Annotation:Saddle the Pony (3): Difference between revisions
No edit summary |
m (Text replacement - "Century Gothic" to "sans-serif") |
||
Line 7: | Line 7: | ||
---- | ---- | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
Line 16: | Line 16: | ||
<div class="noprint"> | <div class="noprint"> | ||
== Additional notes == | == Additional notes == | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
[[File:mcfaddenearly.jpg|340px|thumb|right|]] | [[File:mcfaddenearly.jpg|340px|thumb|right|]] | ||
<font color=red>''Source for notated version''</font>: - the playing partners of Chicago police Sergeant James Early and John McFadden, a piper and fiddler from adjoining counties in the province of Connaght [O’Neill]. | <font color=red>''Source for notated version''</font>: - the playing partners of Chicago police Sergeant James Early and John McFadden, a piper and fiddler from adjoining counties in the province of Connaght [O’Neill]. | ||
Line 22: | Line 22: | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Printed sources''</font> : - Cole ('''1000 Fiddle Tunes'''), 1940; p. 62. O'Neill (Krassen), 1976; p. 19. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 718, p. 134. O’Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 18, p. 20. '''Ryan's Mammoth Collection''', 1883; | <font color=red>''Printed sources''</font> : - Cole ('''1000 Fiddle Tunes'''), 1940; p. 62. O'Neill (Krassen), 1976; p. 19. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 718, p. 134. O’Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 18, p. 20. '''Ryan's Mammoth Collection''', 1883; | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> - </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
</font></p> | </font></p> |
Revision as of 20:00, 6 May 2019
X:1 T:Saddle the Pony [3] N:O'Neill's 2nd Setting M:6/8 L:1/8 R:Jig B:O'Neill's Music of Ireland. 1850 Melodies, 1903, p. 134, no. 718 Z:François-Emmanuel de Wasseige K:A g|:fed cAA|eAA cBA|fed cAA|BGB dBG| fed cAA|cAA efg|(f<a)f gfe|dBG Bcd:| |:cee dff|cee ecA|cee dff|dBG Bcd| cee dff|cAA efg|(f<a)f gfe|dBG Bcd:|]
SADDLE THE PONY [3] (Cuir diallaid air an clibin). AKA and see "Farrell's Pipes," "Fourpenny Girl (The),” “Grania's Welcome Home (2),” “Highway to Dublin (The),” “Langstern Pony (The),” “Langstrom's Pony,” “Priest's Leap (3) (The),” “Right Way to Dublin,” “Sweet Tibby Dunbar.” Irish, Double Jig. A Mixolydian. Standard tuning (fiddle). AABB. Paul de Grae notes that this setting is "very close--identical in places" to the first two parts of piper O'Farrell's six-part setting called "Farrell's Pipes," which O'Farrell printed in another of his collections (Pocket Companion for the Union Pipes, vol. 1, p. 32) as "Laustrum Pony." The setting in Ryan's Mammoth Collection (1883) is in two parts, and it is likely that O'Neill took his version for his Music of Ireland (1903) from William Bradbury Ryan's earlier collection. Breathnach (1976) finds some similarity to “Paddy O’Rafferty.” The second strain of "Saddle the Pony [3]" is nearly the same as "Saddle the Pony (5)," also printed by O'Neill.