Annotation:Breeches Loose (2): Difference between revisions
No edit summary |
No edit summary |
||
| Line 10: | Line 10: | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
'''BREECHES LOOSE [2]'''. AKA and see "[[All Alive (1)]]," "[[Breeches Maker (The)]]," "[[Northumberland Lady]]." English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's '''Choice Collection of 200 Favourite Country Dances''', vol. 5 (London, 1750), and then in David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his '''Recueil de Contradances Angloises''' (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "[[Petticoat Loose (3)]]," | '''BREECHES LOOSE [2]'''. AKA and see "[[All Alive (1)]]," "[[Breeches Maker (The)]]," "[[Northumberland Lady]]." English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's '''Choice Collection of 200 Favourite Country Dances''', vol. 5 (London, 1750), and then in David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his '''Recueil de Contradances Angloises''' (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "[[Petticoat Loose (3)]]," the association obvious, and perhaps meant to be companion tune. See also note for "[[annotation:Old Grey Goose (1)]]" for more. | ||
<br> | <br> | ||
</div> | </div> | ||
Revision as of 05:09, 9 June 2019
X:1 T:Breeches Loose [2] M:6/8 L:1/8 B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 1 (London, 1757) Z:Transcribed and edited by Fynn Titford-Mock, 2007 Z:abc's:AK/Fiddler's Companion K:Gmin A|BdB cAc|BGG G2A|BdB cAc|AFF F2A| BdB cAc|Bdg f2e|dcB (A/B/c)A|BGG G2:| |:A|Bd(f f)dB|fdB fdB|ce(g g)ec|gec gec| Bd(f f)dB|bag fdB|(c/d/e)c (A/B/c)A|BGG G2:||
BREECHES LOOSE [2]. AKA and see "All Alive (1)," "Breeches Maker (The)," "Northumberland Lady." English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's Choice Collection of 200 Favourite Country Dances, vol. 5 (London, 1750), and then in David Rutherford's Compleat Collection of 200 of the Most Celebrated Country Dances (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his Recueil de Contradances Angloises (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "Petticoat Loose (3)," the association obvious, and perhaps meant to be companion tune. See also note for "annotation:Old Grey Goose (1)" for more.