Annotation:Kate Dalrymple: Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Kate_Dalrymple > | |||
'''KATE DALRYMPLE'''. AKA and see "[[Highland Laddie (4)]]," "[[New Highland Laddie (1)]]," "[[Jinglin' Johnnie]]." Scottish, Reel or Scottish Measure. A Major. Standard tuning (fiddle). AAB. The melody was first published in 1750 under the title "[[New Highland Laddie (1)]]." James Hunter (1979) explains that Kate Dalrymple was a noted beauty, and the subject of a Thomas Gainsborough (1727–1788) portrait; however no such portrait is extent, and Hunter may have been referring to another Dalrymple, the courtesan Mrs. Grace Dalrymple Elliott [http://en.wikipedia.org/wiki/Grace_Elliott] (1754–1823), whom Gainsborogh painted in 1778. The reel is a popular ceilidh tune, and has been used by the BBC as the theme music for the BBC Radio Scotland dance music program "Take the Floor." | |f_annotation='''KATE DALRYMPLE'''. AKA and see "[[Highland Laddie (4)]]," "[[New Highland Laddie (1)]]," "[[Jinglin' Johnnie]]." Scottish; March, Reel or Scottish Measure. A Major. Standard tuning (fiddle). AAB. The melody was first published in 1750 under the title "[[New Highland Laddie (1)]]." James Hunter (1979) explains that Kate Dalrymple was a noted beauty, and the subject of a Thomas Gainsborough (1727–1788) portrait; however no such portrait is extent, and Hunter may have been referring to another Dalrymple, the courtesan Mrs. Grace Dalrymple Elliott [http://en.wikipedia.org/wiki/Grace_Elliott] (1754–1823), whom Gainsborogh painted in 1778. The reel is a popular ceilidh tune, and has been used by the BBC as the theme music for the BBC Radio Scotland dance music program "Take the Floor." | ||
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William Watt (1792−1859) wrote a poem (and song [http://www.electricscotland.com/poetry/henderson/singalong/page113.htm]) about a spinster named Kate Dalrymple, with visage "gruesome and grim", that begins: | William Watt (1792−1859) wrote a poem (and song [http://www.electricscotland.com/poetry/henderson/singalong/page113.htm]) about a spinster named Kate Dalrymple, with visage "gruesome and grim", that begins: | ||
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<blockquote | |||
''In a wee cot house far across the muir''<br> | ''In a wee cot house far across the muir''<br> | ||
''Where pease-weeps, plovers, an’ waups cry dreary,''<br> | ''Where pease-weeps, plovers, an’ waups cry dreary,''<br> | ||
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''Nae music, exceptin’ the clear burnie’s wimple,''<br> | ''Nae music, exceptin’ the clear burnie’s wimple,''<br> | ||
''Was heard round the dwellin’ o’ Kate Dalrymple.''<br> | ''Was heard round the dwellin’ o’ Kate Dalrymple.''<br> | ||
</blockquote> | |||
|f_source_for_notated_version= | |||
|f_printed_sources=Hunter ('''Fiddle Music of Scotland'''), 1988; No. 241 (arranged by James Hunter). Kerr ('''Merry Melodies, vol. 1'''), c. 1880; No. 8, p. 24. Lerwick ('''The Kilted Fiddler'''), 1985; p. 13. William Ross ('''Ross’s Collection of Pipe Music Book 10''') 1885; No. 362, p. 11. | |||
|f_recorded_sources=Tradition 2118, Jim MacLeod & His Band – "Scottish Dances: Jigs, Waltzes and Reels" (1979). | |||
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Tradition 2118, Jim MacLeod & His Band – "Scottish Dances: Jigs, Waltzes and Reels" (1979). | |||
Music for Pleasure MFP 50373, "Fiddle Me Jig" (c. 1978). | Music for Pleasure MFP 50373, "Fiddle Me Jig" (c. 1978). | ||
Bob Smith's Ideal Band – "Better Than an Orchesta" (1977). | Bob Smith's Ideal Band – "Better Than an Orchesta" (1977). | ||
Bob Smith's Ideal Band – "Ideal Music" (1977). | Bob Smith's Ideal Band – "Ideal Music" (1977). | ||
|f_see_also_listing= | |||
}} | |||
Revision as of 01:31, 11 April 2023
X:1 T:Jinglin Johnnie T:Kate Dalrymple M:C| L:1/8 R:Country Dance B:Stewart-Robertson - The Athole Collection (1884) Z:AK/Fiddler's Companion K:A E | A2(Ac) B2(Bc) | A2(Ac) B2(Bc) | A2 (ag) (fe)dc | B2e2c2 (AE) | A2(Ac) B2(Bc) | A2(Ac) B2(Bc) | A2(ag) (fe)dc | B2e2c2A || c | e2 (ef) edcd | e2a2e2 (cd) | e2(ef) edcd | e2 (ag) fedc | d2(fd) c2(ec) | B2(Bc) d2(cB) | A2(ag) fedc | B2e2c2A || E | AEAc BEGB | AEAc BEGB| A2(ag) fedc | B2(ed) (dc)BA | AEAc BEGB | AEAc BEGB | A2(ag) fedc | BAGB ABcd || e^def ecAc | e2(af) ecAc | e^def ecAc | e2(ag) fedc| d2(bd) c2(ac) | B2(Bc) d2(cB) | A2(ag) fedc | B2e2c2A ||
KATE DALRYMPLE. AKA and see "Highland Laddie (4)," "New Highland Laddie (1)," "Jinglin' Johnnie." Scottish; March, Reel or Scottish Measure. A Major. Standard tuning (fiddle). AAB. The melody was first published in 1750 under the title "New Highland Laddie (1)." James Hunter (1979) explains that Kate Dalrymple was a noted beauty, and the subject of a Thomas Gainsborough (1727–1788) portrait; however no such portrait is extent, and Hunter may have been referring to another Dalrymple, the courtesan Mrs. Grace Dalrymple Elliott [1] (1754–1823), whom Gainsborogh painted in 1778. The reel is a popular ceilidh tune, and has been used by the BBC as the theme music for the BBC Radio Scotland dance music program "Take the Floor."
William Watt (1792−1859) wrote a poem (and song [2]) about a spinster named Kate Dalrymple, with visage "gruesome and grim", that begins:
In a wee cot house far across the muir
Where pease-weeps, plovers, an’ waups cry dreary,
There liv’d an’ auld maid for mony lang years,
Wha ne’er a woo-er did e’er ca’, dearie.
A lanely lass was Kate Dalrymple,
A thrifty quean was Kate Dalrymple;
Nae music, exceptin’ the clear burnie’s wimple,
Was heard round the dwellin’ o’ Kate Dalrymple.
