Peter Street (1): Difference between revisions

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|:D (3F/E/D/ A/D/ (3F/E/D/|c/D/B/D/ A/D/G/D/|G (3B/A/G/ d/G/ (3B/A/G/|d/G/g/G/ f/G/e/G/|
|:D (3F/E/D/ A/D/ (3F/E/D/|c/D/B/D/ A/D/G/D/|G (3B/A/G/ d/G/ (3B/A/G/|d/G/g/G/ f/G/e/G/|
d/^c/d/B/ g/f/g/e/|d/^c/d/B/ g/f/g/e/|d/B/g/f/ e/d/c/B/|A/G/F/E/ D/E/F/D/:|
d/^c/d/B/ g/f/g/e/|d/^c/d/B/ g/f/g/e/|d/B/g/f/ e/d/c/B/|A/G/F/E/ D/E/F/D/:|
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d2 {f}(ed) .a.f{f}(ed)|.a.d.d'.d .c'.d.b.d|.a.d{f}(ed) .a.d.bd|cAeA fAeA|
d2 {f}(ed) .a.f{f}(ed)|.a.d.d'.d .c'.d.b.d|.a.d{f}(ed) .a.d.bd|cAeA fAeA|
d2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d c'..d.b.d|(ab)af (ad').a.f|{f}(ed) (ef) d2d2||
d2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d c'..d.b.d|(ab)af (ad').a.f|{f}(ed) (ef) d2d2||
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D|D2 (3FED ADFD|ADcD BDAD|G2 (3BAG dGBG|dGgG fGeG|
D|D2 (3FED ADFD|ADcD BDAD|G2 (3BAG dGBG|dGgG fGeG|
d2 (Bd) gfge|d2 (Bd) gfge|dBgf edcB|AGFE DEFD!D.C.!O||
d2 (Bd) gfge|d2 (Bd) gfge|dBgf edcB|AGFE DEFD!D.C.!O||
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E2 (3GFE BE (3GFE|BEdE cEBE|A2 (3cBA eA (3cBA|eAaA gAfA|
E2 (3GFE BE (3GFE|BEdE cEBE|A2 (3cBA eA (3cBA|eAaA gAfA|
efec agaf|efec agaf|ecag fedc|BAGF EFGE||
efec agaf|efec agaf|ecag fedc|BAGF EFGE||
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D2 (FD) (AG)(FE)|Dz cz Bz Az|G2 BG (dc)(BA)|Gz gz fz ez|
D2 (FD) (AG)(FE)|Dz cz Bz Az|G2 BG (dc)(BA)|Gz gz fz ez|
(de)(dB) (gf)(ge)|(de)(dB) (gf)(ge)|d2 (gf) (ed)(cB)|(Ac) (FA) (GFED)||
(de)(dB) (gf)(ge)|(de)(dB) (gf)(ge)|d2 (gf) (ed)(cB)|(Ac) (FA) (GFED)||
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B:James Goodman music manuscript collection, vol. 4 (mid-19th century, p. 48)
B: http://goodman.itma.ie/volume-four#?c=0&m=0&s=0&cv=51&z=-1113.2721%2C367.1608%2C9412.445%2C3784.7937
Z:AK/Fiddler’s Companion
K:Bb
F|B2 d/c/B fBdB|fBgB aBgB|fB d/c/B fBdB|cFdF eFcF|
B2 d/c/B fBdB|fBbB aBgB|fgfd fbfd|cBcd B2:|
|:B|A2 A/G/F cFAF|cFeF dFcF|d2 d/c/B fBdB|fBgB fBdB|
fB d/c/B bBgB|fB d/c/B bBgB|fBgf edcB|ABcB AFGA|
B2 d/c/B fBdB|fBbB aBgB|fB d/c/B fBdB|cFdF eFcF|
B2 d/c/B bBgB|fB d/c/B bBgB|fBgf edcB|ABcB AFGA|
B2 d/c/B fBdB|fBbB aBgB|fB d/c/B fBdB|cFdF eFcF|
B2 d/c/B fBdB|fBbB aBgB|fgfd fbfd|{d}cBcd B3||
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A2 (3cBA eAcA|eAaA gAfA|eA (3cBA eA (3cBA|BEcE dEcE|
A2 (3cBA eAcA|eAaA gAfA|eA (3cBA eA (3cBA|BEcE dEcE|
A2 (3cBA eAcA|eAaA gAfA|efec eaec|BABc A2||
A2 (3cBA eAcA|eAaA gAfA|efec eaec|BABc A2||
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|:E2 (3GFE BE (3GFE|BE dE cE BE|A2 (3cBA eA (3cBA|eA aA gA fA|
|:E2 (3GFE BE (3GFE|BE dE cE BE|A2 (3cBA eA (3cBA|eA aA gA fA|
e^d ec ag af|e^d ec ag af|ec ag fe dc|BA GF EF GE:|]
e^d ec ag af|e^d ec ag af|ec ag fe dc|BA GF EF GE:|]
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Revision as of 05:13, 3 February 2020


