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{{SheetMusic
{{SheetMusic
|f_track=Larry O'Gaffs.mp3
|f_track=Colemann-Tell Her I Am.mp3
|f_pdf=Larry O'Gaff.pdf
|f_pdf=Tell Her I Am.pdf
|f_artwork=Samuel_lover.jpg
|f_artwork=Michael Coleman.png
|f_tune_name=Larry O'Gaff
|f_tune_name=Tell her I am
|f_track_title=Larry_O'Gaff_(1)
|f_track_title=Tell_Her_I_Am_(1)
|f_section=abc
|f_section=abc
|f_played_by=[https://soundcloud.com/trad-tune-collection Fionnlagh Ballantine]
|f_played_by=[https://soundcloud.com/michaelcoleman-scmusic Michael Coleman]
|f_notes=Samuel Lover (24 February 1797 – 6 July 1868), also known as "Ben Trovato"
|f_notes=Michael Coleman - (Jan 31, 1891 - Jan , 1945)
|f_caption=Larry O'Gaff was a brave boy for marching, {{break}}
|f_caption=Coleman’s version of the tune (the one played today) is in three parts and is most similar to Francis O’Neill's two-part version in the first strain; it is more similar to the two-part setting collected by James Goodman (with the addition of a third part).
His instep was larege--but his income was small;{{break}}
|f_source=[https://soundcloud.com/michaelcoleman-scmusic/tell-her-i-am Soundcloud]  
So he set up, one day, as a soldier of fortune--{{break}}
The meaning of which is--no fortune at all.{{break}}
|f_source=[https://soundcloud.com/trad-tune-collection/jig-larry-ogaffs-jig Soundcloud]  
|f_pix=420  
|f_pix=420  
|f_picpix=200
|f_picpix=200
|f_article=[[Larry_O'Gaff_(1) | '''Larry O'Gaff''']]
|f_article=[[Tell_Her_I_Am_(1) | '''Tell her I am''']]


The "Larry O'Gaff" title for the tune comes from a nonsensical stage-Irish song whose words are only rarely reported (they can be found in a folk version in Creighton's '''Songs and Ballads from Nova Scotia'''), and it appears the melody normally was used as an instrumental piece. The tune/song is firmly ensconced in the late minstrel/early vaudeville stage.  
Charlie Piggott, in his book '''Blooming Meadows''' (1998, written with Fintan Vallely), relates the story regarding a remark by Coleman, who was at the time living in New York.  


It is usually associated with Northeastern players in the United States. The older title was probably "[[Hob or Nob]]" posits Bayard (1981), which was the title of an old British dance.
Coleman was performing when a female admirer asked her companion to find out from the fiddler whether or not he was married. “Tell Her I Am,” he replied, in an inside joke.   Piggott also relates that Galway accordion player Joe Cooley (who also lived for some time in America) also fancied the jig, which he learned in the 1940’s in Dublin from the playing of Kilkenny fiddler John Kelly.  


However, as far back as 1840 it was entered into the music manuscript book of Cumbrian musician John Rook as "Larry O'Gaff is the boy" a title that seems associated with Samuel Lover's (1797–1868) comic piece called "Larry O'Gaff", which begins:
A bemused Cooley often, tongue in cheek, asked his flatmate for the name of the tune, anticipating the reply. Invariable it came in a tortured, garbled, improperly understood variation, “Tell Her Who Am I.” Paul de Grae suggests "the slightly cryptic title may be a garbling of "A Tailor I am"; there is an unrelated jig of that title"<ref>Paul de Grae, “Notes on Sources of Tunes in the O’Neill Collections”, 2017 [https://www.irishtune.info/public/oneill-sources.htm].</ref>.
<blockquote>
{{break|2}}
''Larry O'Gaff was a brave boy for marching,''<Br>
Coleman’s setting is certainly the standard setting nowadays for the tune, although not the earliest one.  O’Neill printed the tune in 1903, in a different setting then the one employed by Coleman (who was a boy of 12 in County Sligo at the time).  
''His instep was larege--but his income was small;''<Br>
 
''So he set up, one day, as a soldier of fortune--''<Br>
William Bradbury Ryan's '''Ryan’s Mammoth Collection''' (1883) includes the tune in a setting more akin to Coleman’s, and which is also similar to a setting collected by Church of Ireland cleric and uilleann piper [[wikipedia:James_Goodman_(musicologist)|James_Goodman_]] (1828-1896) in Munster in the 1860s, under the title “[[Humors of Ballymore (2) (The)]].  
''The meaning of which is--no fortune at all.''<Br>
''In battles, bombardments and sieges he grew up,''<Br>
''Till he didn't much care if towns flourish'd or blew up,''<Br>
''And his maxims in life--for he pick'd one or two up--''<Br>
''Were short, sweet and simple for Larry O'Gaff.''<Br>
</blockquote>
Bronner (1987) suggests a connection with "[[Campbells are Coming (1) (The)]]" and "[[Miss McLeod's Reel (1)]]," which his source (central N.Y. fiddler Les Weir) also called "[[Hob or Nob|Hob or Knob]]".   
}}
}}

Revision as of 09:58, 26 April 2024



Coleman’s version of the tune (the one played today) is in three parts and is most similar to Francis O’Neill's two-part version in the first strain; it is more similar to the two-part setting collected by James Goodman (with the addition of a third part).
Tell her I am

Played by: Michael Coleman
Source: Soundcloud
Image: Michael Coleman - (Jan 31, 1891 - Jan , 1945)

Tell her I am

Charlie Piggott, in his book Blooming Meadows (1998, written with Fintan Vallely), relates the story regarding a remark by Coleman, who was at the time living in New York.

Coleman was performing when a female admirer asked her companion to find out from the fiddler whether or not he was married. “Tell Her I Am,” he replied, in an inside joke. Piggott also relates that Galway accordion player Joe Cooley (who also lived for some time in America) also fancied the jig, which he learned in the 1940’s in Dublin from the playing of Kilkenny fiddler John Kelly.

A bemused Cooley often, tongue in cheek, asked his flatmate for the name of the tune, anticipating the reply. Invariable it came in a tortured, garbled, improperly understood variation, “Tell Her Who Am I.” Paul de Grae suggests "the slightly cryptic title may be a garbling of "A Tailor I am"; there is an unrelated jig of that title"[1].

Coleman’s setting is certainly the standard setting nowadays for the tune, although not the earliest one. O’Neill printed the tune in 1903, in a different setting then the one employed by Coleman (who was a boy of 12 in County Sligo at the time).

William Bradbury Ryan's Ryan’s Mammoth Collection (1883) includes the tune in a setting more akin to Coleman’s, and which is also similar to a setting collected by Church of Ireland cleric and uilleann piper James_Goodman_ (1828-1896) in Munster in the 1860s, under the title “Humors of Ballymore (2) (The).”

...more at: Tell her I am - full Score(s) and Annotations



X:0 T:Tell Her I Am [1] M:6/8 L:1/8 B:O'Neill's Music of Ireland. 1850 Melodies, 1903, p. 140, no. 749 Z:François-Emmanuel de Wasseige K:G V:1 clef=treble name="0." [V:1] d|edB GAB|DED GAB|DED cBA|BGE E2d| edB GAB|DED GAB|AGE cBA|BGG G2:| |:d|B/c/dB def|gfe dBG|ABA AGA|BGE E2d| Bcd def|{a}gfe dBG|AGE cBA|BGG G2:|]


  1. Paul de Grae, “Notes on Sources of Tunes in the O’Neill Collections”, 2017 [1].