Annotation:Reidy Johnson's (1): Difference between revisions
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'''REIDY JOHNSON’S [1].''' AKA and see "[[Farewell to Leitrim]]," "[[Lawson's Favorite]],” “[[Patsy Campbell]]." Irish, Reel. The second of two tunes in a medley recorded by Sligo/New York fiddler Michael Coleman for the Shannon/Metro label (following "[[Hand Me Down the Tackle]]"). The name honors his source, Mrs. Redie Johnston, a melodeon player (see note for "[[Reidy Johnson's (2)]]." | '''REIDY JOHNSON’S [1].''' AKA and see "[[Farewell to Leitrim]]," "[[Lawson's Favorite]],” “[[Patsy Campbell]]." Irish, Reel. The second of two tunes in a medley recorded by Sligo/New York fiddler Michael Coleman for the Shannon/Metro label (following "[[Hand Me Down the Tackle]]"). The name honors his source, Mrs. Redie Johnston, a melodeon player (see note for "[[Reidy Johnson's (2)]]." | ||
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''Recorded sources'': <font color=teal>Metro 142 (78 RPM), Michael Coleman (1921).</font> | ''Recorded sources'': <font color=teal>Metro 142 (78 RPM), Michael Coleman (1921).</font> | ||
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Revision as of 14:38, 6 May 2019
Back to Reidy Johnson's (1)
REIDY JOHNSON’S [1]. AKA and see "Farewell to Leitrim," "Lawson's Favorite,” “Patsy Campbell." Irish, Reel. The second of two tunes in a medley recorded by Sligo/New York fiddler Michael Coleman for the Shannon/Metro label (following "Hand Me Down the Tackle"). The name honors his source, Mrs. Redie Johnston, a melodeon player (see note for "Reidy Johnson's (2)."
Source for notated version:
Printed sources:
Recorded sources: Metro 142 (78 RPM), Michael Coleman (1921).