Eileen Aroon (2): Difference between revisions

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|f_page=No. 18
|f_page=No. 18
|f_theme_code_index=567 1H1H3H
|f_theme_code_index=567 1H1H3H
|f_score=1
}}
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X:1
X:1
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T:Ellen a Roon  
T:Ellen a Roon  
T:Eileen Aroon [2]
T:Eileen Aroon [2]
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F2A2 B=c|B3A B2|A2d2d2|d2A2F2|
F2A2 B=c|B3A B2|A2d2d2|d2A2F2|
dABAdA|B3c A2|{cd}e3 dcB|A4 B2|E2F2G2|A6||  
dABAdA|B3c A2|{cd}e3 dcB|A4 B2|E2F2G2|A6||  
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<pre>
<section begin=X2 />
X:1
X:1
T:Ellin a Roon
T:Ellin a Roon
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Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:D
K:D
A2B2 (dc)|d3e f2|A2B2 (dc)|d6|
A2B2 (dc)|d3e f2|A2B2 (dc)|d6|A2 g2a2|(fg)(ef)(de)|
A2 g2a2|(fg)(ef)(de)|(cA)(Bc)(ef)|e4f2|
(cA)(Bc)(ef)|e4f2|g2g2g2|g2B2B2|gedefge|deBd A2|
g2g2g2|g2B2B2|gedefge|deBd A2|
gfgaga|fefgfg|edefaf|efed B2|a2g2f2|d3f f2|
gfgaga|fefgfg|edefaf|efed B2|
A2B2c2|d4 c2||A2B2c2|d3ef2|A2B2c2|d6|
a2g2f2|d3f f2|A2B2c2|d4 c2||
A2B2c2|(dc)(de)(fa)|A2B2c2|e4d2|A2g2g2|
A2B2c2|d3ef2|A2B2c2|d6|
g2B2A2|A2g2g2|(f2e2)c2|gfga g2|fe(fg)ag|
A2B2c2|(dc)(de)(fa)|A2B2c2|e4d2|
(ed)(ef)(ge)|(fe)(dc)(BA)|a2 gfed|e3f g2|A2B2c2|d6||
A2g2g2|g2B2A2|A2g2g2|(f2e2)c2|
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gfga g2|fe(fg)ag|(ed)(ef)(ge)|(fe)(dc)(BA)|
<section begin=X4 />
a2 gfed|e3f g2|A2B2c2|d6||
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X:1
X:1
T:Ailen Aroon [2]
T:Ailen Aroon [2]
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b/g/f/g/ Tg4|a/f/e/f/ Tf4|e/f/e/f/ g/f/g/a/ b/g/f/g/|{f}Te2 dcBA|
b/g/f/g/ Tg4|a/f/e/f/ Tf4|e/f/e/f/ g/f/g/a/ b/g/f/g/|{f}Te2 dcBA|
a4 b/c'/d' |(b/a/g) afec|{e}Td2e2f2|A2B2{d}Tc2|d6!D.C. al Capo!||
a4 b/c'/d' |(b/a/g) afec|{e}Td2e2f2|A2B2{d}Tc2|d6!D.C. al Capo!||
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<section begin=X7 />
X:1
X:1
T:Aileen a roon  
T:Aileen a roon  
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T(A<G)(E<G)(A<B)|(A>G)(E>G)(A>B)|(A>G)(E>c)T(B>A)|{A}G2{G}E2D2|
T(A<G)(E<G)(A<B)|(A>G)(E>G)(A>B)|(A>G)(E>c)T(B>A)|{A}G2{G}E2D2|
d6|g6|(3ece (3dBG (3cAF|G3 A{GA}B2|D2E2 F>A|G6:|]
d6|g6|(3ece (3dBG (3cAF|G3 A{GA}B2|D2E2 F>A|G6:|]
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<pre>
<section begin=X9 />
X:1
X:1
T:Ailen aroun [2]
T:Ailen aroun [2]
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Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:G
K:G
D2E2TF2|G3A B2|D2E2F2|G4 D2|
D2E2TF2|G3A B2|D2E2F2|G4 D2|(EDEG) A2|{B}TA3A B2|
(EDEG) A2|{B}TA3A B2|D2E2TF2|G6:|
D2E2TF2|G6:||:(cB)(cd)(cd)|c2E2E2|T(BA)(Bc)(Bc)|B2D2D2|TcB c4|
|:(cB)(cd)(cd)|c2E2E2|T(BA)(Bc)(Bc)|B2D2D2|
TBA B4|TAGABAB|(AGFE)D2|!fermata!d4 (ef/g/)|{f}edcB A{G}F|TG3AB2|D2E2TF2|G4z2:|]
