Queen of Clubs: Difference between revisions
No edit summary |
No edit summary |
||
Line 35: | Line 35: | ||
<font face="sans-serif" size="2"> | <font face="sans-serif" size="2"> | ||
---- | ---- | ||
<section begin=X1 /> | <section begin=X1 /> | ||
X:1 | X:1 | ||
Line 57: | Line 56: | ||
gf/g/ d/g/f/g/|gb/g/ ee/f/|gb/g/ eg/e/|dd/e/ g/e/d/B/|| | gf/g/ d/g/f/g/|gb/g/ ee/f/|gb/g/ eg/e/|dd/e/ g/e/d/B/|| | ||
<section end=X1 /> | <section end=X1 /> | ||
<section begin=abc /> | |||
X:1 | X:1 | ||
T:Queen of Clubs | T:Queen of Clubs |
Revision as of 01:58, 4 August 2022
X:1 T:Highland Fling, A T:Queen of Clubs N:A derivative of “Lady Ann Hope [1]” M:2/4 L:1/8 R:Fling B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 17, p. 8) B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript N:The ms. predates the introduction of quadrille-based polkas and slides that N:now characterize the music of Sliabh Luachra region, thought to have been N:introduced in the latter 19th century. S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it S:from D. Curtin of Stagmount, Rockchapel, Co Cork. Z:AK/Fiddler’s Companion K:G D|:GG/B/ A/G/E|cc/e/ d/B/B/g/|BB/G/ c/A/B/G/|1 E/G/D/E/ G/E/D/B/:|2 E/G/D/E/ G>|| d|ge/g/ d/g/e/g/|gb/g/ ee/f/|gb/g/ eg/e/|d/e/d/B/ Gd| gf/g/ d/g/f/g/|gb/g/ ee/f/|gb/g/ eg/e/|dd/e/ g/e/d/B/||
X:1
T:Queen of Clubs
M:C|
L:1/8
R:Reel
S:Ryan’s Mammoth Collection (1883)
Z:AK/Fiddler’s Companion
K:G
D2 | G2(GB) AGED | cBce dcBd | cBAc BAGB | AGFA GDB,D |
G2 GB AG E2 | {d}cBce dcBd | cBAc BAGB | AGFA G2 :|
|: (Bd) | g2 (fg) egdf | gbag fdef | g2(fg) egdB | cedf g2d2 |
g2(fg) eg(df) | gbag fdef | gbaf gfed | eg(fa) gedB ||