Annotation:Romp (1) (The): Difference between revisions
No edit summary |
m (Text replacement - "Century Gothic" to "sans-serif") |
||
| Line 7: | Line 7: | ||
---- | ---- | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
| Line 19: | Line 19: | ||
<div class="noprint"> | <div class="noprint"> | ||
== Additional notes == | == Additional notes == | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Source for notated version''</font>: - | <font color=red>''Source for notated version''</font>: - | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Printed sources''</font> : - | <font color=red>''Printed sources''</font> : - | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> - </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
</font></p> | </font></p> | ||
Revision as of 19:09, 6 May 2019
X:1 T:Romp [1], The M:C| L:1/8 R:Country Dance B:Samuel, Ann & Peter Thompson -- Compleat Collection of 200 Favourite Country Dances, vol. 5 (1788, p. 19) Z:AK/Fiddler's Companion K:D d4 A2 Bc|B2B2 A4|d2 fd B2 cd|efge dcBA| d4 A2 Bc|B2B2 A4|d2 fd Bege|d2c2 d4:| |:Adfd Bege|ceae|dgbg|gfed c2d2|edcB A4| Adfd Bege|ceaf|dgbg|gfed A2c2|d4 D4:|]
This tune and directions for a country dance were printed by London publishers Samuel, Ann & Peter Thompson in their Compleat Collection of 200 Country Dances, vol. 5 (1788, p. 19). However, the whether Dibdin was the composer of this melody is not known, nor is the connection with his opera ascertained (it was staged a few years after the Thompson's publication).