TcB c4|TBA B4|TAGABAB|(AGFE)D2|
<section end=X9 />
!fermata!d4 (ef/g/)|{f}edcB A{G}F|TG3AB2|D2E2TF2|G4z2:|]
<section begin=X11 />
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<pre>
X:1
X:1
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T:Aileen Aroon [2]
T:Aileen Aroon [2]
M:3/4
M:3/4
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fefg f2|f2A2A2|gfga g2|fefg f2|edefef|
fefg f2|f2A2A2|gfga g2|fefg f2|edefef|
{f}e2 dcBA|a6|bagfec|d3e f2|A2B2c2|d6:|]
{f}e2 dcBA|a6|bagfec|d3e f2|A2B2c2|d6:|]
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<section begin=X13 />
X:1
X:1
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T:Ailen a Roon (sic) [2]
T:Ailen a Roon (sic) [2]
M:3/4
M:3/4
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gfga g2|fefg f2|~ed(eg)(fe)|(d2B2)A2|
gfga g2|fefg f2|~ed(eg)(fe)|(d2B2)A2|
a3 gfe|~d3e {de}f2|(A2B2)c2|d6||
a3 gfe|~d3e {de}f2|(A2B2)c2|d6||
</pre>
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<section begin=X15 />
<pre>
X:2
X:2
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T:Ailen Aroon with Variations [2]
T:Ailen Aroon with Variations [2]
M:3/4
M:3/4
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f/g/a/g/ f4 | fdAF Dg | b/a/g/a/ g4 | a/g/f/g/ f4 | e/f/e/f/ g/f/g/a/ b/g/f/g/|
f/g/a/g/ f4 | fdAF Dg | b/a/g/a/ g4 | a/g/f/g/ f4 | e/f/e/f/ g/f/g/a/ b/g/f/g/|
e2 dcBA | a4 b/c'/d' | b/a/g afec | {e}d2e2f2 | A2B2 {d}Tc2 | d6 :||
e2 dcBA | a4 b/c'/d' | b/a/g afec | {e}d2e2f2 | A2B2 {d}Tc2 | d6 :||
</pre>
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<pre>
<section begin=X18 />
X:1
X:1
T:Aileen Aroon [2]
T:Aileen Aroon [2]
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R:Air
R:Air
N:”Robinson’s Arrangement”
N:”Robinson’s Arrangement”
Q:"Lento"
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 177, p. 80)  
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 177, p. 80)  
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:Bb
K:Bb
"Lento"(F2G2A2)|(B3c d2)|(F2G2A2)|[D6B6]|
(F2G2A2)|(B3c d2)|(F2G2A2)|[D6B6]|
(F2G2A2)|(B3c d2)|(F2G2A2)|{A}[D6B6]||
(F2G2A2)|(B3c d2)|(F2G2A2)|{A}[D6B6]||
d2d2d2|(e3G) G2|d2d2c2|(B3G F2)|
d2d2d2|(e3G) G2|d2d2c2|(B3G F2)|
f2 (edcB)|(B3c d2)|(F2G2A2)|{A}[D6B6]||
f2 (edcB)|(B3c d2)|(F2G2A2)|{A}[D6B6]||
</pre>
<section end=X18 />
<pre>
<section begin=X19 />
X:3
X:3
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T:Eileen Aroon [2]
T:Eileen Aroon [2]
M:3/4
M:3/4
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(F/B/)z (G/B/)z (A/c/)z|{c}B2||d2d2d2|(e3G) G2|d2d2c2|
(F/B/)z (G/B/)z (A/c/)z|{c}B2||d2d2d2|(e3G) G2|d2d2c2|
(B3G)F2|f2 (ec)(BA)|(B3cd2)|(F/B/)z (G/B/)z (A/c/)z|{c}B2||
(B3G)F2|f2 (ec)(BA)|(B3cd2)|(F/B/)z (G/B/)z (A/c/)z|{c}B2||
</pre>
<section end=X19 />
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Revision as of 19:59, 6 February 2022


