixolydian. Standard tuning (fiddle). A programmatic piece composed (probably) by James Oswald (1711-1769) for the fiddle descriptive of a battle between the clans. It is divided into separate sections called "The March," "They Mend Their Pace," "The Battle Begins," "The Height of the Battle," "The Preparation for a Retreat," "The Chief is Killed," "The Retreat," and "Lamentation for the Chief." Johnson (1983) believes Oswald derived the idea for this kind of many-part descriptive pibroch from 16th century European battle pieces, and was perhaps especially influenced by a harpsichord suite by the English composer William Byrd entitled "The Battell." See also Oswald's similarly-themed "[[Marsail Lochinalie]]."
'''HIGHLAND BATTLE, A'''. Scottish, Fiddle Pibroch. D Mixolydian. Standard tuning (fiddle). A programmatic piece composed (probably) by James Oswald (1711-1769) for the fiddle descriptive of a battle between the clans. It is divided into separate sections called "The March," "They Mend Their Pace," "The Battle Begins," "The Height of the Battle," "The Preparation for a Retreat," "The Chief is Killed," "The Retreat," and "Lamentation for the Chief." Johnson (1983) believes Oswald derived the idea for this kind of many-part descriptive pibroch from 16th century European battle pieces, and was perhaps especially influenced by a harpsichord suite by the English composer William Byrd entitled "The Battell." See also Oswald's similarly-themed "[[Marsail Lochinalie]]."
Line 7: Line 7:
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Source for notated version'':  
''Source for notated version'':  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Printed sources'': Oswald ('''Caledonian Pocket Companion, Book 9'''), c. 1760; p. 6. Johnson ('''Scottish Fiddle Music in the 18th Century'''), 1984; No. 58, pp. 138-140.
''Printed sources'': Oswald ('''Caledonian Pocket Companion, Book 9'''), c. 1760; p. 6. Johnson ('''Scottish Fiddle Music in the 18th Century'''), 1984; No. 58, pp. 138-140.
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
</font></p>
</font></p>

Latest revision as of 13:23, 6 May 2019

Back to Highland Battle (A)


HIGHLAND BATTLE, A. Scottish, Fiddle Pibroch. D Mixolydian. Standard tuning (fiddle). A programmatic piece composed (probably) by James Oswald (1711-1769) for the fiddle descriptive of a battle between the clans. It is divided into separate sections called "The March," "They Mend Their Pace," "The Battle Begins," "The Height of the Battle," "The Preparation for a Retreat," "The Chief is Killed," "The Retreat," and "Lamentation for the Chief." Johnson (1983) believes Oswald derived the idea for this kind of many-part descriptive pibroch from 16th century European battle pieces, and was perhaps especially influenced by a harpsichord suite by the English composer William Byrd entitled "The Battell." See also Oswald's similarly-themed "Marsail Lochinalie."

Source for notated version:

Printed sources: Oswald (Caledonian Pocket Companion, Book 9), c. 1760; p. 6. Johnson (Scottish Fiddle Music in the 18th Century), 1984; No. 58, pp. 138-140.

Recorded sources:




Back to Highland Battle (A)