Annotation:South Shore (1): Difference between revisions

Find traditional instrumental music
(Created page with "---------- {{TuneAnnotation |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:South_Shore_(1) > |f_annotation='''SOUTH SHORE, THE.''' AKA and see “Scholar (Th...")
 
No edit summary
Line 1: Line 1:
----------
{{TuneAnnotation
{{TuneAnnotation
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:South_Shore_(1) >
|f_annotation='''SOUTH SHORE, THE.''' AKA and see “[[Scholar (The)]].” English, Hornpipe (cut time). D Major. Standard tuning (fiddle). AABC. The tune, as “The South Shore,” appears in '''The Lads Like Beer''', a collection of melodies composed by and associated with 19th century Tyneside fiddler and composer [[wikipedia:James_Hill_(folk_musician)]] (c. 1811-1854), renowned for his hornpipe compositions. It is thought, but not proven, to be a Hill composition, based on stylistic evidence. A variant a familiar session tune known as “[[Scholar (The)]],” and is heard as a reel as well as a hornpipe.
|f_annotation='''SOUTH SHORE, THE.''' AKA and see “[[Scholar (The)]].” English, Hornpipe. The tune, as “The South Shore,” appears in '''The Lads Like Beer''', a collection of melodies composed by and associated with 19th century Tyneside fiddler and composer [[wikipedia:James_Hill_(folk_musician)]] (c. 1811-1854), famous for his hornpipe compositions. It is not known if Hill composed this tune or not, however, it is familiarly known as “[[Scholar (The)]],” and is heard as a reel as well as a hornpipe.  
|f_printed_sources=Laybourn ('''Köhler’s Violin Repository vol. 2'''), 1881-1885; p. 117.<span></span>
|f_source_for_notated_version=
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:South_Shore_(1) >
|f_printed_sources=
|f_recorded_sources=
|f_see_also_listing=
}}
}}
----------
-------------
-------------

Revision as of 22:12, 9 September 2021


Back to South Shore (1)


X:1 T:South Shore [1] R:Hornpipe B:Köhler's Violin Repository, Book 2, 1885, p. 117 Z:François-Emmanuel de Wasseige N:The repeat sign at the end of the last bar has been omitted. M:C| L:1/8 K:D A2|d2fd (cd)Bc|ABGA FGEF|(DF)Ad (EG)Bd|Bege dcBA | d2fd (cd)Bc|ABAG FDFA|BGBd cAce|f2d2 d2:| z2|vf2f2 (f/g/a) fd|g2g2 (g/a/b) ge|f2f2 (f/g/a) fd|(ed)cB Aceg| f2f2 (f/g/a) fd|g2g2 (g/a/b) ge|(f/g/a) fd (Bg)ec|d2f2 d2|| (ag)|(f/g/a) fd (fa)fd|(g/a/b) ge (gb)ge|(f/g/a) fd (fa)fd|edcB A2g2| (f/g/a) fd (fa)fd|(g/a/b) ge (gb)ge|(fa)fd|(Bg)ec|d2f2 d2|]



SOUTH SHORE, THE. AKA and see “Scholar (The).” English, Hornpipe (cut time). D Major. Standard tuning (fiddle). AABC. The tune, as “The South Shore,” appears in The Lads Like Beer, a collection of melodies composed by and associated with 19th century Tyneside fiddler and composer wikipedia:James_Hill_(folk_musician) (c. 1811-1854), renowned for his hornpipe compositions. It is thought, but not proven, to be a Hill composition, based on stylistic evidence. A variant a familiar session tune known as “Scholar (The),” and is heard as a reel as well as a hornpipe.


Additional notes



Printed sources : - Laybourn (Köhler’s Violin Repository vol. 2), 1881-1885; p. 117.






Back to South Shore (1)

0.00
(0 votes)