TTA

Welcome to the development site of the              Traditional Tune Archive     The Semantic Index of North American, British and Irish  traditional instrumental music with annotations, formerly known as                           The Fiddler's Companion. 56,256 Tunes by title

Support The Traditional Tune Archive From now until Dec. 31, 2019, The Traditional Tune Archive can earn 5 USD in Basic Attention Tokens (BATBAT stands for Basic Attention Token. It is a utility token based on the Ethereum technology that can also be used as a unit of account between advertisers, publishers, and users within Brave Rewards. The token is not a digital currency, security or a commodity. For more information, visit the BAT website.) for each qualified referral A referral is qualified when the person that downloaded and installed the Brave Browser, uses the browser for a minimum of 30 days since the browser was first opened. that Download & Install the Brave Browser Much more than a browser, Brave is a new way of thinking about how the web works. Brave is open source and built by a team of privacy focused, performance oriented pioneers of the web..

December 5 2024   Featured tune:     THE LASS OF RICHMOND HILL

According to the booklet accompanying Carpenter's LP, the story behind the tune is one of a difficult adjustment to a forced change in Ernie's life.

Elk River Blues

Played by: Jatek Zenekar
Source: Soundcloud
Image: Ernie Carpenter (1909-1997)

Elk River Blues

Composed by Braxton County, West Virginia, old-time fiddler Ernie Carpenter (1909-1997).

According to the booklet accompanying Carpenter's LP, the story behind the tune is one of a difficult adjustment to a forced change in Ernie's life. He had worked most of his life for the Pittsburgh Plate Glass Company in Clarksburg, prior to retiring in 1972 to his home in Braxton County, West Virginia.

He was a regular visitor during his working years to his homeplace on the Elk River, and was witness to the planning and construction of the Sutton Dam by the U.S. Army Corps of Engineers on the river during the 1950's and 1960's.

Unfortunately, this resulted in the flooding of his boyhood home and the surrounding area, despite the efforts of himself and neighbors to forestall the project through a lobbyist. He refused the government's initial offer for his land (they didn't offer him anything for his house), and took the case to court.

He was able to gain a marked increase in the money he eventually was paid through this process, although he had to pay legal fees out of his pocket. He stayed in his Elk River homestead while the dam was being constructed, even though most of his neighbors had already left. Workmen blocked the roads in and out of the area, but Carpenter found alternate routes until they too were closed off.

"I was the last person out of there," he said," I went ahead then and tore the old place town and brought it up here. Part of its in this house." Of the tune, he remarked: "I was sittin' here one day, an' I had the blues. I reckon as bad as anybody could, thinkin' about my old homeplace up on the Elk River. I started sawin' on the fiddle an' that's what I came up with."

...more at: Elk River Blues - full Score(s) and Annotations

---

X:1 T:Elk River Blues C:Ernie Carpenter (W.Va.) M:4/4 L:1/8 R:Air N:Played slower than a breakdown, at a very brisk N:walking pace Z:Transcribed by Andrew Kuntz K:G D EG|[M:5/4]A2A3 A/B/ AG E/D/E/F/|[M:4/4]G2G3 D EG|[M:5/4]A2 A3 A/B/ AG E/D/E/F/|[M:4/4]G2 G3 G/A/ B/c/d| [M:5/4]e2 e3 e/f/ ed B/A/B/c/|[M:4/4]d2 d3B G(3A/B/d/|[M:5/4]e2 e3 e/f/ ed B/A/G/B/|[M:4/4]A4- A:|]

Latest Tunes <news onlynew="true" unique limit="10" nominor categories="tune"> * [[{{{pagename}}}]] - ({{{timeanddate}}}) </news> Who Builds The Archive Although we are not trained musicologists and make no pretense to the profession, we have tried to apply such professional rigors to this Semantic Abc Web as we have internalized through our own formal and informal education. This demands the gathering of as much information as possible about folk pieces to attempt to trace tune families, determine origins, influences and patterns of aural/oral transmittal, and to study individual and regional styles of performance. Many musicians, like ourselves, are simply curious about titles, origins, sources and anecdotes regarding the music they play. Who, for example, can resist the urge to know where the title Blowzabella came from or what it means, or speculating on the motivations for naming a perfectly respectable tune Bloody Oul' Hag, is it Tay Ye Want? Knowing the history of the melody we play, or at least to have a sense of its historical and social context, makes the tune 'present' in the here and now, and enhances our rendering of it. Andrew Kuntz & Valerio Pelliccioni Please register as a user to make the most of the many functions of the TTA, and enjoy the many ways that information about traditional tunes can be elicited and combined, from simple to complex situations. Users may make contributions, which, when reviewed by an editor, become part of this community project. Serious user/contributors may become editors through the TTA's promotion process, in which quantity and quality of entries allows increased levels of permission to edit and review the entire index. Above all, the developers wish you joy in the use of the TTA.

---

---