Annotation:Bien Aimée (La): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Bien_Aimée_(La) > | |||
|f_annotation='''BIEN AIMÉE, LA.''' AKA and see "[[Pennington's Maggot]]." French, Country Dance (2/4 time). A Major. Standard tuning. AABB. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d'Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters. He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass. | |||
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|f_printed_sources=Daubat ('''Cent Contredanses en Rond'''), 1757; No. 39. | |||
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'''BIEN AIMÉE, LA.''' French, Country Dance (2/4 time). A Major. Standard tuning. AABB. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d'Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters. He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass. | |||
Revision as of 00:19, 9 August 2024
X:1 T:Bien Aimée, La (The Beloved) M:2/4 L:1/8 S:Daubat - Cent Contredanses en Rond (1757), No. 39 Z:AK/Fiddler's Companion K:A eaec | cecA | (Bd) (EG)|BE (B/c/d) | caec | cecA | (Bd) (EG) | A2 A,2 :| |: (.B.c.B.A) | (GBG).E | .e(fed) | .c(ecA) | {b}aeec | fdcB | (ce) (EG) | A2 A,2 :|
BIEN AIMÉE, LA. AKA and see "Pennington's Maggot." French, Country Dance (2/4 time). A Major. Standard tuning. AABB. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d'Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters. He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass.
