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{{SheetMusic
{{SheetMusic
|f_track=Yellow Stockings.mp3
|f_track=O This Is No My Ain Lassie.mp3
|f_pdf=Yellow Stocking.pdf
|f_pdf=This is no mine ain House.pdf
|f_artwork=Mollcutpurse.jpg
|f_artwork=Lost_Portrait_of_Charles_Edward_Stuart.jpg
|f_tune_name=Yellow Stockings
|f_tune_name=This is not My Own House
|f_track_title=Yellow Stockings
|f_track_title=This is not My Own House
|f_section=abc
|f_section=X4
|f_played_by=[https://soundcloud.com/fiddlersbidofficial Fiddlers' Bid]
|f_played_by=[https://soundcloud.com/gillbowman Gill Bowman]
|f_notes= Mary "Moll" Frith from Haynes, Alan: Sex in Elizabethan England, page 119. Wrens Park Publishing, 1997 This image was from the title-page of The Roaring Girl.
|f_notes= Prince Charles Edward Stuart, 1720 - 1788.
|f_caption=The tune dates from the 16th century and is a member of a very large tune family. Henry Playford first printed it in 1698 in his Dancing Master under the title Mad Moll, a dance named for Mary 'Moll' Frith, and amateur actress and professional pickpocket.
|f_caption=Bonnie Prince Charlie danced to this tune at the house of Lude, near Blair, before the battle of Prestonpans, 1745
|f_source=[https://soundcloud.com/fiddlersbidofficial/yellow-stockings Soundcloud]  
|f_source=[https://soundcloud.com/gillbowman/o-this-is-no-my-ain-lassie Soundcloud]  
|f_pix=420  
|f_pix=420  
|f_picpix=200
|f_picpix=200
|f_article=[[Yellow Stockings | '''Yellow Stockings''']]
|f_article=[[This is not My Own House | '''This is not My Own House''']]


The tune dates from the 16th century and is a member of a very large tune family. Henry Playford first printed it in 1698 in his '''Dancing Master''' (under the title "[[Mad Moll (1)]]", a dance named for Mary "Moll" Frith, and amateur actress and professional pickpocket), and later in his 1703 edition with another dance under the title "[[Virgin Queen]]."
AKA and see "[[This is No My Ain Lassie (2)]]." The reel is an old one, a version of which appears in the Blaikie MS of 1692 as "[[Abbeyhills Rant]]"<ref>as per James C. Dick, "The Songs of Robert Burns", London, 1903, No. 96.</ref>. Bonnie Prince Charlie danced to this tune at the house of Lude, near Blair, before the battle of Prestonpans, 1745 {he won that one} (Marshall monogram, 1845 Collection, and Winstock 1970). Country dance directions to the tune were recovered from the '''Holmain Manuscript''' from Dumfries-shire (c. 1710-1750).
 
In 1705 Dean Swift adapted a nursery song to it beginning "Here my kitten, my kitten" ("O my Kitten"). The title "Yellow Stockings" for the tune appear in dancing master Daniel Wright's '''North Country Frisks''' (1713) and (as "Yallow Stockings") in his '''Extraordinary Collection of Pleasant and Merry Humour's never before Published, Containing Hornpipes, Jiggs, North Cuntry Frisks', Morris's, Bagpipe Hornpipe's, & Round's with Severall Additonal fancis added. fit for all those that play Publick" (c. 1713, No. 62).  John and William Neal printed it in their '''Choice Collection of Country Dances''' (Dublin, 1726).
{{break|2}}
As a vocal melody it can be heard in Charles Coffee’s ballad opera '''Boarding School''' (1733), '''The Cobler of Preston''' (1732), and it was published in a folio of songs from Henry Brooke’s '''Jack the Gyantqueller''' (London, 1749). Thomas Moore used it as the vehicle for his lyric "Fairest Put On Awhile."
 
Sir John Hawkins mentioned the tune in this quote regarding tavern entertainment from his 1576 '''A General History of the Science and Practice of Music''':
 
<blockquote>
''...Fidlers and others, hired by the master of the house; such as''
''in the night season were wont to parade the city and suburbs''
''under the title of Waits...Half a dozen of fidlers would scrape''
''"Sellenger's Round", or "John Come Kiss Me", or "Old Simon''
''the King" with divisions, till themselves and their audience were''
''tired, after which as many players on the hautboy would in the''
''most harsh and discordant tones grate forth "Greensleeves,"''
''"Yellow Stockings," "Gillean of Croydon," or some such common''
''dance tune, and the people thought it fine music.''
</blockquote>
}}
}}

Revision as of 15:12, 25 November 2023



Bonnie Prince Charlie danced to this tune at the house of Lude, near Blair, before the battle of Prestonpans, 1745
This is not My Own House

Played by: Gill Bowman
Source: Soundcloud
Image: Prince Charles Edward Stuart, 1720 - 1788.

