Belle Isle's March: Difference between revisions

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|:A2|a>ba>g f2f2|g>ag>f {f}Te4|a>ba>g f>gf>g|ab ag/f/ {f}Te2A2|
|:A2|a>ba>g f2f2|g>ag>f {f}Te4|a>ba>g f>gf>g|ab ag/f/ {f}Te2A2|
d2 d>f e2 e>g|f2 d'>b {b}Ta3g|f2 (3afd e2 (3gec|d2 d>d d2:|]
d2 d>f e2 e>g|f2 d'>b {b}Ta3g|f2 (3afd e2 (3gec|d2 d>d d2:|]
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D2|d>edc B2B2|c<dcB A2A2|d>edc B>cB>c|de dc/B/ {B}A>D|
D2|d>edc B2B2|c<dcB A2A2|d>edc B>cB>c|de dc/B/ {B}A>D|
G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2||
G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2||
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A2|a>ba>g f2f2|g>ag>f Te4|abag fgfg|ab (3bag {f}e2A2|
A2|a>ba>g f2f2|g>ag>f Te4|abag fgfg|ab (3bag {f}e2A2|
d2 d>f e2 e>g|f2 (3d’c’b a3g|f2 (3afd e2 (3gec|d2 d>d d2||
d2 d>f e2 e>g|f2 (3d’c’b a3g|f2 (3afd e2 (3gec|d2 d>d d2||
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|| d>edc B2B2 | c>dcB A2A2 | d>edc B2B2 | c>dcB A2 |
|| d>edc B2B2 | c>dcB A2A2 | d>edc B2B2 | c>dcB A2 |
G2 G>B A2 A>c | B2 ge d3c | BdBG AcAF | G2 G>G G2 ||
G2 G>B A2 A>c | B2 ge d3c | BdBG AcAF | G2 G>G G2 ||
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Revision as of 14:05, 25 October 2019


Belle Isle's March  Click on the tune title to see or modify Belle Isle's March's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Belle Isle's March
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 Theme code Index    1H1H2H2H 3H75H5H
 Also known as    Belisle March, Bellisle March (The), Bellisle's March, Monk's March, General Monk's March, Lewis Proudlock's Hornpipe, Proudlock's Hornpipe, Review (2) (The)
 Composer/Core Source    
 Region    England, United States
 Genre/Style    Contra, English, Morris
 Meter/Rhythm    Country Dance, March/Marche, Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    USA(Mid Atlantic)
 Structure    AABB
 Editor/Compiler    Biography:Charles and Samuel Thompson
 Book/Manuscript title    Book:The Compleat Tutor for the Fife
 Tune and/or Page number    p. 16
 Year of publication/Date of MS    1760
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   




X:1 T:Bellisle March, The M:4/4 L:1/8 B:Thompson - The Compleat Tutor for the Fife (1760, p. 16) Z:AK/Fiddler's Companion K:D A2|d2 d>f e2 e>g|d2 d'>b {b}Ta3g|f2 (3afd e2 (3gec|d2 d>d d2:| |:A2|a>ba>g f2f2|g>ag>f {f}Te4|a>ba>g f>gf>g|ab ag/f/ {f}Te2A2| d2 d>f e2 e>g|f2 d'>b {b}Ta3g|f2 (3afd e2 (3gec|d2 d>d d2:|]


X:1 T:Belisle March M:C L:1/8 R:March B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 B:(Glasgow, 1797, No. 54, p. 21) Z:AK/Fiddler’s Companion K:G D2|G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2:| D2|d>edc B2B2|c<dcB A2A2|d>edc B>cB>c|de dc/B/ {B}A>D| G2 G>B A2 A>c|B2 g>e {e}d3c|B2 (3dBG A2 (3cAF|G2 G>G G2||


X:1 T:Bellisle March M:C L:1/8 R:March S:John Rook music manuscript collection (1840, p. 50) N:Rook was a multi-instrumentalist from Waverton, near Wigton, Cumbria Z:AK/Fiddler’s Companion K:D A2|d2 d>f e2 e>g|f2 d’>b {b}a3g|f2 (3afd e2 (3gec|d2 d>d d2:| A2|a>ba>g f2f2|g>ag>f Te4|abag fgfg|ab (3bag {f}e2A2| d2 d>f e2 e>g|f2 (3d’c’b a3g|f2 (3afd e2 (3gec|d2 d>d d2||


X:2 T:Belle Isle's March M:4/4 L:1/8 S:Bacon - The Morris Ring K:G D | G2 G>B A2 A>c | B2 ge d3c | BdBG AcAF | G2 G>G G2 :| || d>edc B2B2 | c>dcB A2A2 | d>edc B2B2 | c>dcB A2 | G2 G>B A2 A>c | B2 ge d3c | BdBG AcAF | G2 G>G G2 ||