Philadelphia Fireman's Cotillion (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Philadelphia Fireman's Cotillion | |f_tune_title=Philadelphia Fireman's Cotillion | ||
|f_aka=Fireman's Dance | |||
|f_composer=Francis Johnson | |f_composer=Francis Johnson | ||
|f_country=United States | |f_country=United States | ||
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|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_history=USA(Mid Atlantic) | |f_history=USA(Mid Atlantic) | ||
|f_structure=AABC | |f_structure=AABC, AABBC | ||
|f_theme_code_index=1H71H5 62H76H | |f_theme_code_index=1H71H5 62H76H | ||
}} | }} | ||
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.c.c .C.C|.G.G .G,.G,|AA d>c|(B/c/)(A/B/) (^F/G/A/B/)| | .c.c .C.C|.G.G .G,.G,|AA d>c|(B/c/)(A/B/) (^F/G/A/B/)| | ||
.c.c .C.C|.G.G .G,.G,|AA d>c|B/G/A/B/ [E2c2]|| | .c.c .C.C|.G.G .G,.G,|AA d>c|B/G/A/B/ [E2c2]|| | ||
</pre> | |||
<pre> | |||
X:1 | |||
T: Fireman's Dance | |||
M:2/4 | |||
N:The dance is done in double contra or Sicilian circle formation. In the last part, | |||
N:the dancers shout "Fire! Fire! Fire! Fire!" before passing through to meet the new | |||
N:couples with whom they will dance the next time through. | |||
B:Mr. and Mr. Henry Ford, "Good Morning: Music, Calls, and Directions for | |||
B:Old-time Dancing," fourth edition, 1943, pp. 86-87 | |||
K:D | |||
A2|d2d2 c2c2|dcdB A2A2|B2B2 e2d2|ca^ga ba=ge| | |||
d2d2 c2c2|defd A2A2|BGed cABc|1d2f2d2:|2d2f2 d2e2|| | |||
|:f2(3ABc d2e2|f2(3ABc d2f2|e2B2 g2f2|ea^ga ba=ge| | |||
f2(3ABc d2e2|f2(3ABc d2f2|efgf eABc|d2f2d2z2:| | |||
"Fire!"A,4"Fire!"A,4|"Fire!"A,4"Fire!"A,4|B2B2 e2d2|ca^ga ba=ge| | |||
d2d2 c2c2|defd A2A2|BGed cABc|d2f2d2|] | |||
</pre> | </pre> | ||
---- | ---- | ||
=[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]= | =[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]= | ||
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Revision as of 03:24, 15 December 2020
X:1 T:Philadelphia Fireman's Cotillion M:2/4 L:1/8 C:Francis Johnson (1792-1844) N:Composed in 1822 Z:AK/Fiddler's Companion K:C cc BB|c/d/e/c/ Gz|AA d>c|B/d/g/^f/ a/g/=f/d/| cc BB|c/d/e/c/ G/c/B/c/|AA c/B/c/B/|[F2d2] [E2c2]:|| [Ge](3G/A/B/[Ec][Gd]|[Ge](3G/A/B/[Ec][Gd]|[Ge](c/d/) e/c/g/e/|[Gd] B/c/ d/B/c/d/| [Ge](3G/A/B/[Ec][Gd]|[Ge](3G/A/B/[Ec][Gd]|[Ge]f/e/ [Fd] A/B/|(6G/B/c/d/e/f/ (36g/f/e/d/c/B/|| .c.c .C.C|.G.G .G,.G,|AA d>c|(B/c/)(A/B/) (^F/G/A/B/)| .c.c .C.C|.G.G .G,.G,|AA d>c|B/G/A/B/ [E2c2]||
X:1 T: Fireman's Dance M:2/4 N:The dance is done in double contra or Sicilian circle formation. In the last part, N:the dancers shout "Fire! Fire! Fire! Fire!" before passing through to meet the new N:couples with whom they will dance the next time through. B:Mr. and Mr. Henry Ford, "Good Morning: Music, Calls, and Directions for B:Old-time Dancing," fourth edition, 1943, pp. 86-87 K:D A2|d2d2 c2c2|dcdB A2A2|B2B2 e2d2|ca^ga ba=ge| d2d2 c2c2|defd A2A2|BGed cABc|1d2f2d2:|2d2f2 d2e2|| |:f2(3ABc d2e2|f2(3ABc d2f2|e2B2 g2f2|ea^ga ba=ge| f2(3ABc d2e2|f2(3ABc d2f2|efgf eABc|d2f2d2z2:| "Fire!"A,4"Fire!"A,4|"Fire!"A,4"Fire!"A,4|B2B2 e2d2|ca^ga ba=ge| d2d2 c2c2|defd A2A2|BGed cABc|d2f2d2|]