O dear! what can the matter be: Difference between revisions
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|f_tune_title=O dear! what can the matter be | |f_tune_title=O dear! what can the matter be | ||
|f_aka=Oc on cad e do tarlad, Johnny's So Long at the Fair (1) | |f_aka=Oc on cad e do tarlad, Johnny's So Long at the Fair (1) | ||
|f_country= | |f_country=England, Scotland, Ireland, Canada, United States | ||
|f_genre=Contra, English, Irish, Morris, Scottish, Stage | |f_genre=Contra, English, Irish, Morris, Scottish, Stage | ||
|f_rhythm=Air/Lament/Listening Piece, Jig/Quadrille, March/Marche | |f_rhythm=Air/Lament/Listening Piece, Jig/Quadrille, March/Marche | ||
Line 9: | Line 9: | ||
|f_accidental=1 sharp | |f_accidental=1 sharp | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_history= | |f_history=CANADA(Maritimes/English), USA(New England) | ||
|f_structure=AB, AABB, AA'BB, AA'BB', AABBCCDDEE' | |f_structure=AB, AABB, AA'BB, AA'BB', AABBCCDDEE' | ||
|f_book_title=Selection of Scotch English Irish and Foreign Airs vol. 4 | |f_book_title=Selection of Scotch English Irish and Foreign Airs vol. 4 | ||
Line 16: | Line 16: | ||
|f_page=No. 15, p. 6 | |f_page=No. 15, p. 6 | ||
|f_theme_code_index=5555 4444 | |f_theme_code_index=5555 4444 | ||
|f_score=1 | |||
}} | }} | ||
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---- | ---- | ||
< | <section begin=abc /> | ||
X:1 | X:1 | ||
T:O dear what can the matter be | T:O dear what can the matter be | ||
M:G | M:G | ||
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|:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| | |:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| | ||
dBc dBc|dBg dBG|EGc BcA|G3 z2:|] | dBc dBc|dBg dBG|EGc BcA|G3 z2:|] | ||
</ | <section end=abc /> | ||
< | <section begin=X2 /> | ||
X:1 | X:1 | ||
T:Oh Dear what can the matter be | T:Oh Dear what can the matter be | ||
M:6/8 | M:6/8 | ||
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|:dBc dBc|dBg dBG|cAB cAB|cAB cBA|! | |:dBc dBc|dBg dBG|cAB cAB|cAB cBA|! | ||
dBc dBc|dBg dBG|EAc BcA|G3G3:|] | dBc dBc|dBg dBG|EAc BcA|G3G3:|] | ||
</ | <section end=X2 /> | ||
< | <section begin=X3 /> | ||
X: 1 | X: 1 | ||
T:O Dear, What Can The Matter Be | T:O Dear, What Can The Matter Be | ||
R:jig | R:jig | ||
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|:F|cAB cAB|cAf cAF|BGA BGA|BGA BAG| | |:F|cAB cAB|cAf cAF|BGA BGA|BGA BAG| | ||
cAB cAB|cAf cAF|DFB A>BG|F3 F2:|] | cAB cAB|cAf cAF|DFB A>BG|F3 F2:|] | ||
</ | <section end=X3 /> | ||
< | <section begin=X5 /> | ||
X: 1 | X: 1 | ||
T:What Can The Matter Be | T:What Can The Matter Be | ||
T:Oh,Dear, What Can The... | T:Oh,Dear, What Can The... | ||
Line 89: | Line 92: | ||
"not clear from here"cBA GFE|! | "not clear from here"cBA GFE|! | ||
dBc dBc|dBd dBG|Eed cBA|G3zz2:| | dBc dBc|dBd dBG|Eed cBA|G3zz2:| | ||
</ | <section end=X5 /> | ||
< | <section begin=X6 /> | ||
X:1 | X:1 | ||
T:What can the matter be | T:What can the matter be | ||
M:6/8 | M:6/8 | ||
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|:dBc dBc|dBg dBG|cAB cAB|cAB cBA| | |:dBc dBc|dBg dBG|cAB cAB|cAB cBA| | ||
dBc dBc|dBg dBG|DGc BAF|G3 G3:|] | dBc dBc|dBg dBG|DGc BAF|G3 G3:|] | ||
</ | <section end=X6 /> | ||
< | <section begin=X8 /> | ||
X: 1 | X: 1 | ||
T:Oh Dear What Can The Matter Be? (2 voices) | T:Oh Dear What Can The Matter Be? (2 voices) | ||
M:6/8 | M:6/8 | ||
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[V:1] dBc dBc | dBg dBG | EGc BcA | G3"_dotted in MS" G2 :| | [V:1] dBc dBc | dBg dBG | EGc BcA | G3"_dotted in MS" G2 :| | ||
