Annotation:Irish Girl (7)--In Rosina: Difference between revisions

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|f_annotation='''IRISH GIRL [7]--IN ROSINA.''' Irish, Air (whole time). D Major. Standard tuning (fiddle). AB. '''Rosina''' was a comic opera in two acts by William Shield [https://en.wikipedia.org/wiki/William_Shield] (1748-1829), first performed in London in 1782. Like many of Shields' operas, it was intended to be used as a light afterpiece to the full production of an Italian opera, and it is the only one whose score has survived intact. [[File:Rosina.JPG|350px|thumb|right|]]
'''IRISH GIRL [7]--IN ROSINA.''' Irish, Air (whole time). D Major. Standard tuning (fiddle). AB. '''Rosina''' was a comic opera in two acts by William Shield [https://en.wikipedia.org/wiki/William_Shield] (1748-1829), first performed in London in 1782. Like many of Shields' operas, it was intended to be used as a light afterpiece to the full production of an Italian opera, and it is the only one whose score has survived intact. [[File:Rosina.JPG|300px|thumb|right|]]
[[File:Shield.jpg|200px|thumb|left|William Shield]]
[[File:Shield.jpg|200px|thumb|left|William Shield]]
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|f_printed_sources=Samuel, Anne & Peter Thompson ('''The Hibernian Muse'''), London, 1787; No. 14, pp. 10-11.
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''Printed sources'': Samuel, Anne & Peter Thompson ('''The Hibernian Muse'''), London, 1787; No. 14, pp. 10-11.
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Revision as of 02:13, 18 May 2020



X:1 T:Irish Girl [7], The--In Rosina M:C L:1/8 R:Air B:Samuel, Anne & Peter Thompson – The Hibernian Muse (London, 1787, No. 14, pp. 10-11) N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard” Z:AK/Fiddler’s Companion K:D d>c|(B>c)AA F>FDF|(G>A)EF D2 d>c|(B>c)AA F>FDF|G>B(TE>F)D3|| F/G/|AF (AB/c/) ddBd|Ae(A^G) A3 (F/G/)|AF (AB/c/) ddBd|cecA {G}!fermata!F2 d>c| (B>c)AA F>FDF|G>B(E>F) D2 d>c|(B>c)AA F>FDF|G>BTE>F D2||



IRISH GIRL [7]--IN ROSINA. Irish, Air (whole time). D Major. Standard tuning (fiddle). AB. Rosina was a comic opera in two acts by William Shield [1] (1748-1829), first performed in London in 1782. Like many of Shields' operas, it was intended to be used as a light afterpiece to the full production of an Italian opera, and it is the only one whose score has survived intact.
William Shield


Additional notes



Printed sources : - Samuel, Anne & Peter Thompson (The Hibernian Muse), London, 1787; No. 14, pp. 10-11.






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