This is not My Own House

AKA and see "This is No My Ain Lassie (2)." The reel is an old one, a version of which appears in the Blaikie MS of 1692 as "Abbeyhills Rant"[1]. Bonnie Prince Charlie danced to this tune at the house of Lude, near Blair, before the battle of Prestonpans, 1745 {he won that one} (Marshall monogram, 1845 Collection, and Winstock 1970). Country dance directions to the tune were recovered from the Holmain Manuscript from Dumfries-shire (c. 1710-1750).

...more at: This is not My Own House - full Score(s) and Annotations


X:4 T:This is not my ain House C:”The Variations by R. Mackintosh” M:C L:1/16 R:Air Q:"Slow" B:Robert Mackintosh - "A Fourth Collection of New Strathspey Reels, also some Famous old Reels" (1804, p. 16) N:Dedicated to the Dutchess [sic] of Manchester N:Robert "Red Rob" Mackintosh (c. 1745-1808) was a Scottish violinist and N:composer active in Edinburgh at the end of the 18th century. Originally from N:Tullymet, near Pitlochry, Perthshire. He moved to London in the last decade N:of his life. Z:AK/Fiddler's Companion K:D V:1 clef=treble name="4." [V:1] A2|FA3 Da3 {g}f4 e3d|(B2cd) (BA)(GF) B3EE3A|FA3Da3 {g}f4 e2d2|B3dAF3 AD3D2|| A2|FA3DA3 FA3B3A|FA3Df3 e2E2E3A|FA3DA3 FA3BB3A|(Bcd2) (cde2) d2D2D2A2| FA3DA3 FA3TBA3|FA3Df3 e2E2E2g2|{fg}a3fg3e f3de3c|{Bc}d3BA3F AD3D2|| A2|FGAF Da3 {g}f4 e3d|(BA)(dc) (BA)(GF) B2E2E2A2|(FGAF) (DFA)a (fefg) (fedc)|BABd BAGF AD3D2|| A2|(FD)(A,D) (FD)(AF) (DA,)(FD) AFdA|DFAd FAdf eEEA/G/|FDA,D A,DFD AFdA fdAF|(BcdB) (cdec) d2(D2 D)(dAG)| (FD)(A,D) (A,D)(FD) (FD)(AF) (dA)(FA)|(DF)(Ad) (FA)(df) e2E2 E(efg)|(.b.a.g.f .a.g.f.e .g.f.e.d .f.e.d.c)|(.e.d.c.B .A.B.d.F) AD3D2|| AG|(A/.A,/.B,/.C/ .D/.E/.F/.G/ .A/.B/.c/.d/.e/.f/.g/.a/) (.g/.f/.g/.a/ .g/.f/.b/.a/ .g/.f/.e/.d/ .f/.e/.d/.c/)|(B/^A/B/c/) (B/c/d/c/) (d/c/B/=A/) (B/A/G/F/) (B/=c/A/B/ G/A/F/G/ E/F/G/E/ A/G/F/E/)| |(A/.A,/.B,/.C/ .D/.E/.F/.G/ .A/.B/.c/.d/.e/.f/.g/.a/) g/f/g/a/ g/f/b/a/ g/f/e/d/ f/e/d/c/|((c/B/)(d/c/)(e/d/)(f/e/) .g/.f/.e/.d/ .f/.e/.d/.c/ .e/.d/.c/.B/ .A/.G/.F/.E/ D)|| AG|F/D/A,/D/ B,/D/C/D/ A,/D/B,/D/ C/D/F/D/ A,/(F/D/)(A/ F/)(d/A/)(f/ d/)(a/f/)d/ A/(f/d/)(A/|F/)d/A/F/ G/A/B/c/ d/c/B/A/ G/F/E/D/ B,/(G/E/)(B/ G/)(e/B/)(g/ e/)(E/G/F/) E/G/F/E/| .D/.A,/.B,/.C/ .C/.E/.F/.G/ .A/.D/.E/.F/ .G/.A/.B/.c/ .d/.A/.B/.c/ .c/.e/.f/.g/ (.a/f/)(d/A/) (f/d/)(A/F/)|(B/c/d/c/) (B/c/d/B/) (c/d/e/d/) (c/d/e/c/) (d/f/e/f/) (d/e/c/d/) (B/.d/.c/.B/ .A/.G/.F/.E/)| D/D/A,/D/ A,/D/B,/D/ A,/D/B,/D/ C/D/F/D/ A,/(F/D/)(A/ F/)(d/A/)(f/ d/)(a/f/)(d/ A/)(f/d/)(A/|F/)(d/A/)F/ D/A/B/c/ .d/.c/.B/.A/ .B/.F/.E/.D/ E(E/G/F/) (E/G/)(B/A/) (G/B/)(e/^d/) (e/f/g/b/)| (.a/.d/.e/.f/ .g/.a/.b/.c'/ .d'/.c'/.b/.a/.b/.f/.e/.d/ e/).b/.a/.g/.f/.e/.d/.c/ d/c/B/A/ B/A/G/F/|(G/B/)(A/c/) (B/d/)(c/e/) (d/f/)(e/g/) (f/a/)(c/e/) (.d/.d/.c/.B/.A/.G/.F/.E/) D||


  1. ↑ as per James C. Dick, "The Songs of Robert Burns", London, 1903, No. 96.
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