[V:2] G,3 G,3 | G,3 G,3 | B,,3 D,3 | G,D,B,, G,,2 :| | [V:2] G,3 G,3 | G,3 G,3 | B,,3 D,3 | G,D,B,, G,,2 :| | ||
</ | <section end=X8 /> | ||
< | <section begin=X9 /> | ||
X:1 | X:1 | ||
T:What can the matter be? | T:What can the matter be? | ||
M:6/8 | M:6/8 | ||
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|:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| | |:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| | ||
dBc dBc|dBg dBG|EGc BcA|G3z2:|] | dBc dBc|dBg dBG|EGc BcA|G3z2:|] | ||
</ | <section end=X9 /> | ||
< | <section begin=X11 /> | ||
X:1 | X:1 | ||
T:Oh Dear What Can The Matter Be | T:Oh Dear What Can The Matter Be | ||
R:air | R:air | ||
Line 166: | Line 165: | ||
|:e|ecd ecd|eca ecA|dBc dBc|dBc dcB|! | |:e|ecd ecd|eca ecA|dBc dBc|dBc dcB|! | ||
ecd ecd|eca ecA|FAd cdB|A6:| | ecd ecd|eca ecA|FAd cdB|A6:| | ||
</ | <section end=X11 /> | ||
< | <section begin=X12 /> | ||
X:1 | |||
T:Oh Dear what can the Matter be | |||
M:6/8 | |||
L:1/8 | |||
R:Quickstep | |||
B:John McLachlan - Piper’s Assistant (1854, No. 63, p. 36) | |||
Z:AK/Fiddler’s Companion | |||
K:Amix | |||
cd|e3 e3|eca ecA|d3 d3|TcBc dcB| | |||
e3e3|eca ecA|Gad cdB|A3 A:| | |||
|:cd|ecd ecd|ecd ecA|dBc d>Bc|dBc dcB| | |||
ecd ecd|eca ecA|dfd cdB|A3 A:|] | |||
<section end=X12 /> | |||
<section begin=X14 /> | |||
X:1 | X:1 | ||
T:O Dear what can the matter be? - Variations | T:O Dear what can the matter be? - Variations | ||
M:6/8 | M:6/8 | ||
L:1/8 | L:1/8 | ||
Q:"Allegretto" | |||
B:Köhler’s Violin Repository vol. 3Bc (1885, p. 266) | B:Köhler’s Violin Repository vol. 3Bc (1885, p. 266) | ||
Z:AK/Fiddler’s Companion | Z:AK/Fiddler’s Companion | ||
K:G | K:G | ||
d3d3|dBg dBG|c3c3|cAB cBA|d3d3|dBg dBG| | |||
EAc BcA|1(G3 G3):|2(G3 G2)||:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| | EAc BcA|1(G3 G3):|2(G3 G2)||:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| | ||
dBc dBc|dBg dBG|EAc BcA|(G3G2)::z|(d/g/)b/a/g/f/ (e/d/)g/f/e/d/| | dBc dBc|dBg dBG|EAc BcA|(G3G2)::z|(d/g/)b/a/g/f/ (e/d/)g/f/e/d/| | ||
Line 192: | Line 205: | ||
E(G/F/E/D/) C(A/B/c/d/)|e(e/d/c/B/) A(c/B/A/G/)|F(A/G/F/E/) D(D/E/F/D/)| | E(G/F/E/D/) C(A/B/c/d/)|e(e/d/c/B/) A(c/B/A/G/)|F(A/G/F/E/) D(D/E/F/D/)| | ||
G(G/F/G/A/) B(B/A/B/c/)|d(d/e/f/d/) g(g/f/e/d/)|c(e/d/c/B/) A(d/c/B/A/)|(G3G2):|] | G(G/F/G/A/) B(B/A/B/c/)|d(d/e/f/d/) g(g/f/e/d/)|c(e/d/c/B/) A(d/c/B/A/)|(G3G2):|] | ||
</ | <section end=X14 /> | ||
< | <section begin=X15 /> | ||
X:2 | X:2 | ||
T:Oh, Dear, What Can the Matter Be? | T:Oh, Dear, What Can the Matter Be? | ||
M:6/8 | M:6/8 | ||
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B|d3d3|dBg dBG|c3 ccc|cAB cBA| | B|d3d3|dBg dBG|c3 ccc|cAB cBA| | ||
d3 ddd|dBg dBG|DGc BcA|G3 z2|| | d3 ddd|dBg dBG|DGc BcA|G3 z2|| | ||
</ | <section end=X15 /> | ||
---- | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
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__NOTITLE__ |
Revision as of 04:45, 26 October 2019
X:1 T:O dear what can the matter be M:G L:1/8 R:Air Q:"Slow" B:Aird - Selection of Scotch, English, Irish and Foreign Airs, B:vol. 4 (1796, No. 15, p. 6) Z:AK/Fiddler's Companion K:G d3 d3|dBg dBG|c3 c3|cAB cBA| d3 d3|dBg dBG|EGc BcA|1G3 z3:|2G3 z2|| |:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA| dBc dBc|dBg dBG|EGc BcA|G3 z2:|]
X:1
T:Oh Dear what can the matter be
M:6/8
L:1/8
S:Thomas Sands' MS, TS. 003, 1810, Lincolnshire
R:glee
O:Lincolnshire
Z:vmp.Ruairidh Greig, 2011
K:G
d3d3|dBg dBG|c3c3|cAB cBA|!
