Newcastle (1): Difference between revisions

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|f_page=77
|f_page=77
|f_theme_code_index=3111 3167
|f_theme_code_index=3111 3167
|f_score=1
|f_player=The Broadside Band
|f_album=John Playford's Popular Tunes
|f_label=Amon Ra CDSAR 28
|f_recording_date=1952-1961
}}
}}
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|keywords=fiddle tune finder, find recordings, irish fiddle tunes, original folk music, abc music finder, english country dance, old-time music
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|image_alt=Traditional universal music
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gfed g3B|A2 g4 A2|G3A B2F2|E2 e4 f2|
gfed g3B|A2 g4 A2|G3A B2F2|E2 e4 f2|
gfed g3B|A2A2 c3d|e2B2 A3G|G8||
gfed g3B|A2A2 c3d|e2B2 A3G|G8||
 
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Revision as of 02:22, 7 May 2022


Newcastle (1)  Click on the tune title to see or modify Newcastle (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Newcastle (1)
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 Theme code Index    3111 3167
 Also known as    Come You Not from Newcastle?
 Composer/Core Source    John Playford
 Region    England
 Genre/Style    English
 Meter/Rhythm    Country Dance
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AA'B
 Editor/Compiler    John Playford
 Book/Manuscript title    Book:The English Dancing Master
 Tune and/or Page number    77
 Year of publication/Date of MS    1651
 Artist    Biography:The Broadside Band
 Title of recording    John Playford's Popular Tunes
 Record label/Catalogue nr.    Amon Ra CDSAR 28
 Year recorded    1952-1961
 Media    
 Score   (1)   




X:1 T:Newcastle [1] M:4/4 L:1/4 Q:200 H:Simpson feels that the surviving tune is not the one which had some H:currency in Elizabethan days. He points out that wrenchings of accent H:are necessary to accomplish the fit of Playford's dance tune to a H:curious fragment of text found in the 18th century Percy folio MS, a H:source of dubious authenticity itself. H:Came you not from H:Newcastle? H:Came yee not there away? &c H:It is quite possible that H:this dance was inspired by William, Duke of Newcastle, a royalist who H:remained in London and bent his interests towards the theatre during H:the interregnum. K:G BdGA|G>AGD|BdGd|eg2 f/2e/2|dBAG| Ee2 d/2c/2|dBA>G|1 G4:|2 G3 e/2f/2|| L:1/8 gfed g3B|A2 g4 A2|G3A B2F2|E2 e4 f2| gfed g3B|A2A2 c3d|e2B2 A3G|G8||