White Cockade (1) (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=White Cockade (1) (The) | |f_tune_title=White Cockade (1) (The) | ||
|f_aka=Cnota Bán (An), Duke of Buccleugh's Tune (The), Ranting Highlander (The), Ranting Highlandman (The), Fiddler's Morris, Highland Laddie (3) (The), Lad with the White Cockade (The), Rose in the Garden (The), White Cock Head, O an ye were dead guidman, Highland lad my love was born (A), Wind Blew the Bonnie Lassie’s Plaidie Away (The), | |f_aka=Cnota Bán (An), Duke of Buccleugh's Tune (The), Ranting Highlander (The), Ranting Highlandman (The), Fiddler's Morris, Highland Laddie (3) (The), Lad with the White Cockade (The), Rose in the Garden (The), White Cock Head, O an ye were dead guidman, Highland lad my love was born (A), Wind Blew the Bonnie Lassie’s Plaidie Away (The), Reel des Laurentides | ||
|f_country= | |f_country=England, Scotland, Ireland, Canada, United States | ||
|f_genre=Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Old-Time, Scottish | |f_genre=Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Old-Time, Scottish | ||
|f_rhythm=Country Dance, March/Marche, Reel (single/double) | |f_rhythm=Country Dance, March/Marche, Reel (single/double) | ||
|f_time_signature= | |f_time_signature=4/4, 2/4, 2/2 | ||
|f_key=G | |f_key=G | ||
|f_accidental=1 sharp | |f_accidental=1 sharp | ||
Line 15: | Line 15: | ||
|f_page=No. 1 | |f_page=No. 1 | ||
|f_theme_code_index=3332 1331H | |f_theme_code_index=3332 1331H | ||
|f_score=1 | |||
}} | }} | ||
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---- | ---- | ||
< | <section begin=abc /> | ||
X:1 | X:1 | ||
T:White Cockade [1] | T:White Cockade [1] | ||
M:C| | M:C| | ||
Line 34: | Line 38: | ||
|:Bc|d2 Bc g2 Bc|d2 de d4|edef gfga|b2 e2 e2 d>c/B/4| | |:Bc|d2 Bc g2 Bc|d2 de d4|edef gfga|b2 e2 e2 d>c/B/4| | ||
g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:|| | g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:|| | ||
</ | <section end=abc /> | ||
< | <section begin=X2 /> | ||
X:1 | X:1 | ||
T:Second to the White Cockcade | T:Second to the White Cockcade | ||
S:Thomas Calvert Collection, Kelso, Scotland (1799) | S:Thomas Calvert Collection, Kelso, Scotland (1799) | ||
Line 49: | Line 52: | ||
GA|B2G2 d2G2|B2ge d2Bc|B2G2 B2AB|c2 A2 [F2A2]BA| | GA|B2G2 d2G2|B2ge d2Bc|B2G2 B2AB|c2 A2 [F2A2]BA| | ||
G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|] | G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|] | ||
</ | <section end=X2 /> | ||
< | <section begin=X3 /> | ||
X:1 | X:1 | ||
T:White Cockade [1] | T:White Cockade [1] | ||
M:C | M:C | ||
Line 62: | Line 64: | ||
G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:| | G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:| | ||
|:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|] | |:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|] | ||
</ | <section end=X3 /> | ||
< | <section begin=X5 /> | ||
X:1 | X:1 | ||
T:White Cockade [1] (Scotch) | T:White Cockade [1] (Scotch) | ||
M:C | M:C | ||
Line 78: | Line 79: | ||
AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA| | AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA| | ||
B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2|| | B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2|| | ||
</ | <section end=X5 /> | ||
< | <section begin=X6 /> | ||
X:1 | X:1 | ||
T:White Cockade | T:White Cockade | ||
M:2/4 | M:2/4 | ||
Line 93: | Line 93: | ||
|:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA G/A/| | |:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA G/A/| | ||
B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|] | B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|] | ||
</ | <section end=X6 /> | ||
< | <section begin=X8 /> | ||
X:1 | X:1 | ||
T:White Cockade, The | T:White Cockade, The | ||
M:2/4 | M:2/4 | ||
Line 111: | Line 110: | ||
(dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)| | (dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)| | ||
.B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B|| | .B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B|| | ||
</ | <section end=X8 /> | ||
< | <section begin=X9 /> | ||
X:1 | X:1 | ||
T:White Cockade [1], The | T:White Cockade [1], The | ||
Line 126: | Line 125: | ||
Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)| | Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)| | ||
.B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2|| | .B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2|| | ||
</ | <section end=X9 /> | ||
< | <section begin=X11 /> | ||
X:1 | X:1 | ||
T:White Cockade [1], The | T:White Cockade [1], The | ||
M:2/4 | M:2/4 | ||
Line 141: | Line 139: | ||
|:c|d>B g>B|d/e/d/B/ d>e|ed/B/ gf/g/|a>A A/G/A/B/| | |:c|d>B g>B|d/e/d/B/ d>e|ed/B/ gf/g/|a>A A/G/A/B/| | ||
B/B/e/d/ BA/G/|A/G/A/B/ gf/g/|ag/f/ e/f/g/e/|dB B<B:|] | B/B/e/d/ BA/G/|A/G/A/B/ gf/g/|ag/f/ e/f/g/e/|dB B<B:|] | ||
