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{{SheetMusic
{{SheetMusic
|f_track=Sugar In The Gourd.mp3
|f_track=Killiecrankie.mp3
|f_pdf=Sugar in the Gourd.pdf
|f_pdf=Killiecrankie.pdf
|f_artwork=Sherman Hammons.png
|f_artwork=Lochiel's_charge_at_Killycrankie.jpg
|f_tune_name=Sugar in the Gourd
|f_tune_name=Killiecrankie
|f_track_title=Sugar_in_the_Gourd_(1)
|f_track_title=Killiecrankie_(1)
|f_section=abc
|f_section=abc
|f_played_by=[https://soundcloud.com/hogslopstringband Hogslop String Band]
|f_played_by=[https://soundcloud.com/natalie-macmaster Natalie McMaster]
|f_notes= Sherman Hammons from the series "Sugar in the Gourd," 1978, produced by West Virginia Public Broadcasting.
|f_notes= The charge of the Cameron Jacobite forces at the Battle of Killiecrankie.
|f_caption=There are a few explanations of the meaning of the title. Formerly it has been thought that ‘sugar in the gourd' might refer to a practice of hanging sugar-filled vegetable gourds around a dance floor—to ease the friction for dancers sugar would periodically be thrown on those sections of the floor where the traffic was the heaviest.
|f_caption=The title commemorates the famous Battle of Killiecrankie, Perthshire, in 1689 between the Highland forces led by Claverhouse in support of the Catholic King James II, and the Protestant Major-General Hugh Mackay, leader of the army of William III (although composed primarily of Lowland Scots).
|f_source=[https://soundcloud.com/hogslopstringband/sugar-in-the-gourd Soundcloud]  
|f_source=[https://soundcloud.com/natalie-macmaster/killiecrankie Soundcloud]  
|f_pix=420  
|f_pix=420  
|f_picpix=200
|f_picpix=200
|f_article=[[Sugar_in_the_Gourd_(1) | '''Sugar in the Gourd''']]
|f_article=[[Killiecrankie_(1) | '''Killiecrankie''']]


There are several “Sugar in the Gourd” tunes, related and unrelated. This version of “Sugar in the Gourd” is melodically related to "[[Turkey in the Straw]]," and historically predates it, the words having been printed in the 1830's (Charles Wolfe).  
The name Killiecrankie is derived from the Gaelic root word coille, meaning a wood, coupled with 'crankie,' which refers to aspens; thus the phrase means 'wood of the aspens' (Matthews, 1972).  


It was mentioned in an account authored by William Byrne describing a chance encounter with West Virginia fiddler ‘Old Sol’ Nelson during a fishing trip on the Elk River. The year was around 1880, and Sol, whom Byrne said was famous for his playing “throughout the Elk Valley from Clay Courthouse to Sutton as…the Fiddler of the Wilderness,” had brought out his fiddle after supper to entertain the company on a hunting trip (Milnes, '''Play of a Fiddle''', 1999).  
Johnson (1983) states it was later renamed after another (different) battle called Tranent Muir, East Lothian, fought in 1745 {which battle is usually known as the Battle of Prestonpans}. He suggests on stylistic reasons that the tune may be the surviving opening for a battle pibroch (see "Highland Battle, A"), although no other parts have come down. The tune, as "Keel Cranke" was published by Henry Playford in his 1700 collection of Scottish tunes (Original Scots Tunes), however, the earliest printing of the song appears to be in the Leyden Manuscript of c. 1692, according to John Glen (Early Scottish Melodies).  


The name proved to be popular and became attached to a number of tunes in several different genres and styles; in this sense the title was a 'floater' in much the same way that popular word couplets became attached to various melodically unrelated songs.  
Glen further states: "That portion of ("Killiecrankie") which is sung to the chorus is still more ancient; it forms part of the tune called "My Mistres blush is bonny" (sic) in the Skene Manuscripts" (c. 1615). Glen dates the Leyden Manuscript by its inclusion of tunes referring to 'King James March to Ireland' and the "Watter (sic) of the Boyne," a reference to the Jacobite Wars.  


