Annotation:Richard Snary: Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "Century Gothic" to "sans-serif")
 
Line 7: Line 7:
----
----
<div style="page-break-before:always"></div>
<div style="page-break-before:always"></div>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<br>
<br>
Line 19: Line 19:
<div class="noprint">
<div class="noprint">
== Additional notes ==
== Additional notes ==
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Source for notated version''</font>: - William Vickers' 1770 music manuscript collection [http://www.farnearchive.com/detail.asp?id=R0309002] (Northumberland) [Seattle].
<font color=red>''Source for notated version''</font>: - William Vickers' 1770 music manuscript collection [http://www.farnearchive.com/detail.asp?id=R0309002] (Northumberland) [Seattle].
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Printed sources''</font> : - Seattle ('''Great Northern/William Vickers'''), 1987, Part 2; No. 326.
<font color=red>''Printed sources''</font> : - Seattle ('''Great Northern/William Vickers'''), 1987, Part 2; No. 326.
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
</font></p>
</font></p>

Latest revision as of 19:08, 6 May 2019

Back to Richard Snary


X:1 % T:Ritchard [sic] Snary M:6/8 L:1/8 R:Jig S:William Vickers’ Northumbrian music manuscript copybook, (1770, p. 90) Z:AK/Fiddler’s Companion K:Bb B3 dcB|g2e d2c|B3 dcB|c2F c2F| B3 dcB|g2e d2c|def c2f|d3 B2:| |:B3 dcB|b2B b2B|d3 dcB|c2F A2F| B3 dcB|g2e def|bfe dcB|c3 B3:|]



RICHARD SNARY. English, Jig. England, Northumberland. B Flat Major. Standard tuning (fiddle). AABB. The melody appears in the 1770 music manuscripts of Northumbrian musician William Vickers, about whom unfortunately very little is known. The melody earlier appeared in Walsh’s Caledonian Country Dances, Second Book, 3rd ed., 1735, p. 20), along with the attribution: “Compos’d by Mr. Bristow Doughty.” It also appears in J. Johnson’s Choice Collection of 200 Favourite Country Dances, vol. 3, 1744, p. 64) and the Thomas Hammersley music manuscript copybook (c. 1790, p. 37B). The latter is now housed in the British Library.

The title of the tune appears to have been a kind of joke or rhyming slang, for Francis Grose’s Dictionary of the Vulgar Tongue (1811) gives the following: “Richard snary. A dictionary. A country lad, having been reproved for calling persons by their Christian names, being sent by his master to borrow a dictionary, thought to shew his breeding by asking for a Richard Snary.”

Additional notes

Source for notated version: - William Vickers' 1770 music manuscript collection [1] (Northumberland) [Seattle].

Printed sources : - Seattle (Great Northern/William Vickers), 1987, Part 2; No. 326.

Recorded sources: -



Back to Richard Snary