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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Mhàiri_bhàn_òg_(1)_(A) >
'''MHÀIRI BHÀN ÒG [1], A''' ("Fair Young Mary" or "Mary Young and Fair"). AKA  - "Mary Young and Fair." Scottish, Slow Air (6/8 time). A Minor. Standard tuning (fiddle). AAB. The tune is the opening to a Gaelic love song written by the celebrated poet Duncan Ban MacIntyre (b. Glenorchy, Argyllshire, 1724) in honor of his wife. The air is traditional, one of the many variants of "[[Gilderoy (1)]]," but (according to Simon Fraser) words were written by MacIntyre. MacIntyre was "a Breadalbane man, who published a volume of Gaelic songs; the air was previously known, as sung by the gentlemen alluded to in the prospectus" (Fraser). John Purser says the air is one of the most famous of all Scottish Gaelic love-songs (adding that in addition to her youth and pulchritude, Mary brought talents as a fine whiskey distiller to the union). Emmerson (1971) says this "well-known and beautiful air" has the character of the ancient 'ports' of the harper's repertoire. Martin (2002) says the tune is popular both as a fiddle and pipe solo, and that many versions exist, including one in the '''Patrick McDonald Collection''' (1784).  
|f_annotation='''MHÀIRI BHÀN ÒG [1], A''' ("Fair Young Mary" or "Mary Young and Fair"). AKA  - "Mary Young and Fair." Scottish, Slow Air (6/8 time). A Minor. Standard tuning (fiddle). AAB. The tune is the opening to a Gaelic love song written by the celebrated poet Duncan Ban MacIntyre (b. Glenorchy, Argyllshire, 1724) in honor of his wife. The air is traditional, one of the many variants of "[[Gilderoy (1)]]," but (according to Simon Fraser) words were written by MacIntyre. MacIntyre was "a Breadalbane man, who published a volume of Gaelic songs; the air was previously known, as sung by the gentlemen alluded to in the prospectus" (Fraser). John Purser says the air is one of the most famous of all Scottish Gaelic love-songs (adding that in addition to her youth and pulchritude, Mary brought talents as a fine whiskey distiller to the union). Emmerson (1971) says this "well-known and beautiful air" has the character of the ancient 'ports' of the harper's repertoire. Martin (2002) says the tune is popular both as a fiddle and pipe solo, and that many versions exist, including one in the '''Patrick McDonald Collection''' (1784). There is also a version in Alexander Campbell's '''Albyn's Anthology, vol. 2''' (1816).
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|f_printed_sources=Fraser ('''The Airs and Melodies Peculiar to the Highlands of Scotland and the Isles'''), 1816; No. 47, p. 17. Kerr ('''Merry Melodies, vol. 1'''), c. 1880; No. 22, p. 49. Martin ('''Traditional Scottish Fiddling'''), 2002; p. 60. Neil ('''The Scots Fiddle'''), 1991; No. 157, p. 203.  
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|f_recorded_sources=Redwing Music RWMCD 5410, Abby Newton - "Castles, Kirks and Caves" (2001).  
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''Source for notated version'':
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''Printed sources'': Fraser ('''The Airs and Melodies Peculiar to the Highlands of Scotland and the Isles'''), 1816; No. 47, p. 17. Kerr ('''Merry Melodies'''), vol. 1; No. 22, p. 49. Martin ('''Traditional Scottish Fiddling'''), 2002; p. 60. Neil ('''The Scots Fiddle'''), 1991; No. 157, p. 203.  
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''Recorded sources'': <font color=teal>Redwing Music RWMCD 5410, Abby Newton - "Castles, Kirks and Caves" (2001). </font>
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Revision as of 01:08, 26 April 2021




X:1 T:Màraidh Bhàn òg [1] T:Mary Young and Fair M:6/8 L:1/8 R:Air O:”Argyleshire Air” B:Patrick MacDonald – “Collection of Highland Vocal Airs” (Edinburgh, 1785, No. 139, p. 21) N:MacDonald was Minister of Kilmore in Argyleshire. The volume is N:dedicated to the ‘Gentlemen of the Highland Society in London’. F:https://www.google.com/books/edition/A_Collection_of_Highland_Vocal_Airs_To_w/XCvLHYWLkFcC?hl=en&gbpv=1&printsec=frontcover Z:AK/Fiddler’s Companion K:Amin E2|AGA c2d|e2d dAA|{A}d2c BAA|{A}g3 zzG| ABA c2d|e2g edc|c2c gfe|{e}e3 z2e| eeg c2d|{d}e2c {e}d2c|BAG e2A|ABA G2A| ABA c2d|e2c ddg|e2c dcB|A3 z:|



MHÀIRI BHÀN ÒG [1], A ("Fair Young Mary" or "Mary Young and Fair"). AKA - "Mary Young and Fair." Scottish, Slow Air (6/8 time). A Minor. Standard tuning (fiddle). AAB. The tune is the opening to a Gaelic love song written by the celebrated poet Duncan Ban MacIntyre (b. Glenorchy, Argyllshire, 1724) in honor of his wife. The air is traditional, one of the many variants of "Gilderoy (1)," but (according to Simon Fraser) words were written by MacIntyre. MacIntyre was "a Breadalbane man, who published a volume of Gaelic songs; the air was previously known, as sung by the gentlemen alluded to in the prospectus" (Fraser). John Purser says the air is one of the most famous of all Scottish Gaelic love-songs (adding that in addition to her youth and pulchritude, Mary brought talents as a fine whiskey distiller to the union). Emmerson (1971) says this "well-known and beautiful air" has the character of the ancient 'ports' of the harper's repertoire. Martin (2002) says the tune is popular both as a fiddle and pipe solo, and that many versions exist, including one in the Patrick McDonald Collection (1784). There is also a version in Alexander Campbell's Albyn's Anthology, vol. 2 (1816).


Additional notes



Printed sources : - Fraser (The Airs and Melodies Peculiar to the Highlands of Scotland and the Isles), 1816; No. 47, p. 17. Kerr (Merry Melodies, vol. 1), c. 1880; No. 22, p. 49. Martin (Traditional Scottish Fiddling), 2002; p. 60. Neil (The Scots Fiddle), 1991; No. 157, p. 203.

Recorded sources : - Redwing Music RWMCD 5410, Abby Newton - "Castles, Kirks and Caves" (2001).




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