Annotation:Monaghan Scutchers (2) (The): Difference between revisions

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{{TuneAnnotation
{{TuneAnnotation
|f_annotation='''MONAGHAN SCUTCHERS, THE.'''  Irish, Reel (cut time). A Dorian. Standard tuning (fiddle). AB.
|f_annotation='''MONAGHAN SCUTCHERS, THE.'''  Irish, Reel (cut time). A Dorian. Standard tuning (fiddle). AB. "The Monaghan Scutchers" is contained in the music manuscript collection of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref>.
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor].
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor].
|f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 153, p. 85.
|f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 153, p. 85.
}}
}}

Revision as of 04:12, 12 June 2022



X:1 T:Monaghan Scutchers [2], The M:C| L:1/8 R:Reel B:Rev. Luke Donnellan music manuscript collection (c. 1909, Oriel region, B:south Ulster) K:Ador g|(3fga ed cABG|cABG FAAg|(3fga ed cABG|cABG A2 Ag| (3fga ed cABG|cABG FAAg|(3fga ed cABG|cABG A2 Af|| ge (3fga gedB|ge (3fga B2 Ba|ge (3fga gedB|cABG A2 Af| ge (3fga gedB|ge (3fga B2 Ba|geaf gedB|cABG A2 A2||



MONAGHAN SCUTCHERS, THE. Irish, Reel (cut time). A Dorian. Standard tuning (fiddle). AB. "The Monaghan Scutchers" is contained in the music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster[1].


Additional notes
Source for notated version : - Rev. Luke Donnellan music manuscript collection [O'Connor].

Printed sources : - Gerry O'Connor (The Rose in the Gap), 2018; No. 153, p. 85.






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  1. Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.