</ | <section end=X11 /> | ||
</ | <section begin=X12 /> | ||
X:3 | X:3 | ||
T:White Cockade, The | T:White Cockade, The | ||
L:1/8 | L:1/8 | ||
Line 157: | Line 153: | ||
|:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA| | |:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA| | ||
B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|] | B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|] | ||
</ | <section end=X12 /> | ||
< | <section begin=X13 /> | ||
X:1 | X:1 | ||
T:White Cockade [1] | T:White Cockade [1] | ||
M:2/4 | M:2/4 | ||
Line 174: | Line 169: | ||
|:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2| | |:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2| | ||
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|] | BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|] | ||
</ | <section end=X13 /> | ||
---- | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
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__NOTITLE__ |
Revision as of 22:28, 13 January 2020
X:1 T:White Cockade [1] M:C| L:1/8 R:March S:fifer Thomas Nixon Jr./Joseph Long copybook (c. 1776-78. pp. 90-91) Z:AK/Fiddler’s Companion K:G GA|B2 Bc B2 AG|d2B2B2g2|d2 Bc B2 AG|FGAB A2 GA| B2 Bc B2 AG|A2B2 g4|a2 f2 g2e2|d2B2 B3:| |:Bc|d2 Bc g2 Bc|d2 de d4|edef gfga|b2 e2 e2 d>c/B/4| g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:||
X:1
T:Second to the White Cockcade
S:Thomas Calvert Collection, Kelso, Scotland (1799)
Z:Jack Campin May 2001
M:C
L:1/8
N:bars 7 and 15 are written |g/f/e/d/ c/B/A/G/| in the book
K:G
BA|G2B2 dBAB|d2G2 G2Bc|B2G2 G2F2|G2[F2A2] [F2A2]Bc|
G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2||
GA|B2G2 d2G2|B2ge d2Bc|B2G2 B2AB|c2 A2 [F2A2]BA|
G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|]
X:1
T:White Cockade [1]
M:C
L:1/8
Q:"Allegretto"
B:Wilson - Companion to the Ball Room (1816, p. 39)
Z:AK/Fiddler's Companion
K:G
G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|
|:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|]
X:1
T:White Cockade [1] (Scotch)
M:C
L:1/8
Q:"Allegretto"
R:Country Dance
B:Thomas Wilson - Companion to the Ball Room (1816, p. 54)
Z:AK/Fiddler's Companion
K:G
GA|B2B2 B2 AG|d2B2B2 GA|B2B2B2 AG|B2A2A2 GA|
B2B2B2 AG|A2B2 g3a|bagf efge|d2B2B2||
AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA|
B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2||
X:1
T:White Cockade
M:2/4
L:1/8
R:Country Dance Tune
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 154)
Z:AK/Fiddler’s Companion
K:G
gf|e/d/c/B/ d/B/A/G/|BB Bg/f/|e/d/c/B/ d/B/A/G/|BA AG/A/|
B/G/B/d/ c/B/A/G/|AB !fermata!ga|b/a/g/f/ e/f/g/e/|d/B/A/B/ A:|
|:B/c/|dB/G/ gB/c/|ddd>e|dB gf/g/|aA G/A/|
B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|]
X:1
T:White Cockade, The
M:2/4
L:1/8
Q:"Allegro Spiritoso"
R:Country Dance
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 199, p. 104)
Z:AK/Fiddler’s Companion
K:G
(G/A/)|.B.B.B (A/G/)|.B.B.B .g|.d.B (c/B/)(A/G/)|(BA).A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d.g (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B ||
(B/c/)|.d.B.g (B/c/)|{e}(d/^c/)(c/d/) .d(B/=c/)|.d.B.g (f/g/)|.a.A.A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d. g(g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B (B/c/)|
(dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B||
X:1
T:White Cockade [1], The
M:C|
L:1/8
Q:"Spiritoso"
R:Country Dance
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9)
Z:AK/Fiddler’s Companion
K:G
GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA|
.B2 Bd cBAG|(Bd)(ef) gfga|(ba)gf (agf)e|d2B2B2||
Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)|
.B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2||
X:1
T:White Cockade [1], The
M:2/4
L:1/8
R:Pipe March
B:William Ross - Ross's Collection of Pipe Music (1869, No. 107, p. 99)
Z:AK/Fiddler's Companion
K:G
e|G>B BA/B/|G>B B/B BA/G/|BA AG/A/|
B/B B<B:|
|:c|d>B g>B|d/e/d/B/ d>e|ed/B/ gf/g/|a>A A/G/A/B/|
B/B/e/d/ BA/G/|A/G/A/B/ gf/g/|ag/f/ e/f/g/e/|dB B<B:|]
X:3
T:White Cockade, The
L:1/8
M:C|
R:Country Dance
B:Stewart-Robertson – The Athole Collection (1884)
Z:AK/Fiddler’s Companion
K:G
GA|B2B2B2 AB|G2B2B2 ge|d2B2B2 AG|B2A2A2 GA|
B2 Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|
|:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA|
B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|]
X:1
T:White Cockade [1]
M:2/4
L:1/8
R:Air and Reel
N:”As played by David R. Hamblon” (1809-1893, originally from Cumberland
N:Gap, Lee County, western Virginia, as transcribed by his grandson, A. Porter Hamblon.
N:The key signature in the MS is (inexplicably) E Major.
Z:AK/Fiddler’s Companion
K:G
G/A/|BB B/A/G/B/|dB Bg/e/|dB B/A/G/A/|BA A2 G/A/|
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|
|:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2|
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|]