User:WikiSysop/Notes: Difference between revisions

Revision as of 16:11, 25 January 2020

Form: Tune Annotation WikiSysop/Test Page

The melody was originally named "Jackson's Victory" after Andrew Jackson's famous rout of the British at New Orleans on January, 8th, 1815. This victory, by a small, poorly equiped American army against eight thousand front-line British troops (some veterans of the Napoleonic Wars on the Continent), came after the peace treaty was signed and the War of 1812 ended, unbeknownst to the combatants. The victory made Jackson a national hero, and the anniversary of the Battle of New Orleans was widely celebrated with parties and dances during the nineteenth century, especially in the South. Around the time of the Civil War, some time after Jackson's Presidency, his popular reputation suffered and "Jackson's Victory" was renamed to delete mention of him by name, thus commemorating the battle and not the man. Despite its wide dissemination, Tom Carter (1975) says that some regard it as a relatively modern piece refashioned from an older tune named "Jake Gilly" (sometimes "Old Jake Gilly"). Not all agree--Tom Rankin (1985) suggests the fiddle tune may be older than the battle it commemorates, and that it seems American in origin, not having an obvious British antecedent as do several older popular fiddle tunes in the United States. A related tune (though the 'B' part is developed differently") is Bayard's (1981) Pennsylvania collected "Chase the Squirrel" (the title is a floater). Most older fiddlers, however, appear to have retained the tune's association in lore with Jackson's battle.

Some variants stray quite far from the core melody that is more-or-less familiar to many modern fiddlers (c.f. Dr. Humphrey Bate and His Possum Hunters); some sets feature the second strain played an octave higher for variation. It is on Charlie Walden's list of '100 essential Missouri fiddle tunes'.

...more at: - full Score(s) and Annotations

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 '''Form''': Tune Annotation {{#formredlink:target=User:WikiSysop/Test Page|form=TuneAnnotation|link text=Test Page}}
+{{break|2}}
+----
+{{Tune of the week
+|f_tune_of_the_week=Eighth_of_January_(1)
+|f_tue_name=Eighth of January
+|f_section=abc
+|f_mp3_track=Eighth Of January.mp3
+|f_artwork=Andrew Jackson Victory.jpg
+|f_played=Allison De Groot & Tatiana Hargreaves
+|f_notes=Free Dirt Records & Service Co.
+|f_source=Soundcloud
+|f_player_px=500
+|f_aw_px=250
+|f_article=The melody was originally named "Jackson's Victory" after Andrew Jackson's famous rout of the British at New Orleans on January, 8th, 1815. This victory, by a small, poorly equiped American army against eight thousand front-line British troops (some veterans of the Napoleonic Wars on the Continent), came after the peace treaty was signed and the War of 1812 ended, unbeknownst to the combatants. The victory made Jackson a national hero, and the anniversary of the Battle of New Orleans was widely celebrated with parties and dances during the nineteenth century, especially in the South. Around the time of the Civil War, some time after Jackson's Presidency, his popular reputation suffered and "Jackson's Victory" was renamed to delete mention of him by name, thus commemorating the battle and not the man. Despite its wide dissemination, Tom Carter (1975) says that some regard it as a relatively modern piece refashioned from an older tune named "Jake Gilly" (sometimes "Old Jake Gilly"). Not all agree--Tom Rankin (1985) suggests the fiddle tune may be older than the battle it commemorates, and that it seems American in origin, not having an obvious British antecedent as do several older popular fiddle tunes in the United States. A related tune (though the 'B' part is developed differently") is Bayard's (1981) Pennsylvania collected "Chase the Squirrel" (the title is a floater). Most older fiddlers, however, appear to have retained the tune's association in lore with Jackson's battle.
+{{break|2}}
+Some variants stray quite far from the core melody that is more-or-less familiar to many modern fiddlers (c.f. Dr. Humphrey Bate and His Possum Hunters); some sets feature the second strain played an octave higher for variation. It is on Charlie Walden's list of '100 essential Missouri fiddle tunes'.
+}}