Peter Street (1)  Click on the tune title to see or modify Peter Street (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Peter Street (1)
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 Theme code Index    1353 51H76
 Also known as    Sweet Peter Street, Miller's Frolics (2)
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    A
 Accidental    3 sharps
 Mode    Ionian (Major)
 Time signature    2/2
 History    
 Structure    AAB, AABB, AA'BC
 Editor/Compiler    John Clinton
 Book/Manuscript title    Book:Gems of Ireland: 200 Airs
 Tune and/or Page number    No. 189, p. 98
 Year of publication/Date of MS    1841
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



Peter Street (1): Annotations

X:1 T:Untitled T:Peter Street [1] M:2/4 L:1/8 R:Reel S:Seth Johnson – Woburn Fife Manuscript (c. 1807-40?, p. 44) Z:AK/Fiddler’s Companion K:G G (3B/A/G/ d/G/ (3B/A/G/|d/G/ g/G/ f/G/ e/G/|G (3B/A/G/ d/G/ (3B/A/G/|F/D/A/D/ B/D/A/D/| G (3B/A/G/ d/G/ (3B/A/G/|d/G/ g/G/ f/G/ e/G/|d/^c/d/B/ d/g/d/B/|A/G/A/B/ G2:| |:D (3F/E/D/ A/D/ (3F/E/D/|c/D/B/D/ A/D/G/D/|G (3B/A/G/ d/G/ (3B/A/G/|d/G/g/G/ f/G/e/G/| d/^c/d/B/ g/f/g/e/|d/^c/d/B/ g/f/g/e/|d/B/g/f/ e/d/c/B/|A/G/F/E/ D/E/F/D/:|


X:1 T:Sweet Peter Street T:Peter Street [1] M:C L:1/8 R:Reel Q:"Allegro Spiritoso" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 189, p. 98) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:D d2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d .c'.d.b.d|.a.d{f}ed .a.d.b.d|cAeA fAeA| D2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d .c'.d.b.d|(aba).f (ad').a.f|{f}(ed)(ef) d2d2:|| .A2 .c.A. eA{c}(BA)|.e.A.g.A. f.A.e.A|.d2 {f}(ed) ad{f}(ed)|ad d'd c'dbd| (ab).a.f (d'c').d'.b|(ab).a.f (d'c').c'.b|(a/d').c'.b (ag).f.e|(dc).B.A ^(GA).B.c| d2 {f}(ed) .a.f{f}(ed)|.a.d.d'.d .c'.d.b.d|.a.d{f}(ed) .a.d.bd|cAeA fAeA| d2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d c'..d.b.d|(ab)af (ad').a.f|{f}(ed) (ef) d2d2||


X:1 T:Peter Street [1] M:4/4 L:1/8 R:Reel Q:"Presto" S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 11) S: http://archive.org/details/MEEamesBook N:Eames was perhaps from Philadelphia Z:AK/Fiddler’s Companion K:G D|OG2 (3BAG dGBG|dGgG fGeG|G2 (3BAG dGBG|ADcD BDAD| G2 (3BAG dGBG|dGgG fGeG|dedB dgdB|AGAB A2 z!Fine!|| D|D2 (3FED ADFD|ADcD BDAD|G2 (3BAG dGBG|dGgG fGeG| d2 (Bd) gfge|d2 (Bd) gfge|dBgf edcB|AGFE DEFD!D.C.!O||


