Annotation:Scheme (The): Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "Century Gothic" to "sans-serif")
Line 1: Line 1:
__NOABC__
__NOABC__
<div class="noprint">
<div class="noprint">
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
<p><font face="sans-serif" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
</div>
</div>
----
----
Line 7: Line 7:
----
----
<div style="page-break-before:always"></div>
<div style="page-break-before:always"></div>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<br>
<br>
Line 15: Line 15:
</font></p>
</font></p>
<div class="noprint">
<div class="noprint">
<p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p>
<p><font face="sans-serif" size="2"> '''Additional notes''' </font></p>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Source for notated version''</font>: -  William Vickers' 1770 Northumbrian music manuscript collection [Seattle].
<font color=red>''Source for notated version''</font>: -  William Vickers' 1770 Northumbrian music manuscript collection [Seattle].
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Printed sources''</font> : - Seattle ('''Great Northern/William Vickers'''), 1987 Part 2/2008; No. 301.  
<font color=red>''Printed sources''</font> : - Seattle ('''Great Northern/William Vickers'''), 1987 Part 2/2008; No. 301.  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
</font></p>
</font></p>
<br>
<br>
----
----
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
<p><font face="sans-serif" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
</div>
</div>
__NOEDITSECTION__
__NOEDITSECTION__
__NOTITLE__
__NOTITLE__

Revision as of 21:02, 6 May 2019

Back to Scheme (The)


X: 1 T:Star at Lewis (Lewes?) or... JW6.194 O:England;London T:Scheme. JW6.194, The M:6/4 L:1/4 Z:vmp.Peter Dunk.2011.from a transcription by Paul Dennant S:John Walsh Jr. The Compleat Country Dancing Master.Vol 6 1756 Q:3/4=100 K:C AFF F2 A|BGG G2 c|fed cdB|AFF F3:| a f/g/ a F2 e|g e/f/ g E2 e|fef dgf|ecc c3| dBd g/a/ bB|cAc f/g/ aA|BAB GcB|AFF F3|]



SCHEME, THE. AKA and see “Irish Lilt (3) (An),” "Star (3),” “Star at Lewis,” "Star at Liwis." English, Scottish; Jig (6/8 time). England, Northumberland. F Major. Standard tuning (fiddle). AABB. The tune, which incorporates in the second strain familiar strains from the well known double jig "Top of Cork Road (1) (The)," appears in Walsh's Caledonian Country Dances (p. 59) of c. 1730, and in Walsh's later publication The Compleat Country Dancing-Master. Volume the Sixth (c. 1754, p. 194). The jig also can be found in the 1770 music manuscript collection of Northumbrian musician William Vickers (about whom, unfortunately, nothing is known). Vickers gives the title as “Scheame, or, the star.” At the end of the 18th century it was published by James Aird in Glasgow as "Irish Lilt (3) (An)."

Additional notes

Source for notated version: - William Vickers' 1770 Northumbrian music manuscript collection [Seattle].

Printed sources : - Seattle (Great Northern/William Vickers), 1987 Part 2/2008; No. 301.

Recorded sources: -



Back to Scheme (The)