Annotation:Windy Gap (1) (The): Difference between revisions
No edit summary |
m (Text replacement - "Century Gothic" to "sans-serif") |
||
| Line 7: | Line 7: | ||
---- | ---- | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
| Line 16: | Line 16: | ||
<div class="noprint"> | <div class="noprint"> | ||
== Additional notes == | == Additional notes == | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Source for notated version''</font>: - accordionist Sonny Brogan (Ireland) [Breathnach]. Researcher Conor Ward believes Brogan may have learned the reel from Packie Dolan’s recording. | <font color=red>''Source for notated version''</font>: - accordionist Sonny Brogan (Ireland) [Breathnach]. Researcher Conor Ward believes Brogan may have learned the reel from Packie Dolan’s recording. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Printed sources''</font> : - Breathnach ('''CRÉ I'''), 1963; No. 81, p. 36. | <font color=red>''Printed sources''</font> : - Breathnach ('''CRÉ I'''), 1963; No. 81, p. 36. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> - Coleman Heritage Center CHC 007, James Morrison & Paddy Killoran - "From Ballymote to Brooklyn" (2002). </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Coleman Heritage Center CHC 007, James Morrison & Paddy Killoran - "From Ballymote to Brooklyn" (2002). </font> | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
See also listing at:<br> | See also listing at:<br> | ||
Alan Ng's Irishtune.info [https://www.irishtune.info/tune/51/]<br> | Alan Ng's Irishtune.info [https://www.irishtune.info/tune/51/]<br> | ||
Revision as of 20:04, 6 May 2019
X:1 T:Windy Gap [1], The M:C| L:1/8 R:Reel Z:Transcribed by Conor Ward from the playing of Packie Dolan (1904-1932) K:Ador d2|A3c BGGA|BGBd gfgd|A2 Ac BGGB|dBcB cAFA| A2 Ac BGGA|BGBd g2 ga|bgag egfa|gedc B2 dB|| bg ~g2 af ~f2|gfge dega|bgdg bgdg|ea ~a2 ea~a2| bgag af ~f2|gfge dega|(3bag ag egfa|gedc BGGB||
WINDY GAP [1], THE (Bearna na Gaoithe). AKA and see "Ah Surely (1)," "Killabeg's House," "Killaghbeg House," "Bearna Gaoite," "Boys of Twenty Five (2)", "Bonfire (2) (The)," "Rose in the Garden (The)," "Up Cloontia." Irish, Reel. Ador. Standard tuning (fiddle). AABB. The tune was recorded in New York in 1932 as “The Windy Gap” by fiddler Packie Dolan (1904-1932), originally from County Longford. However, on most 78 RPM recordings the tune was called "Ah Surely (1)."