Annotation:Lost Indian (7): Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "Century Gothic" to "sans-serif")
Line 1: Line 1:
__NOABC__
__NOABC__
<div class="noprint">
<div class="noprint">
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
<p><font face="sans-serif" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
</div>
</div>
----
----
Line 7: Line 7:
----
----
<div style="page-break-before:always"></div>
<div style="page-break-before:always"></div>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;">
<br>
<br>
Line 15: Line 15:
</font></p>
</font></p>
<div class="noprint">
<div class="noprint">
<p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p>
<p><font face="sans-serif" size="2"> '''Additional notes''' </font></p>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Source for notated version''</font>: -  J. Hall (southwestern Pa., 1944) [Bayard].
<font color=red>''Source for notated version''</font>: -  J. Hall (southwestern Pa., 1944) [Bayard].
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Printed sources''</font> : - Bayard ('''Dance to the Fiddle'''), 1981; No. 147, pp. 81-82.
<font color=red>''Printed sources''</font> : - Bayard ('''Dance to the Fiddle'''), 1981; No. 147, pp. 81-82.
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="Century Gothic" size="2">
<p><font face="sans-serif" size="2">
<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
<font color=red>''Recorded sources'': </font> <font color=teal> -  </font>
</font></p>
</font></p>
<br>
<br>
----
----
<p><font face="Century Gothic" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
<p><font face="sans-serif" size="4"> Back to [[{{BASEPAGENAME}}]] </font></p>
</div>
</div>
__NOEDITSECTION__
__NOEDITSECTION__
__NOTITLE__
__NOTITLE__

Revision as of 19:04, 6 May 2019

Back to Lost Indian (7)


X:1 T:Lost Indian [7] M:4/4 L:1/8 R:Reel S:J. Hall (southwestern Pa., 1944) B:Bayard - Dance to the Fiddle (1981, No. 147) K:G g3a g2dd|BBdd B2d2|g3a g2dd|BB e2 e4| g3a g2dd|BBdd B2d2|b2a2g2 BB|BB 2 e4|| |:G3A B2 GG|ABAG E3G|G3A B2 AG|ABAG E2F|[G,6G6]z2:|



LOST INDIAN [7]. Old-Time, Breakdown. USA, southwestern Pa. G Major. Standard tuning (fiddle). AA'BB. Bayard (1981) believes the first part of this air is derived from the Scots tune known variously as "Crowdie," "Three Times Crowdie in One Day," "Wayward Wife (The)," "Bide Ye Yet (2)," and "O that I Had Ne'er Been Married."

Additional notes

Source for notated version: - J. Hall (southwestern Pa., 1944) [Bayard].

Printed sources : - Bayard (Dance to the Fiddle), 1981; No. 147, pp. 81-82.

Recorded sources: -



Back to Lost Indian (7)