X:1 T:Peter Street [1] M:C L:1/8 R:Reel Q:"Lively" B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 75, p. 32) Z:AK/Fiddler’s Companion K:A A2 (3cBA eA (3cBA|eAaA gAfA|eA (3cBA eAfA|BEcE dEBE| A2 (3cBA eA (3cBA|eAaA gAfA|efec eaec|BABc A2z2|| E2 (3GFE BE (3GFE|BEdE cEBE|A2 (3cBA eA (3cBA|eAaA gAfA| efec agaf|efec agaf|ecag fedc|BAGF EFGE||


X:1 T:Peter Street Dance M:C| L:1/8 R:Reel S:The mid-19th cent. music manuscript collection of James Goodman (County Cork, p. 106) F: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=109&z=670.7736%2C850.3037%2C8849.1449%2C5360 Z:AK/Fiddler’s Companion K:G G2 (BG) (dc)(BG)|Gz gz fz ez|(de)(dB) (de)(dB)|(AG)(FG) (Ac)(BA)| G2 BG (dcBA)|gz gz fz ez|(de)(dB) (de)(dB)|(AG)(AB) G2z2|| D2 (FD) (AG)(FE)|Dz cz Bz Az|G2 BG (dc)(BA)|Gz gz fz ez| (de)(dB) (gf)(ge)|(de)(dB) (gf)(ge)|d2 (gf) (ed)(cB)|(Ac) (FA) (GFED)||


X:1 T:Peter Street Dance M:C L:1/8 B:James Goodman music manuscript collection, vol. 4 (mid-19th century, p. 48) B: http://goodman.itma.ie/volume-four#?c=0&m=0&s=0&cv=51&z=-1113.2721%2C367.1608%2C9412.445%2C3784.7937 Z:AK/Fiddler’s Companion K:Bb F|B2 d/c/B fBdB|fBgB aBgB|fB d/c/B fBdB|cFdF eFcF| B2 d/c/B fBdB|fBbB aBgB|fgfd fbfd|cBcd B2:| |:B|A2 A/G/F cFAF|cFeF dFcF|d2 d/c/B fBdB|fBgB fBdB| fB d/c/B bBgB|fB d/c/B bBgB|fBgf edcB|ABcB AFGA| B2 d/c/B fBdB|fBbB aBgB|fB d/c/B fBdB|cFdF eFcF| B2 d/c/B bBgB|fB d/c/B bBgB|fBgf edcB|ABcB AFGA| B2 d/c/B fBdB|fBbB aBgB|fB d/c/B fBdB|cFdF eFcF| B2 d/c/B fBdB|fBbB aBgB|fgfd fbfd|{d}cBcd B3||


X:1 T:Peter Street [1] M:C| L:1/8 R:Reel N:Reidy had two sharps as key signature. N:the seventh measure of the 2nd strain (a repeat of the sixth meaaure) N:was missing in the MS. S:P.D. Reidy music manuscript collection, London, 1890’s (No. 27) N:”Professor” Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and “Walls N:of Limerick” ceili dances and wrote a treatise on dancing. F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler’s Companion K:A e/d/c/B/|A2 (3cBA eAcA|eAaA fAfA|eA (3cBA eA (3cBA| BEcE dEcE| A2 (3cBA eAcA|eAaA gAfA|efec eaec|1 BABc A2 e/d/c/B/:|2 BABc A2|| B/A/G/F/|E2 (3GFE BEcE|BedE cEBE|A2 (3cBA e2 (3cBA|eAaA gAfA| (ef)ec (ag)af|(ef)ed (ag)af|egag fedc|BAGF EdcB| A2 (3cBA eAcA|eAaA gAfA|eA (3cBA eA (3cBA|BEcE dEcE| A2 (3cBA eAcA|eAaA gAfA|efec eaec|BABc A2||


X:1 T:Peter Street [1] M:C| L:1/8 R:Reel K:A A2 (3cBA eA (3cBA|eA aA gA fA|eA (3cBA eA fA|BE dE cE BE| A2 (3cBA eA (3cBA|eA aA gA fA|ef ec ea ec|BA Bc A4:| |:E2 (3GFE BE (3GFE|BE dE cE BE|A2 (3cBA eA (3cBA|eA aA gA fA| e^d ec ag af|e^d ec ag af|ec ag fe dc|BA GF EF GE:|]


Peter Street (1): Annotations

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