Scotch March (3): Difference between revisions

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|f_aka=Favorite Scotch March
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|f_book_title=Hamilton's Universal Tune Book vol. 1
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|f_page=No. 1, p. 142
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X:1
T:Favorite Scotch March
T:Scotch March [3]
M:C
L:1/8
R:March
B:Elias Howe – Second Part of the Musician’s Companion (1843, p. 18)
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T:Scotch March [3]
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Revision as of 15:30, 22 February 2021


Scotch March (3)  Click on the tune title to see or modify Scotch March (3)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Scotch March (3)
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 Theme code Index    1151H 5551H
 Also known as    Favorite Scotch March
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    March/Marche
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AABBCDCD
 Editor/Compiler    Elias Howe
 Book/Manuscript title    Book:Second Part of the Musician's Companion
 Tune and/or Page number    p. 18
 Year of publication/Date of MS    1843
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Scotch March (3): Annotations

X:1 T:Favorite Scotch March T:Scotch March [3] M:C L:1/8 R:March B:Elias Howe – Second Part of the Musician’s Companion (1843, p. 18) Z:AK/Fiddler’s Companion K:F V:1 C2|F3A c>A f>d|c3A c>A f>d|c>d f>g a2 g>f|d2 d>d cBAG| F3A c>A f>d|c3A c>A f>d|c>a g>f d>c d>e|f2 f>f f2:| |:f>g|f>a gf d3ef>e f>g f>a F>G|A<c a>g fdcA|G2 G>G G2 c/B/A/G/| F3A c>A f>d|c3A c>c f>d|c>a g>f d>c d>e|f2 f>f f2!fine!:| F>G|A2 B>c d2 f>d|c>A G>B A2 A>G|F2 F>G A2 c>A|G>F G>A G2 G>B| c>f a>g f2 A>B|c>f a>g f2 g>a|b>g a>f c>a g>f|g2 g>g g2:| |:b>c’|b.a.g.f. f.e.d.c|cdfc d2 c’>c’|c’2 b/a/g/f/ aac’a|g>f g>a g2 FG| A2 A>B c2 f>d|c>A G>B A2 A>B|c/d/e/f/ e/f/g/a/ g/e/f/d/ c/A/B/G/|FD2 f>f f2!D.C.!:|] V:2 z2|C3F A>F d>B|A3F A>F d>B|A>B A>B c2 B>A|B2 B>B AGFE| C3F A>F d>B|A3F A>F d>B|A>f B>A B>A G>B|A2 A>A A2:| |:A>B|A>c BA B3G|A>G A>B A>c C>E|F<A f>e dBAF|E2 E>E E2 z2| C3F A>F d>B|A3F A>A d>B|A>f e>d B>A B>c|A2 A>A A2:|] z2|F2 G>A B2 d>B|A>F E>G F2 F>E|D2 D>E F2 A>F|E>D E>F E2 E>G| A>c f>e c2 F>G|A>c f>e d2 e>f|g>e f>d A>f e>d|[c2e2][ce]>[ce] [c2e2]:| g>a|gfed dcBA|ABdA B2 a>a|a2 a/f/e/d/ ffaf|e>d e>f e2 CE| F2 F>G A2 d>B|A>F E>G F2 F>G|A/B/c/d/ c/d/e/f/ e/c/d/B/ A/F/G/E/|[F2A2]A>A A2!D.C.!:|]


X:1 T:Scotch March [3] M:C L:1/8 B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 142) Z:AK/Fiddler’s Companion K:D D3F A>Fd>B|A3B A>Fd>B|A>Bd>e (f2 ed)|{c}B2 B2 (B/A/).A/.G/ (F/G/).F/.E/| D3F A>Fd>B|A2 A(c/B/) A>Fd>B|A<fe>d {c}B>AB>c|d2 d>d d2:| |:(de)|f2 e>d B>AB>c|d2 (d/c/d/e/) f2 (DE)|F>A f>e d<BA>F|E2 E>E (E/A/c/B/) (A/G/F/E)| D3F A>Fd>B|A3B A>Fd>B|A<fe>d {c}B>AB>c|d2 d>d d2:| |:(D>E)|F3G A>Ad>B|A<FE>G F2 F>E|D2 D>E (F/A/d/c/) (B/A/G/F/)|E>DE>F E2 (FG)| A<df>e d2 F>G|A>df>e d2 e>f|g>ef>d (Af).e.d|e>e e2|| e>f|gfed dcBA|B/c/d/c/ e/d/c/B/ A2 a>a|a(b/a/) (g/f/)(e/d/) f>da>f|e>d e(g/f/) e2 D>E| F3G A>Ad>B|A>FE>G F2 (FG)|(A/B/).c/.d/ (c/d/).e/.f/ (e/c/)(d/B/) (A/F/)(G/E/)|D(E/F/) (G/A/B/c/) d2:|]


Scotch March (3): Annotations

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