Although there are words that are often sung to the tune, just as often it exists solely as an instrumental.  
As "Irish Gillycranky (The)" it is included in the Henry Atkinson manuscript of 1694/95. "Killiecrankie" was set for violin and continuo by William MacGibbon (1695-1756), and was printed by Oswald in his Caledonian Pocket Companion.
<blockquote>
''Well I'm goin' down the road and I met her on a board,''<BR>
''And the wind from her shoes knocked Sugar in the Gourd;''<BR>
''Sugar in the Gourd and the gourd upon the ground,''<BR>
''Well you wanna get to sugar got to break it all around.''<BR>
<br>
Refrain:<br>
''Sugar in the Gourd and you can't get it out,''<BR>
''When you wanna get to sugar got to break it all about.''<BR>
}}
}}

Revision as of 11:11, 1 July 2023


The title commemorates the famous Battle of Killiecrankie, Perthshire, in 1689 between the Highland forces led by Claverhouse in support of the Catholic King James II, and the Protestant Major-General Hugh Mackay, leader of the army of William III (although composed primarily of Lowland Scots).
Killiecrankie

Played by: Natalie McMaster
Source: Soundcloud
Image: The charge of the Cameron Jacobite forces at the Battle of Killiecrankie.

Killiecrankie

The name Killiecrankie is derived from the Gaelic root word coille, meaning a wood, coupled with 'crankie,' which refers to aspens; thus the phrase means 'wood of the aspens' (Matthews, 1972).

Johnson (1983) states it was later renamed after another (different) battle called Tranent Muir, East Lothian, fought in 1745 {which battle is usually known as the Battle of Prestonpans}. He suggests on stylistic reasons that the tune may be the surviving opening for a battle pibroch (see "Highland Battle, A"), although no other parts have come down. The tune, as "Keel Cranke" was published by Henry Playford in his 1700 collection of Scottish tunes (Original Scots Tunes), however, the earliest printing of the song appears to be in the Leyden Manuscript of c. 1692, according to John Glen (Early Scottish Melodies).

Glen further states: "That portion of ("Killiecrankie") which is sung to the chorus is still more ancient; it forms part of the tune called "My Mistres blush is bonny" (sic) in the Skene Manuscripts" (c. 1615). Glen dates the Leyden Manuscript by its inclusion of tunes referring to 'King James March to Ireland' and the "Watter (sic) of the Boyne," a reference to the Jacobite Wars.

As "Irish Gillycranky (The)" it is included in the Henry Atkinson manuscript of 1694/95. "Killiecrankie" was set for violin and continuo by William MacGibbon (1695-1756), and was printed by Oswald in his Caledonian Pocket Companion.

...more at: Killiecrankie - full Score(s) and Annotations



X:1 T:Keele Cranke M:C| L:1/8 B:Daniel Wright - Aria di Camera (London, 1727, No. 50) N:”being A Choice Collection of Scotch, Irish & Welsh Airs N:for the Violin and German Flute by the following masters N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick N:Mr. Hugh Edwards of Carmarthen” F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf Z:AK/Fiddler's Companion K:D V:1 clef=treble name="1." [V:1] FG|A3B A2 FG|A3 B A2FG|AGFE DEFG|A4 A4| B3c B2A2|d3c B2A2|d3e fedc|B4 B2 fg| a2f2a2d2|e2d2e2f2|d2B2d2F2|A4 A3c| B4 d4|e3d e2f2|d2B2d3F|E4 D2|| fg|agab a2 fg|agab a2 fg|agfe defg|a4 a4| b3c'b2a2|d'3ab2a2|bagf efga|b4 b2A2| dcde fefg|agab a2 gf|e2d2c2B2|A4 A3c| B4d4|e3d e2f2|(dB3) d3F|E4 D2||


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