Cumbernauld House: Difference between revisions

Revision as of 06:11, 11 March 2024

Cumbernauld House Click on the tune title to see or modify Cumbernauld House's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Cumbernauld House Query the Archive
Theme code Index	3352 6L6L23
Also known as	Cumberland House, Cumernad House
Composer/Core Source
Region	Scotland
Genre/Style	Scottish
Meter/Rhythm	Air/Lament/Listening Piece
Key/Tonic of	G
Accidental	1 sharp
Mode	Ionian (Major)
Time signature	4/4
History
Structure	AABB
Editor/Compiler	Biography:James Oswald
Book/Manuscript title	Book:Caledonian Pocket Companion Book 2
Tune and/or Page number	p. 32
Year of publication/Date of MS	1760
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score (1)

Cumbernauld House: Annotations

X:1 T:Lord Aboyne’s welcome or Cumbernauld house M:C L:1/8 R:Air Q:”Slow” B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 6) F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf N:Francis Barsanti (1690-1775) was an Italian flautist, oboist and composer who spent N:most of his life in London and Edinburgh. Z:AK/Fiddler’s Companion K:G V:1 G>A|B>AB>d {c}B2 (AG)|E>DEG A2 B>d|e2 (d>c) d(BTAG)|(D>E)(G>A) G2:| |:TB>A|G>AB>c {Bc}d3e|Td(c/B/) AB d2 zd|e>fg>a Tf2 (g/f/e/d/)|B2 e>f Te3d| g>a (g/a/b) B2 (c/B/TA/G/)|AB {e}d(c/B/) A2 B>d|Te2 d>c d(BTAG)|(D>E)(G>A) G2:|] V:2 clef = bass z2|G,,2D,2G,2 zB,|C3G,D,2G,,2|C,>CB,>A, B,,2C2|D2D,2G,2:| z2|G,2 G,>A, B,>A,B,>C|B,2 zG, D,DB,G,|C,2 z^C, ^D,B,,E,A,|B,2B,,2 E,EDC| B,,2 zD, G,2 zG,,|C,2G,,2D,2G,,2|C,>CB,>A, B,2C2|D2D,2 G,2:|]

X:1 T:Cumernad House M:C L:1/8 R:Air B:Oswald - Caledonian Pocket Companion Book 2 (1760, p. 32) Z:AK/Fiddler's Companion K:G (G>A)|(B>A)(B>e) (d<B) T(A>G)|(EDE)G A2 B>d|(e>d)B>g (d<B) T(A>G)| (D>E) (G>A) G2||T(B>A)|(GA)(Bc) d2 {ef}g2|{e}d(c/B/) (c/B/)(A/G/) {Bc}d2 (g>f)| (efg)a f2 T(e>d)|B2 (e>f) e2 d(e/f/)|(gfe)d B2 {ef}g2|{e}d(c/B/) (c/B/)(A/G/) A2 Bd| ed (e/g/f/)g/ {e}d(c/B/) (c/B/)(A/G/)|(D>E) (G>A) G2:|]

X:2 T:Cumbernauld House M:C L:1/8 R:Air Q:"Slow" S:McGibbon - Scots Tunes, book III, p. 70 (1762) Z:AK/Fiddler's Companion K:G (G>A)|(B>A)(Bd) {c}B2 T(A>G) | (EDE)G A2 (Bd) |(ede)g {e}dc/B/ {c}BA/G/| E2 (G>A)G2 :| |: (B>A) | (GA)(Bc) {B/c/}d3e | (dB)T(A>G) {B/c/}d2 (g>f) | (e>f)(g>a) {g}f2 T(ed) |B2(e>f) e3f | (gf)T(ed) B2 (ef/g/)|(e/d/)(c/B/) (c/B/)(A/G/) A2 Bd |(ed)(eg) {e}d(c/B/) {c}B(A/G/) | E2 (G>A) G2 :|

X:1 T:Cumbernauld House M:C L:1/8 R:Air S:O'Farrell - Pocket Companion, vol. III (c. 1808) Z:AK/Fiddler's Companion K:G GA | BABd {c}B2 AG | (ED)EG A2 Bd | edeg {e}(dc/B/) {c}(BA/G/) | E2 GA G2 :| |: (BA) | GABc {B/c/}d3e | dBAG d2 (gf) | e>fga gfed | B2 (ef) e3f | (gf)ed B2 e(f/g/) | e/d/c/B/ c/B/A/G/ A2 Bd | edeg {e}dc/B/ (c/B/)(A/G/) | E2 GA G2 :|]

Cumbernauld House: Annotations

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+X:1
+T:Lord Aboyne’s welcome or Cumbernauld house
+M:C
+L:1/8
+R:Air
+Q:”Slow”
+B:Francis Barsanti – “Collection of Old Scots Tunes” (Edinburgh, 1742, p. 6)
+F: https://vmirror.imslp.org/files/imglnks/usimg/b/b0/IMSLP94625-PMLP194938-Barsanti_A_Collection_of_Old_Scots_Tunes.pdf
+N:Francis Barsanti  (1690-1775) was  an Italian flautist, oboist and composer who spent
+N:most of his life in London and Edinburgh.
+Z:AK/Fiddler’s Companion
+K:G
+V:1
+G>A|B>AB>d {c}B2 (AG)|E>DEG A2 B>d|e2 (d>c) d(BTAG)|(D>E)(G>A) G2:|
+|:TB>A|G>AB>c {Bc}d3e|Td(c/B/) AB d2 zd|e>fg>a Tf2 (g/f/e/d/)|B2 e>f Te3d|
+g>a (g/a/b) B2 (c/B/TA/G/)|AB {e}d(c/B/) A2 B>d|Te2 d>c d(BTAG)|(D>E)(G>A) G2:|]
+V:2  clef = bass
+z2|G,,2D,2G,2 zB,|C3G,D,2G,,2|C,>CB,>A, B,,2C2|D2D,2G,2:|
+z2|G,2 G,>A, B,>A,B,>C|B,2 zG, D,DB,G,|C,2 z^C, ^D,B,,E,A,|B,2B,,2 E,EDC|
+B,,2 zD, G,2 zG,,|C,2G,,2D,2G,,2|C,>CB,>A, B,2C2|D2D,2 G,2:|]
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 T:Cumernad House
 M:C
@@ Line 33: / Line 71: @@
 (efg)a f2 T(e>d)|B2 (e>f) e2 d(e/f/)|(gfe)d B2 {ef}g2|{e}d(c/B/) (c/B/)(A/G/) A2 Bd|
 ed (e/g/f/)g/ {e}d(c/B/) (c/B/)(A/G/)|(D>E) (G>A) G2:|]
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 M:C
@@ Line 48: / Line 85: @@
 |: (B>A) | (GA)(Bc) {B/c/}d3e | (dB)T(A>G) {B/c/}d2 (g>f) | (e>f)(g>a) {g}f2 T(ed) |B2(e>f) e3f |
 (gf)T(ed) B2 (ef/g/)|(e/d/)(c/B/) (c/B/)(A/G/) A2 Bd |(ed)(eg) {e}d(c/B/) {c}B(A/G/) | E2 (G>A) G2 :|
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 X:1
-%
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 M:C
@@ Line 62: / Line 98: @@
 |: (BA) | GABc {B/c/}d3e | dBAG d2 (gf) | e>fga gfed | B2 (ef) e3f | (gf)ed B2 e(f/g/) |
 e/d/c/B/ c/B/A/G/ A2 Bd | edeg {e}dc/B/ (c/B/)(A/G/) | E2 GA G2 :|]
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