Annotation:Lira Lira La: Difference between revisions

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{{TuneAnnotation
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Lira_Lira_La >
'''LIRA LIRA LA.''' English, Air (cut time). D Major. Standard tuning (fiddle). One part. The song appears in George Coleman the younger's opera '''The Surrender of Calais''', music by Samuel Arnold, performed at the Little Theatre, Haymarket, London, on 30 July, 1791. "Lira Lira" is sung by the character Mandelon (famously performed by 'Mrs. Bland', Maria Theresa Bland, nee Romanzini, an Italian-Jewish actress/singer from age 4; in the travesti role), and begins:
|f_annotation='''LIRA LIRA LA.''' English, Air (cut time). D Major. Standard tuning (fiddle). One part. The song appears in George Coleman the younger's opera '''The Surrender of Calais''', music by Samuel Arnold, performed at the Little Theatre, Haymarket, London, on 30 July, 1791. "Lira Lira" is sung by the character Mandelon (famously performed by 'Mrs. Bland', Maria Theresa Bland, nee Romanzini, an Italian-Jewish actress/singer from age 4; in the travesti role), and begins:
[[File:madelon.jpg|200px|thumb|left|Mrs. Bland as Madelon]]
[[File:madelon.jpg|200px|thumb|right|Mrs. Bland as Madelon]]
<blockquote>
<blockquote>
''Little thinks the townsman's wife,''<br>
''Little thinks the townsman's wife,''<br>
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''With her jolly soldier.''<br>
''With her jolly soldier.''<br>
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</blockquote>
The melody also appears in several late 18th/early 19th century publications, such as James Aird's '''Selection''', vol. 4 (Glasgow, 1796), Thomas Preston's '''Entire New and Compleat Instructions for the Fife''' (London, 1796), G. Astor's '''The Hoboy Preceptor, or Military Pieces''' (London, 1800), and Thomas Ball's '''The Gentleman's Amusement Book 2''' (Norfolk, Va.).  
The melody also appears in several late 18th/early 19th century publications, such as James Aird's '''Selection''', vol. 4 (Glasgow, 1796), Thomas Preston's '''Entire New and Compleat Instructions for the Fife''' (London, 1796), G. Astor's '''The Hoboy Preceptor, or Military Pieces''' (London, 1800), and Thomas Ball's '''The Gentleman's Amusement Book 2''' (Norfolk, Va.).
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|f_source_for_notated_version=
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|f_printed_sources= Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 4''') 1796; No. 186, p. 70.
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''Source for notated version'':
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''Printed sources'': : Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 4''') 1796; No. 186, p. 70.
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''Recorded sources'': <font color=teal></font>
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Revision as of 02:08, 16 May 2024



Back to Lira Lira La


X:1 T:Lira Lira La M:C| L:1/8 R:Air Q:"Moderato" B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 186, p. 70) Z:AK/Fiddler’s Companion K:D A2d2d3d|(cd)(ec) d4|(ef)(ge) (dc)(BA)|A2 d>e d2 z2| A2d2d3d|(cd)(ec) d4|(ef)(ge) (dc)(BA)|A2 d>e d2z2| f3f (fe) e2|(ed)(cd) A4|f2f2 (fe) e2|(ed)(cd) !fermata!A4| ABcA d4|cdec d4|(ef)(ge) (dc)(BA)|A2 (de) d2z2||



LIRA LIRA LA. English, Air (cut time). D Major. Standard tuning (fiddle). One part. The song appears in George Coleman the younger's opera The Surrender of Calais, music by Samuel Arnold, performed at the Little Theatre, Haymarket, London, on 30 July, 1791. "Lira Lira" is sung by the character Mandelon (famously performed by 'Mrs. Bland', Maria Theresa Bland, nee Romanzini, an Italian-Jewish actress/singer from age 4; in the travesti role), and begins:

Mrs. Bland as Madelon

Little thinks the townsman's wife,
While at home she tarries;
What must be the lass's life,
Who a soldier marries.
Now with weary marching spent,
Dancing now before the tent,
Lira, lira, lira, lira, lira la,
With her jolly soldier.

The melody also appears in several late 18th/early 19th century publications, such as James Aird's Selection, vol. 4 (Glasgow, 1796), Thomas Preston's Entire New and Compleat Instructions for the Fife (London, 1796), G. Astor's The Hoboy Preceptor, or Military Pieces (London, 1800), and Thomas Ball's The Gentleman's Amusement Book 2 (Norfolk, Va.).


Additional notes



Printed sources : - Aird (Selection of Scotch, English, Irish and Foreign Airs, vol. 4) 1796; No. 186, p. 70.






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