Eileen Aroon (2)  Click on the tune title to see or modify Eileen Aroon (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Eileen Aroon (2)
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 Theme code Index    567 1H1H3H
 Also known as    Aileen Aroon
 Composer/Core Source    
 Region    England, Scotland, Ireland
 Genre/Style    English, Irish, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Country Dance
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AAB, AABBCCDD
 Editor/Compiler    Biography:John Walsh
 Book/Manuscript title    Book:The Second Book of the Compleat Country Dancing Master 3rd edition
 Tune and/or Page number    No. 18
 Year of publication/Date of MS    1735
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Eileen Aroon (2): Annotations

X:1 T:Ellen a Roon T:Eileen Aroon [2] M:3/4 L:1/8 R:Air S:Coffey - The Beggar's Wedding (1729, Act iii, Air xviii) Z:AK/Fiddler's Companion K:A E2F2G2|A3Bc2|E2F2G2|A6||A2d2d2|d2A2F2| F2A2 B=c|B3A B2|A2d2d2|d2A2F2| dABAdA|B3c A2|{cd}e3 dcB|A4 B2|E2F2G2|A6||


X:1 T:Ellin a Roon T:Eileen Aroon [2] M:3/4 L:1/8 B:John Walsh – The Second Book of the Compleat Country Dancing-Master (3rd edition) B: (London, 1735, No. 18) Z:AK/Fiddler’s Companion K:D A2B2 (dc)|d3e f2|A2B2 (dc)|d6|A2 g2a2|(fg)(ef)(de)| (cA)(Bc)(ef)|e4f2|g2g2g2|g2B2B2|gedefge|deBd A2| gfgaga|fefgfg|edefaf|efed B2|a2g2f2|d3f f2| A2B2c2|d4 c2||A2B2c2|d3ef2|A2B2c2|d6| A2B2c2|(dc)(de)(fa)|A2B2c2|e4d2|A2g2g2| g2B2A2|A2g2g2|(f2e2)c2|gfga g2|fe(fg)ag| (ed)(ef)(ge)|(fe)(dc)(BA)|a2 gfed|e3f g2|A2B2c2|d6||


X:1 T:Ailen Aroon [2] M:3/4 L:1/8 R:Air B:Burke Thumoth - 12 English and 12 Irish Airs (c. 1746, No. 13, pp. 26-27) Z:AK/Fiddler's Companion K:D A2B2 {d}c2|{e}d3e f2|A2B2 {d}Tc2|d6|A2 BABd|e2 Te3f| A2B2{d}Tc2|d4f2|(gfga)(ga)|g2B2TB2|fefg (f/g/a)|e2A2A2| gfga Tg2 |fefg {g}Tf2|(efga)bg|{f}Te2 dcBA|A4 (b/c'/d')| (bag)fec|{e}d3ef2|A2B {d}c2|d6:||:F<A G<B A<c| defg a2|A>F B>G c>A|dc/B/ A/G/F/E/ D2|AFGABc|(d/e/d/e/) fg a2|A2B2 {d}Tc2| d4f2|(gfga) g/a/g/a/|(gab)gfe|(fefg) f/g/f/g/|(fgafed)| (g/f/e) (g/a/b) (g/f/e)|(f/e/d) (f/g/a) (f/e/d)|.e/.e/f g/g/a bg|{f}Te2 dcBA| Ta4 (b/c'/d') |(b/a/g) (a/g/f) (e/d/c)|{e}d3e f2|F<A G<B A<c|{c}d6:| |:.A.F.GABc|defg a2|{B}A2B2 {d}Tc2|dc/B/ A/G/F/E/ D2| AF .G/.F/G/A/ B/A/B/c/|.d/.c/d/e/ f/e/f/g/ a2|A2B2{d}Tc2|d4 f2| .g.b.geBG|E2b2{a}Tg2|(f/a/g/f/) e/d/c/B/ A/G/F/E/|F2a2{g}f2| gEGbgE|EFgabg|{f}Te2 dcBA|a4 (b/c'/d')|bGFaec|{e}d3ef2| A2B2{d}Tc2|d6:||AFGBAc|dAfda2|A2B2{d}c2|dc/B/ A/G/F/E/ D2| (3AGF BGcA|(3ded (3fgf a2|(3ABA B2{e}Tc2|d4f2| (3gba Tg4|geBG E2|(3fag f4|fdAF D2| b/g/f/g/ Tg4|a/f/e/f/ Tf4|e/f/e/f/ g/f/g/a/ b/g/f/g/|{f}Te2 dcBA| a4 b/c'/d' |(b/a/g) afec|{e}Td2e2f2|A2B2{d}Tc2|d6!D.C. al Capo!||


