Template:Featured Tune: Difference between revisions

Revision as of 16:45, 2 February 2019

One of the core tunes of Northumbrian piping repertoire. J. Collingwood Bruce & John Stokoe (1882) remarK: "This tune has at some remote period been used for a song, of which now only a fragment in known—

I saw my love come passing by me,
But shame to the hade, she ne'er cam' nigh me.

In some very old copies it is marked as the 'Duchess of Northumberland's Delight'--an allusion, probably, to Elizabeth, the first Duchess, who (with her husband) by her patronage and support greatly encouraged the use of the pipes in the country."
Matt Seattle finds an ancestral tune in an older Scottish melody called "Put on thy Smock on a Monday/Put on Your Sark on Monday" (there are various spellings), which can be found in lute manuscripts. He says, "A clear continuity of musical development can be traced through the most significant local versions in the William Dixon manuscript (1733), Peacock's Tunes (c. 1805) and here in the Clough collection (early 20th century)" [1]. Scottish versions can also be found as "Drunken Wives of Carlisle (The)" (Robert Riddell) and "Gi'e the Mawking mair o't."

I SAW MY LOVE COME PASSING BY ME full Score(s) and Annotations and Past Featured Tunes

X:1 %%font "Century Gothic" %%titlefont "Century Gothic" 24 %%subtitlefont "Century Gothic" 16 %%textfont "Century Gothic" 16 %% composerfont "Century Gothic" 14 %% infofont "Century Gothic" 14 T:I saw my Love come passing by me M:C| L:1/8 R:Air S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 166) Z:AK/Fiddler’s Companion K:G d/e/f|gG B/c/d/B/ g2 de/f/|gG B/c/d/B/ f2 Ae/f/|gG B/c/d/B/ BG B/c/d/e/B/| c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/::gdgB gd e/f/g/e/|gdgB aA e/f/g/e/| gdgB gG B/c/d/B/|c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/::G/A/B/c/ B/c/d/B/ G/A/B/G/ B/c/d/B/| G/A/B/G/ B/c/d/B/ A/B/c/A/ e/f/g/e/|G/A/B/G/ B/c/d/B/ g/f/e/d/ B/c/d/B/| c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/::d/e/f/d/ e/f/g/e/ g/f/e/d/ e/f/g/e/| d/e/f/d/ e/f/g/e/ A/B/c/A/ e/f/g/e/|d/e/f/d/ e/f/g/e/ g/b/e/d/ B/c/d/B/| c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/::gfed Tg2 de/f/|gfed Tf2 Ae/f/| gfed BG B/c/d/B/|c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/:| Gg B/c/d/B/ dg B/c/d/B/|Gg B/c/d/B/ Ag e/f/g/e/|Gg B/c/d/B/ c/d/e/c/ B/c/d/B/| c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/::TGe/d TBe/d/ TBe/d/ TBe/d/| Ge/d/ Be/d/ Ae/d/ Ae/d/|Ge/d/ Be/d/ Be/d/ Be/d/|ce/d/ Be/d/ Ae/d/ g/f/e/d/:|]