d3d3|dBg dBG|EAc BcA|G3G3:|!
|:dBc dBc|dBg dBG|cAB cAB|cAB cBA|!
dBc dBc|dBg dBG|EAc BcA|G3G3:|]
X: 1
T:O Dear, What Can The Matter Be
R:jig
S:Rev. R. Harrison's MS, RH. 487, c 1815, Cumbria
O:England
A:Temple Sowerby,Cumbria
Z:vmp.Simon Wilson. Review PJH, 2008.
M:6/8
L:1/8
K:Bb
c3c3|cAf cAF|B3B3|BGA BAG|
c3c3|cAf cAF|DFB A>BG|1F3 F3:|2F3 F2:|!
|:F|cAB cAB|cAf cAF|BGA BGA|BGA BAG|
cAB cAB|cAf cAF|DFB A>BG|F3 F2:|]
X: 1
T:What Can The Matter Be
T:Oh,Dear, What Can The...
M:6/8
L:1/8
S:James Winder Ms, JaW. 293, Lancashire, 1835-41
R:.Air
O:England
A:Wyresdale, Lancashire
N:Johnny Stops Long At The Fair.
Z:vmp.Chris Partington, Aug 2004
K:C
d3d3|dBg dBG|c3c3|cAB cBA|!
d3d3|dBg dcB|Eed cBA|G3G3:|!
|:d|dBc dBc|dBg dBG|cAB cAB|\
"not clear from here"cBA GFE|!
dBc dBc|dBd dBG|Eed cBA|G3zz2:|
X:1
T:What can the matter be
M:6/8
L:1/8
R:Air
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 152)
Z:AK/Fiddler’s Companion
K:G
d3d3|dBg dBG|c3 c3|cAB cBA|
d3 d3|dBg dBG|DGc BcA|G3 G3:|
|:dBc dBc|dBg dBG|cAB cAB|cAB cBA|
dBc dBc|dBg dBG|DGc BAF|G3 G3:|]
X: 1
T:Oh Dear What Can The Matter Be? (2 voices)
M:6/8
L:1/8
S:A.J.Hughes MS, AJH. 006
O:England
A:North Shropshire
Z:Neil Brookes 2006
V:1 clef=treble
V:2 clef=bass
%%staves {1 2}
K:G
[V:1] |: "_rest added"z|d3 d3 | dBg dBG | c3 c3 | cAB cBA |
[V:2] |: z|G,B,G, F,D,F, | G,3 G,2F, | E,G,C C,E,G, | D,3 D,3 |
%
[V:1] d3 d3 | dBg dBG | EGc BcA | G3 z2 :|
[V:2] G,B,G, F,D,F, | G,3 G,3 | C,3 D,3 | G,D,B,, G,,2 :|
%
[V:1] |: d | dBc dBc | dBg dBG | cAB cAB | cAB cBA |
[V:2] |: z | G,3 G,3 | G,3 G,3 | D,3 D,3 | D,3 D,3 |
%
[V:1] dBc dBc | dBg dBG | EGc BcA | G3"_dotted in MS" G2 :|
[V:2] G,3 G,3 | G,3 G,3 | B,,3 D,3 | G,D,B,, G,,2 :|
X:1
T:What can the matter be?
M:6/8
L:1/8
S:Anonymous 1862 American music manuscript collection (p. 3)
N: https://archive.org/stream/MerryMen/MUMSS-00079#page/n0/mode/2up
Z:AK/Fiddler’s Companion
K:G
d2z d2z|dBg dBG|c2c c2c|cAB cBA|
d2z d2z|dBg dBG|EGc BcA|G3 z2:|
|:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA|
dBc dBc|dBg dBG|EGc BcA|G3z2:|]
X:1
T:Oh Dear What Can The Matter Be
R:air
S:John Clare, Poet, JC. 012, Helpston (1793-1864)
N:Modern practice would have the dotted minims as two dotted crotchets
N:slurred, to ease readability. CGP.