X:1 T:Aileen a roon T:Eileen Aroon [2] M:3/4 L:1/8 R:Air B:Oswald – Caledonian Pocket Companion, Book V (1760, p. 21) Z:AK/Fiddler’s Companion K:G D2E2G2|TA3G (G/A/B)|D2E2 (F>A)|G4 D2|(ED)(EG) AA| TA3 G (G/A/B)|D2E2 F>A|G6::(cB)(cd)(cd)|c2E2E2| T(BAB)cBA|G2TE2D2|(c>B)(c>d) c2|T(B>A)(B>c) B2| A2 (dc)(BA)|{A}G2E2D2|d3c TBA|G3A (G/A/B)| D2E2 (F>A)|G4::(D2E2)F2|(G/A/B/c/) (d/B/)(A/G/)|E2 (3DcB (3AGF| G4d2|(ed)(cB)(AG)|(g<e)(d<B) (A<G)|D2 (E>G)(F>A)|G6:| |:(c/B/c/d/) (c/B/c/d/) (c/B/c/d/)|(c<d)(e<c)(B<A)|(B/A/B/c/) (B/A/B/c/) (B/A/B/c/)| (B<c)(d<B) (A<G)|(c>d) (e/d/c) (c/B/A)|B>c (d/c/B) (B/A/G)|(e/g/f/)a/ g/(d/c/B/)| {B}A2 (GF)(ED)|d6|Tg6| (f/e/d/e/) (d/c/B/c/) (B/A/G/A/)|G3A (G/A/B)| D2E2TF2|G6::c>d e2d2|c>d e2d2|c>de>=f (e/f/g)|c4 c2| B>c d2 Tc2|B>c d2Tc2|(B>c)(d>c) (B>A)|G2TE2D2| T(A<G)(E<G)(A<B)|(A>G)(E>G)(A>B)|(A>G)(E>c)T(B>A)|{A}G2{G}E2D2| d6|g6|(3ece (3dBG (3cAF|G3 A{GA}B2|D2E2 F>A|G6:|]


X:1 T:Ailen aroun [2] M:3/4 L:1/8 R:Air B:Samuel, Anne & Peter Thompson – The Hibernian Muse (London, 1787, No. 10, p. 6) N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard” Z:AK/Fiddler’s Companion K:G D2E2TF2|G3A B2|D2E2F2|G4 D2|(EDEG) A2|{B}TA3A B2| D2E2TF2|G6:||:(cB)(cd)(cd)|c2E2E2|T(BA)(Bc)(Bc)|B2D2D2|TcB c4| TBA B4|TAGABAB|(AGFE)D2|!fermata!d4 (ef/g/)|{f}edcB A{G}F|TG3AB2|D2E2TF2|G4z2:|]


X:1 T:Aileen Aroon [2] M:3/4 L:1/8 R:Air B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 5 B:(Glasgow, 1797, No. 72, p. 29) Z:AK/Fiddler’s Companion K:D A2B2c|d3e f2|A2B2c2|{c}d4 A2|BABd e2| e2 Te2 {de}f2|A2B2c2|d6||gfga g2|g2G2G2| fefg f2|f2A2A2|gfga g2|fefg f2|edefef| {f}e2 dcBA|a6|bagfec|d3e f2|A2B2c2|d6:|]