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-[[File:glentanar.jpg|250px|link=|left|Glentanar House, Aboyne, c. 1920]]
+[[File:NorthumbrianSmallPipe.jpg|250px|link=|left|The Northumbrian Small Pipes]]
-Composed by [[Biography:J. Scott Skinner]] [http://www.ibiblio.org/fiddlers/jsskinner.htm] (1843-1927), first appearing in his '''Elgin Collection''' of 1884, the cost of its publication contributing to Skinner's bankruptcy a few years later.  <br>
+One of the core tunes of Northumbrian piping repertoire. J. Collingwood Bruce & John Stokoe (1882) remarK: "This tune has at some remote period been used for a song, of which now only a fragment in known—
-Skinner reprised the tune in his '''Logie Collection''' of 1888 under the name "Glentana" ("It has been authoritatively settled that 'Glentana' is the proper spelling") and dedicated the tune to Lady Brooks.
+<blockquote>
+''I saw my love come passing by me,''<br>
+''But shame to the hade, she ne'er cam' nigh me.''<br>
+</blockquote>
+In some very old copies it is marked as the 'Duchess of Northumberland's Delight'--an allusion, probably, to Elizabeth, the first Duchess, who (with her husband) by her patronage and support greatly encouraged the use of the pipes in the country."
 <br>
-The lodge of of Glentana, or Glen Taner, was a sporting estate situated in the forest of Glen Tana, Aberdeenshire, near Aboyne in North East Scotland. A wealthy banker and philanthropist from Manschester, William Cunliffe Brooks, fell in love with it in 1869 and determined to make it his home and develop it into a earthy paradise, which he accomplished in grand style and maintained until his death in 1900. The first Lady Brooks was Jane Elizabeth Orrell, whom he married in 1842, and who died in 1865. A second wife was also named Jane, daughter of Lt. Col. Sir David Davidson, who had come with his family to live in a villa near to Glen Tana. There was a significant difference in their ages--Brooks was aged 59 and Jane was 27., and they were married in 1879.
+Matt Seattle finds an ancestral tune in an older Scottish melody called "[[Put on thy Smock on a Monday]]/Put on Your Sark on Monday" (there are various spellings), which can be found in lute manuscripts. He says, "A clear continuity of musical development can be traced through the most significant local versions in the William Dixon manuscript (1733), '''Peacock's Tunes''' (c. 1805) and here in the Clough collection (early 20th century)" [http://www.asaplive.com/archive/detail.asp?id=C0100001]. Scottish versions can also be found as "[[Drunken Wives of Carlisle (The)]]" (Robert Riddell) and "[[Gi'e the Mawking mair o't]]."
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 </div>
 </font></p>
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-[[Annotation:Lodge_of_Glen-tana_(The)|THE LODGE OF GLEN-TANA full Score(s) and Annotations]] and [[Featured_Tunes_History|Past Featured Tunes]]
+[[Annotation:I_Saw_My_Love_Come_Passing_By_Me|I SAW MY LOVE COME PASSING BY ME full Score(s) and Annotations]] and [[Featured_Tunes_History|Past Featured Tunes]]
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+{{#widget:SoundCloud |id= 36626386}}
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 %% composerfont "Century Gothic" 14
 %% infofont "Century Gothic" 14
-T:Glentana
+T:I saw my Love come passing by me
-T:Lodge at Glen-tana
+M:C|
-C:J. Scott Skinner
-M:C
 L:1/8
-R:Strathspey
+R:Air
-K:F#min
+S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 166)
-c|c<fa>f g>^ef>^d|e>g B<e G<E ~E>c|c<fa>f g>^ef>=d|
+Z:AK/Fiddler’s Companion
-c>AB<c A<FF:|G|(A>Bc)A (e>A)(a>G)|(A>Bc>)A G<E~E>G|
+K:G
-A>Bc>A e>Af>d|c>AB<c A<F[CF]>G|(A>ca>)A [eg]>A[df]>A|
+d/e/f|gG B/c/d/B/ g2 de/f/|gG B/c/d/B/ f2 Ae/f/|gG B/c/d/B/ BG B/c/d/e/B/|
-e>Aa>A ~G<E~E>G|A>A,C<E F<A d>f|e>cB>c c<A-[CA]||
+c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/::gdgB gd e/f/g/e/|gdgB aA e/f/g/e/|
+gdgB gG B/c/d/B/|c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/::G/A/B/c/ B/c/d/B/ G/A/B/G/ B/c/d/B/|
+G/A/B/G/ B/c/d/B/ A/B/c/A/ e/f/g/e/|G/A/B/G/ B/c/d/B/ g/f/e/d/ B/c/d/B/|
+c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/::d/e/f/d/ e/f/g/e/ g/f/e/d/ e/f/g/e/|
+d/e/f/d/ e/f/g/e/ A/B/c/A/ e/f/g/e/|d/e/f/d/ e/f/g/e/ g/b/e/d/ B/c/d/B/|
+c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/::gfed Tg2 de/f/|gfed Tf2 Ae/f/|
+gfed BG B/c/d/B/|c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/:|
+Gg B/c/d/B/ dg B/c/d/B/|Gg B/c/d/B/ Ag e/f/g/e/|Gg B/c/d/B/ c/d/e/c/ B/c/d/B/|
+c/d/e/c/ B/c/d/B/ A/B/c/A/ e/f/g/e/::TGe/d TBe/d/ TBe/d/ TBe/d/|
+Ge/d/ Be/d/ Ae/d/ Ae/d/|Ge/d/ Be/d/ Be/d/ Be/d/|ce/d/ Be/d/ Ae/d/ g/f/e/d/:|]