N:Song text exists. See Deacon.
O:England
A:Northamptonshire
Z:vmp.P. Headford
M:6/8
L:1/8
K:D
e3e3|\
eca ecA|d6|dBc dcB|!
e6|eca ecA|FAd cdB|A3z2:|!
|:e|ecd ecd|eca ecA|dBc dBc|dBc dcB|!
ecd ecd|eca ecA|FAd cdB|A6:|
X:1
T:Oh Dear what can the Matter be
M:6/8
L:1/8
R:Quickstep
B:John McLachlan - Piper’s Assistant (1854, No. 63, p. 36)
Z:AK/Fiddler’s Companion
K:Amix
cd|e3 e3|eca ecA|d3 d3|TcBc dcB|
e3e3|eca ecA|Gad cdB|A3 A:|
|:cd|ecd ecd|ecd ecA|dBc d>Bc|dBc dcB|
ecd ecd|eca ecA|dfd cdB|A3 A:|]
X:1
T:O Dear what can the matter be? - Variations
M:6/8
L:1/8
Q:"Allegretto"
B:Köhler’s Violin Repository vol. 3Bc (1885, p. 266)
Z:AK/Fiddler’s Companion
K:G
d3d3|dBg dBG|c3c3|cAB cBA|d3d3|dBg dBG|
EAc BcA|1(G3 G3):|2(G3 G2)||:d|dBc dBc|dBg dBG|cAB cAB|cAB cBA|
dBc dBc|dBg dBG|EAc BcA|(G3G2)::z|(d/g/)b/a/g/f/ (e/d/)g/f/e/d/|
(c/B/)e/d/c/B/ (A/G/)c/B/A/G/|F/a/c'/a/g/ f/e/a/g/f/e/|(d/c/)f/e/d/c/ (B/A/)d/c/B/A/|
G/b/d'/c'/b/a/ g/f/b/a/g/f/|(e/d/)g/f/e/d/ (c/B/)e/d/c/B/|(A/G/)c/B/A/G/ (F/A/)d/c/B/A/|(G3G2):|
|:d|d/c/B/c/d/e/ e/c/B/c/d/e/|(e/g/)b/a/g/f/ (e/d/)c/B/A/G/|c/B/A/B/c/d/ c/B/A/B/c/d/|
c/a/c'/b/a/g/ f/e/d/c/B/A/B/A/|B/A/B/G/A/B/ c/B/c/A/B/c/|d/b/d'/c'/b/a/ g/f/e/d/c/B/|
(A/c/)e/c/A/G/ (F/A/)d/c/B/A/|(G3G2):||:(3D/E/F/|GDB GdB|gdb gdBB|
cAF AFC|FED EDA,|B,G,D B,GD|BGd BGD|(EAc) (BcA)|(G3G2):|
|:d|{e}d^cd {E}D^CD|gfg {E}D^CD|{e}cBc {E}D^CD|a^ga {E}D^CD|
(d^cd) (GFG)|(gfg) (E^DE)|(G^GA) (A=GF)|(G3 G2):|
|:z|d(G/B/)d/g/ d(B/d/)g/b/|g(d/g/)b/d'/ b(g/a/)b/g/|c'(c'/a/)f/d/ c(a/f/)d/c/|
A(c/A/)F/D/ C(A/F/)D/C/|B,(G,/B,/)D/G/ D(B,/D/)G/B/|G(D/G/)B/d/ B(G/B/)d/g/|
E(E/A/)c/e/ d(D/F/)A/F/|(G3G2)::(G/A/B/c/)|d(d/c/B/A/) G(B/A/G/F/)
E(G/F/E/D/) C(A/B/c/d/)|e(e/d/c/B/) A(c/B/A/G/)|F(A/G/F/E/) D(D/E/F/D/)|
G(G/F/G/A/) B(B/A/B/c/)|d(d/e/f/d/) g(g/f/e/d/)|c(e/d/c/B/) A(d/c/B/A/)|(G3G2):|]
X:2
T:Oh, Dear, What Can the Matter Be?
M:6/8
L:1/8
R:Air
S:O'Neill - Music of Ireland No. 620 (1903)
Z:AK/Fiddler's Companion
K:G
d|dBc dBc|dBg dBG|cAB cAB|cAB cBA|
dBc dBc|dBg dBG|DGc BcA|G3 z2||
B|d3d3|dBg dBG|c3 ccc|cAB cBA|
d3 ddd|dBg dBG|DGc BcA|G3 z2||