X:1 T:Ailen a Roon (sic) [2] M:3/4 L:1/8 R:Air S:Gow - 2nd Repository (1802) Z:AK/Fiddler's Companion K:D A2B2c2|~d3e{e}f2|A2B2~c2|d6|A2B2c2|d3e {de}f2|A2B2c2|d6:| gf(ga)(ga)|(g2B2)B2|fe(fg)(fe)|d2B2A2| gfga g2|fefg f2|~ed(eg)(fe)|(d2B2)A2| a3 gfe|~d3e {de}f2|(A2B2)c2|d6||


X:2 T:Ailen Aroon with Variations [2] M:3/4 L:1/8 R:Air S:O'Farrell - Pocket Companion (c. 1805) Z:AK/Fiddler's Companion K:D A2B2{d}c2 | d3e f2 | A2B2 {d}Tc2 | d6 | A2 BABd | e2 Te3f | A2B2{d}c2 | d4 f2 | (gfga)(ga) | g2B2TB2 | fefa fe | d2 BA A2 | gfga Tg2 | fefg f2 | (efgab)g |Te2 dcBA | a4 b/c'/d' | bagfed | d3e f2 | A2B2c2 | {B/c/} d6 :||: F<A G<B A<c | defg a2 | A>F B>G c>A | dc/B/ A/G/F/E/ D2 | AFGABc | d/e/d/e/ fg a2 | A2B2{d}Tc2 | d4f2|(gfga) g/a/g/a/ | (gab)gfe | fefg f/g/f/g/ | fgafed | (g/f/e) (g/a/b) (f/e/e) | (f/e/d) (f/g/a) (f/e/d) | e/e/f g/g/a bg | {f}Te2 dcBA | a4 b/c'/d' | (b/a/g) (a/g/f) (e/d/c) | {e}d3e f2 | F<A G<B A<c | d6 :| |: AFGABc | d2 efga | A2B2 {d}c2 | dc/B/ A/G/F/E/ D2 | AF G/F/G/A/ B/A/B/c/ | d/c/d/e/ f/e/f/g/ a2 | A2B2 {d}c2 | d4f2 | gbgeBG | E2b2g2 | f/a/g/f/ e/d/c/B/ A/G/F/E/ | D2a2f2 | gEGbgE | fDFafD | EFabg | Te2 dcBA | a4 b/c'/d' | bGFaec | d3ef2 | A2B2 {d}Tc2 | d6 :| |: AFGBAc | eAfd a2 | A2B2c2 | dc/B/ A/G/F/E/ D2 | AG/F/ BGcA | (3ded (3fgf a2 | (3ABA B2c2 | d4f2 | g/a/b/a/ g4 | gdBG E2 | f/g/a/g/ f4 | fdAF Dg | b/a/g/a/ g4 | a/g/f/g/ f4 | e/f/e/f/ g/f/g/a/ b/g/f/g/| e2 dcBA | a4 b/c'/d' | b/a/g afec | {e}d2e2f2 | A2B2 {d}Tc2 | d6 :||


X:1 T:Aileen Aroon [2] M:3/4 L:1/8 R:Air N:”Robinson’s Arrangement” Q:"Lento" B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1858, No. 177, p. 80) Z:AK/Fiddler’s Companion K:Bb (F2G2A2)|(B3c d2)|(F2G2A2)|[D6B6]| (F2G2A2)|(B3c d2)|(F2G2A2)|{A}[D6B6]|| d2d2d2|(e3G) G2|d2d2c2|(B3G F2)| f2 (edcB)|(B3c d2)|(F2G2A2)|{A}[D6B6]||


X:3 T:Eileen Aroon [2] M:3/4 L:1/8 R:Air S:O'Neill - MOI 393 K:Bb (F2G2A2)|(B3cd2)|(F2G2)(Ac)|B6|(F2G2A2)|(B3cd2)| (F/B/)z (G/B/)z (A/c/)z|{c}B2||d2d2d2|(e3G) G2|d2d2c2| (B3G)F2|f2 (ec)(BA)|(B3cd2)|(F/B/)z (G/B/)z (A/c/)z|{c}B2||


Eileen Aroon (2): Annotations

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